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The finale reminds me a lot of Leonards great score to Making Love also made around that time in 1982.
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Out of interest, on TELEFON, why did you choose to create "a convincing stereo image from a ½" three-track monaural mix" on this occasion rather than leave the mono mix? And is this something that you consider for all mono sources you get?
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Out of interest, on TELEFON, why did you choose to create "a convincing stereo image from a ½" three-track monaural mix" on this occasion rather than leave the mono mix? And is this something that you consider for all mono sources you get?
To be specific, what we had was a three-track mix made for a mono movie so it is not panned like you would expect an orchestra to sound naturally. You have all the strings in channel one, all the winds and percussion in channel two, and all the brass in channel three, for example. We use various tricks to try and make it sound like a live orchestra, like splitting the strings left and right based on the frequency.
Lukas
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Definitely ordered. Thanks, Lukas--and all at FSM!
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No matter how you arrived at it this, Lukas, it sounds pretty damned good, and this will be a definite order within the next week or so.
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Out of interest, on TELEFON, why did you choose to create "a convincing stereo image from a ½" three-track monaural mix" on this occasion rather than leave the mono mix? And is this something that you consider for all mono sources you get?
To be specific, what we had was a three-track mix made for a mono movie so it is not panned like you would expect an orchestra to sound naturally. You have all the strings in channel one, all the winds and percussion in channel two, and all the brass in channel three, for example. We use various tricks to try and make it sound like a live orchestra, like splitting the strings left and right based on the frequency.
Lukas
Thanks for the extra information Lukas.
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I just cant post the Woods are dark and deep quote again.
Too obvious.
About as predictable as a Thor previous thread reminder! ha ha
You know, I think I might just order this.
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TELEFON I've seen many, many times - it's one of my Bronson favorites. It also sparked my interest in the poetry of Robert Frost. 
The score is typical 70s Schifrin action/thriller fodder, a lot of it being thinly-scored suspense music. The only really exciting piece are the End Titles.
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"....Hi, Doug's Dug-out! ....No, I told you, he's gone fishing...."
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I just got this yesterday.
I like it. Very Schifrin. If you like his 70s style - that stuff he does with the cimbaloms (and mandolins?) - I think you'll love this.
When this score has been discussed on the forum in the past people seemed to be very keen. Since its release - the reception seems, well, luke warm. Especailly compared to other releases around the same time.
Even this thread didnt make page 2.
Has everyone who wanted it, got one?
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Well, I got one. Pretty good CD!
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The first few notes remind me a lot of the song from Star Trek V 
