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I have to buy any score that has an alternate of "with bassoon".
(Well maybe not, but it's amusing, especially in light of the fact I remember a post years back someone was complaining about the orchestration of modern scores and talking about how there would never be a solo bassoon as a for instance)
Honestly those are the only parts that I'm curious about with this score - I find the original to be a bit of a Remote Control electronic mess, but I'd be really curious to see if there was originally a more orchestral bent to the music.
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Well, that's certainly an interesting way to program a title...
Still getting it.
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Solium for what it's worth I think you'll like the sequel score(s) a lot better. Much more orchestral, and more thematic.
Yavar
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TRACKLIST
1. The Bourne Identity Main Titles 4:23
2. The Bourne Identity Original Opening 4:25
4. Bourne On Land 1:45
5. Bourne On Land (With Bassoon) 1:41
6. Bourne On Land (Alternate Version) 1:55
I ll never understand how people (and the composer himself!) like that for a listening sequence
In this particular case, I think it is to showcase the evolution of the score.
More an illustrative exercise than a pure listening experience.
He probably knows that many fans like to see how things changed as a way of exploring the score.
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I'd like to see expansions of more of Powell's animated scores, the likes of 'Mars Needs Moms', 'Horton Hears A Who', etc, but I get the feeling that there just isn't likely to be enough interest in them due to the movies themselves not being notable enough.
Mars Needs Moms never even got a CD for the commercial album, sadly.
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