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The Project 3 has more reverb than the Varese, and less noise reduction than the Intrada.
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What is the Intrada version? I've never seen that.
It was a 1992 remastering of the old LP program, to which was added the cue "The Hunt."
Intrada FMT 8006D
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Can anyone tell me which is the most complete CD?
I have the Varese.
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Reading some of the answers I wonder if any has really heard the Project 3-CD. The CD came out in the 80ies and was one of the most atrocious sounding CDs I've ever heard. The sound was so heavily filtered that it was muffled and without any dynamics all over the way. There even was a fade-in at the beginning, cutting off the first one or two notes of the "Main Title".
Years later, there was a CD from SLC Japan. This one was taken from an LP - with all crackle and pops. But soundwise much better than the Project 3-CD.
The best CD is the Varèse and it's still available. And complete. No need to search for any other former issue.
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Posted: |
Aug 18, 2013 - 8:18 AM
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By: |
stroppy
(Member)
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I treasure the LP recording he signed for me in Melbourne when he came here to lecture in 1983.
Wow, I would have loved to have met him! I remember when he came to Melbourne. He was a guest on the Don Lane show. I remember he said he was not too well due to food poisoning. I used to have that interview on video tape.
Atham...he gave an excellent lecture at the Melbourne State Film Theatre which, in those days, was near what was to become the new Peter Mac Cancer Hospital in East Melbourne. During the lecture he showed clips of the then upcoming Twilight Zone movie and explained how he developed the themes for each segment. It really was a revealing look at how he came up with his musical ideas. I also remember that he tried to downplay all the praise he received for ST-TMP's score but people just kept praising the music so much he actually appeared quite humbled and embarrassed.
Anyway, at the conclusion of the lecture the theatre manager provided light refreshments and a chance for people to mingle in the theatre foyer. Some fans, myself included, had brought along LPs of various soundtracks he had written for him to sign which he graciously consented to. Two people in the line, me and another fellow, had LPs of the POTA soundtrack. He was surprised and exclaimed, "Where did you dig these up from?" What I didn't know at the time (1983) was that the LP had become as scarce as hen's teeth so he was genuinely surprised to see newly printed album being presented for him to sign. Looking back I wish I had taken my TMP LP in to sign as well!
My brother often asks me if the signed POTA album is worth anything... well you guys, is it? 
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