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BILLY BATHGATE (Mark Isham) picks up seamlessly from when PLANET OF THE APES (Jerry Goldsmith) ends.
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Elmer Bernstein's Men in War followed by THE TWILIGHT ZONE's "Two" by Van Cleave.
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John Barry's "office" scores:
The Ipcress File
The Quiller Memorandum
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Jerry Fielding: LAWMAN and CHATO'S LAND
Perfect fit, they are very similiar in many ways.
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Some combos I’ll be playing over the weekend:
Kaper’s Brothers Karamazov and Jarre’s Doctor Zhivago
Tiomkin’s It’s a Wonderful Life and Friedhofer’s The Bishop’s Wife
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I remember that the LPs of The Last Run and The Wild Rovers (both on MGM) were released (and purchased by me) within a week or so of each other--if anybody knows for sure, please mention it. Anyway, despite the contrasting style, period, EVERYTHING, I tend to play these together because when i play one, I think of the other.
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I tend to play In Cold Blood and In the Heat of the Night together by Quincy Jones.
I think they're his two best scores and both from the same year.
ICB was nominated for best score and lost, God knoweth how, to Thoroughly Modern Millie.
Jones put forth ICB to be nominated but not ITHOTN, which won best actor and picture that year. I think, if nominated, ITHOTN would have won best score that year.
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