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 Posted:   Jun 9, 2009 - 10:55 PM   
 By:   BasilFSM   (Member)

G.I. JOE
Original Motion Picture Soundtrack

Music Composed and Conducted by Alan Silvestri

G.I. Joe is a highly trained, classified Special Operations Unit composed of men and women from around the globe. Officially, these warriors don't even exist. Few know the truth — that G.I. Joe fights a secret war, as the first and last line of defense against forces that seek to plunge our world into chaos. Wherever there’s trouble, G.I. Joe is there!

Director Stephen Sommers (The Mummy, Van Helsing) adapts the beloved Hasbro G.I. Joe toy line with this Paramount Pictures production that pits the Global Integrated Joint Operating Entity against the evil forces of the organization known as COBRA. Dennis Quaid and Channing Tatum star as General Hawk and Duke Hauser, respectively, with Joseph Gordon-Levitt and Marlon Wayans leading the rest of the cast, including Sienna Miller, Ray Park, Rachel Nichols, Christopher Eccleston, Adewale Akinnuoye-Agbaje, Saïd Taghmaoui, and Asian film star Lee Byung-hu.

Alan Silvestri, who is the modern master of scoring action blockbusters like Predator, The Mummy Returns and Night At The Museum, not to mention the Back To The Future trilogy, composes the apocalyptic score.

Paramount Pictures opens G.I. JOE nationwide on August 7, 2009.

Varèse Sarabande Catalog #: 302 066 980 2
Release Date: 08/04/09

 
 Posted:   Jun 9, 2009 - 11:06 PM   
 By:   Sarge   (Member)

This is honestly the only summer movie score I've been eager to hear... Silvestri can do no wrong.

 
 Posted:   Jun 10, 2009 - 1:12 AM   
 By:   CindyLover   (Member)

Stephen Sommers > Michael Bay (I can even forgive him for Van Helsing), Dennis Quaid > Shia LaBeouf, Rachel Nichols > Megan Fox, and Alan Silvestri definitely > Steve Jablonsky.

 
 
 Posted:   Jun 10, 2009 - 1:14 AM   
 By:   Francis   (Member)

Ditto. I was just watching Hopkins audio commentary to Predator 2 yesterday and he mentioned being amazed at the percussion and choice of instruments Silvestri introduced at the recording session. He said it was quite an event.

I hope he'll continue his Predator/Judge Dredd style for this movie, I'm sure we're in for a treat.

 
 
 Posted:   Jun 10, 2009 - 1:49 AM   
 By:   BigMacGyver2000   (Member)

Yesss! Finally! The trailer already suggested there will be a release on varese, so nice to see the confirmation at last.

Now i hope colosseum records will offer a pre-order quickly. They ship earlier and since the release date is 4th of august, the disc should arrive sometime in the week of july 20th. Can't wait!

 
 Posted:   Jun 10, 2009 - 8:16 AM   
 By:   SheriffJoe   (Member)

Alan Silvestri is one of the most awesome human beings I've met. Gracious and professional don't even come close to describing this man. He is also such a gifted composer that any new film he scores goes to the front of the line for me. I've been loving Night at the Museum 2's music (very Judge Dredd, another plus) and can't wait to hear what he pulls out of his bag of tricks for G.I. JOE. Very excitied!!!

Joe (once a G.I., but not any more)

(G.I. does NOT mean gastro-intestinal in this case....heh...)

 
 
 Posted:   Jun 10, 2009 - 8:21 AM   
 By:   scrapsly   (Member)

G. I. Joe has been the one release that I have been really looking forward to. Silvestri does some great orchestral work. The Wild is fabulous. I hope I am gravely mistaken, but after seeing the trailer, I would be willing to bet that it is going to have lots of electronics in the score. I am hoping it is more orchestral. Either way, I am sure Mr. Silvestri will provide a very entertaining score that elevates the film.

 
 
 Posted:   Jun 10, 2009 - 8:31 AM   
 By:   mtodd   (Member)

Silvestri does great muscular/militrary music; I am even OK with doese of electronica mixed in, but overall I get the feeling this may be another case of good-fun score to mediocre movie.

 
 Posted:   Jun 11, 2009 - 5:52 AM   
 By:   Moonie   (Member)

Pretty darn cool, its on my buy list for sure.

