One of my top five scores of all-time. Gorgeous, exquisitely varied, exciting, suspenseful, bombastic, romantic, jazzy. This score is everything I love about film music. Not enough good things can be said about it IMO.
The film is arguably one of the best examples of a succesful melding of songs vs score soundtrack. No better than the beggining with the transitions from Bernstein's mysterious opening to Rigg's 'Radar Rider' then back to Bernstein. Too bad some of that B17 music never made it to the film or that he never got to score the dropped 'Neverwhere Land' segment.
