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FAN-FREAKING-TASTIC!
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Is there anything really missing from the previous releases? Even so, underrated score. ^ ^ ^ Massively underrated I'd say. I was somewhat underwhelmed and not a bit confused when listening to it for the first time in 87, but it very soon insinuated itself into my brain and it has been lodged there ever since. Dynamic, propulsive, muscular, powerful beast of a score. Oh, and Jerry Goldsmith DID know how to use electronics, contrary to that rather quaint and amusing theory circulating on this very board.
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Posted: |
Jul 8, 2021 - 5:22 PM
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By: |
Zoragoth
(Member)
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Oh thank God! You know there aren't nearly enough Jerry Goldsmith releases out there. I know, I know. He sells. James And of course, he richly deserves the acclaim and fanatical following. It's Williams the public knows about, and gets umpteen replays on public radio, but overall of the two it's Goldsmith I regularly hearken back to. I find myself craving that luxuriant Goldsmith string writing, his complex and varying rhythms and innovative approaches. For sheer invention, originality, sharp dramatic instinct, and distinct voice, I think Herrmann and Goldsmith stand at the pinnacle together.
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Cool, I don't have this one yet! Ooh, one of the 40! Good luck you not picking up one of the earlier editions already — I’m happy for you Henry! Yavar
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I have both the previous editions. Half the tracks sound like there's a troupe of people bouncing up and down on some old spring mattresses, speeded up slightly and with some reverb added. The other half seems to feature a loop of someone's bottom being smacked at various rates of speed. So … you just like to watch.
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This is one I've been curious about for some time. I've never seen the film and I think I've only heard "The Plan" casually while surfing utube. I find I enjoy pretty much anything JG did with Carolco so I will definitely be picking this one up.
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