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Prologue and Main Title (Uncommon Valor)
Battle In The Mutara Nebula (Star Trek Wrath Of Khan)
Main Title (Escape From New York)
Enchantment At Tugu (Year Of Living Dangerously)
Sniper and Sandino (Under Fire)
Prologue (JFK)
Main Title (Magnum Force)
Ballate Per Un Pistolero (Il Pistolero Dell'Ave Maria)
Di Fronte Ai Killers (Lo Chiamavano Trinita)
Prison (Blood In Blood Out)
The Journey (The Magnificent Seven)
Gibraltar Exercise (The Living Daylights)
Flight Into Space (Moonraker)
Bond '77 and Ride To Atlantis (The Spy Who Loved Me)
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Jungle Holocaust Boys from Brazil
So much intentionally Wagnerian drama! I first heard this (well, the themes contained in the original suite) when I was eleven and it has sent chills through me ever since.
Second place would definitely be the Ben Hur ouverture.
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The Artist who Didn't Want to Paint - Rio Conchos, Goldsmith
Main Theme - The War of the Worlds (1953), Leith Stevens
Klingon Battle - Star Trek: The Motion Picture, Goldsmith
The Trip To Earth/Growing Up - Superman, Williams
For Gillian - The Fury, Williams
All "on the planet" music, including alternates, as one, big suite - A L I E N , Goldsmith
End Of The Atlantia - Galactica, Stu Phillips
The Light - Poltergeist, Goldsmith
It's a Good Life - Twilight Zone: The Movie, Goldsmith
Gift From the Sea - Papillon, Goldsmith
Michael's Gift to Karen - Brainstorm, Horner
Faking the Code - Return of the Jedi, Williams
Desert Chase - Raiders, Williams
The Last Battle - Star Wars, Williams
Appearance of the Visitors/Resolution and the End Title - Close Encounters, Williams
Into the Hole - The Black Hole, Barry
She Likes Me/Have A Nice Trip - Explorers, Williams
Finale and End Credits - Temple of Doom, Williams
My Abbey Road choice is side one of the Jaws 2 LP.
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Same here. Which is why I absolutely suck at these 'games'. I've never been a 'cue' guy, I'm always an album guy. Whether it's film music or something else, I put an album on and listen all the way through (time permitting). Most of the time, I don't even know what the track titles are called; don't pay any attention to them.
I do that too, of course, though I play "compositions" rather than albums (a Wagner opera might be 4 CDs long, a Haydn symphony may fill just the quarter of a CD.
But I also pick out certain sections at times, or listen to sections independently from their intended context. I don't listen to all of GÖTTERDÄMMERUNG every time I want to listen to Siegfried's Funeral March. :-)
In recent years I have discovered shuffling, which I often do while driving (and pretty much only then). I've got about 700 albums on files in my car, stuff I know, and stuff I have not (yet) heard, and I shuffle them around. Classical scores, film scores, some jazz, a few pop recordings... So I don't know what's coming up next, and when it plays I sometimes don't even know what it is since while I have bought the album at one time, I have never heard it before. I then try to guess what album it is from... mostly, I guess correctly, but sometimes I'm surprised. :-)
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