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 Posted:   Feb 13, 2020 - 6:47 AM   
 By:   Hurdy Gurdy   (Member)

You can't beat this for dreamy, meditative, piano/strings tinkly gorgeousness..

https://www.youtube.com/watch?v=7i9DhI1Skig

 
 
 Posted:   Feb 13, 2020 - 8:34 AM   
 By:   scottweberpdx   (Member)

I think Far From the Madding Crowd might be my favorite...and Victor Frankenstein

 
 Posted:   Feb 13, 2020 - 8:52 AM   
 By:   Deadwalker   (Member)

I havent heard much of him (that I know of) but I absolutely LOVE his work for The Great Gatsby and Viktor Frankenstein. They are melodic, epic and rich with themes. Exactly what I like about score.

Can you let me know of other works of his which is in this style?


In Time

The Incredible Hulk

 
 Posted:   Feb 13, 2020 - 9:06 AM   
 By:   Yavar Moradi   (Member)

I'm telling you, acathla, this'll be right up your alley:



Gorgeous. A less dark cousin to Victor Frankenstein, perhaps.

Yavar

 
 Posted:   Feb 13, 2020 - 2:07 PM   
 By:   First Breath   (Member)

His solo albums THE SPACE BETWEEN US and AS IF TO NOTHING are of course better than all the stuff he did for film.

 
 
 Posted:   Feb 13, 2020 - 2:12 PM   
 By:   Grack21   (Member)

His solo albums THE SPACE BETWEEN US and AS IF TO NOTHING are of course better than all the stuff he did for film.

It's Nearly Tomorrow is the third one.

 
 
 Posted:   Mar 13, 2020 - 2:44 PM   
 By:   CArmstrongFan   (Member)

Seeing this thread while searching for Craig interviews made me join the site!

The first score of his I heard was The Incredible Hulk, it remains my favorite. In Time I heard next and also love.

The best piece of his for my money is "Bruce and Betty" from TIH - https://www.youtube.com/watch?v=v60nrXIIWkQ

 
 
 Posted:   Mar 14, 2020 - 3:19 AM   
 By:   Hurdy Gurdy   (Member)

Welcome to the board CAF.
I love that Incredible Hulk Love Theme too.
He certainly has a way with strings and his chord modulations make his 'sound' so unmistakable. At least to me, but obviously many superstar recording artists think so too.
I'd love to hear his take on a James Bond film.
His music always adds a veneer of class to proceedings.

 
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