 
 
 Posted:   Jun 11, 2009 - 6:33 AM   
 By:   BigMacGyver2000   (Member)

I hope there will be a scoringsessions.com foto report from dan goldwasser wink

 
 Posted:   Jun 11, 2009 - 6:39 AM   
 By:   The Mutant   (Member)

I can't wait to hear this! One of the few scores I'm actually looking forward to.

 
 
 Posted:   Jun 11, 2009 - 9:56 AM   
 By:   Pennywise   (Member)

Varese's only description of the score in the whole blurb is that it's "apocalyptic?" Wow, I really have a sense for it now.

 
 Posted:   Jun 11, 2009 - 10:33 AM   
 By:   Mr. Jack   (Member)

While I'm sure the movie will suck, the Silvestri score ought to be a nice respite from the usual Media Ventures crap. smile

 
 
 Posted:   Jun 11, 2009 - 11:00 AM   
 By:   Prospero   (Member)

Two items:

1. Didn't Varese also use 'apocalyptic' in their blub for Star Trek: Nemesis? Just saying...

2. That said, I hate to make the following comparison: I look forward to a new Silvestri (especially an action movie) like I used to look forward to a new Goldsmith. I only make the comparison to express my level of excitement (which, like many others here, seems to be high), not to lessen either Silvestri or Goldsmith. Silvestri represents one of the last "old-school" composers who can excite me (Jerry & Elmer are gone, Goldenthal's sporadic, Williams seems to be retiring [and why not?]).

Here's to a great score!

 
 
 Posted:   Jun 11, 2009 - 11:10 AM   
 By:   Francis   (Member)


1. Didn't Varese also use 'apocalyptic' in their blub for Star Trek: Nemesis? Just saying...


Don't use the N-word, you're gonna jinx this release! big grin

 
 Posted:   Jun 11, 2009 - 11:12 AM   
 By:   SheriffJoe   (Member)

Don't forget Bruce Broughton when discussing "old school" composers. He is also someone for whom a new score ilicits squees of glee...even though those, too, seem few and far between these days, sadly enough.

 
 Posted:   Jun 11, 2009 - 11:12 AM   
 By:   Mike Shehan   (Member)

I'd be a little more excited if his compositional style hadn't devolved into this sort of "let's hit every instrument in the orchestra simultaneously with a hammer" school of orchestration.

I'm totally getting the CD, but I'm just sayin'!!!

 
 
 Posted:   Jun 11, 2009 - 11:40 AM   
 By:   mtodd   (Member)

While I'm sure the movie will suck, the Silvestri score ought to be a nice respite from the usual Media Ventures crap. smile

The story circulating is that Stephen Sommers as well as the producer were fired after the film scored the lowest of any movie Paramount ever screened (for what thats worth).

Stuart Baird was hired to "save" the film in editing.

Is this true? Sounds like a debacle. Could the score get a thrashing?

 
 
 Posted:   Jun 11, 2009 - 2:26 PM   
 By:   BigMacGyver2000   (Member)

Producer lorenzo di bonaventura has the answer to these rumours about sommers being fired:

"Its very unfair to Steve, its completely untrue he was never asked to leave or been fired or any of that. That’s ridiculous. The movie tested very well.

Latino Review: So what really happened in the editing room?

Lorenzo: Nothing that doesn’t happen on every other movie, which is that you constantly work and work and work and you make it better and better. We had a delay on visual effects so we waited a long time to finish the movie but that’s the only thing. I don’t really know why that would be interpreting it negatively but I guess it was.
So there we have it, there was nothing about this whole affair that added up properly. As I said in my opening sentence this is a very strange turn of events."

http://www.originalsharpsays.com/2009/06/director-stephen-sommers-fired-from-gi.html

Looks like the score is not in danger.

 
 
 Posted:   Jun 11, 2009 - 2:30 PM   
 By:   ryankeaveney   (Member)

I hope the mixing on the album is better than the last few Silvestri releases. His scores used to really breath on album, but now they're getting a little too thick for my tastes. It might have to do with orchestrations, I'm not sure, but I hope JOE sounds more THE MUMMY RETURNS than NIGHT AT THE MUSEUM 2.

 
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