Film Score Monthly
FSM HOME MESSAGE BOARD FSM CDs FSM ONLINE RESOURCES FUN STUFF ABOUT US  SEARCH FSM   
Search Terms: 
Search Within:   search tips 
You must log in or register to post.
  Go to page:    
 Posted:   Aug 14, 2019 - 9:58 AM   
 By:   The Mutant   (Member)

This is definitely my favorite Tarantino film in a long time. Enjoyed it more than Django, Hateful 8 and the Kill Bills.

 
 
 Posted:   Aug 14, 2019 - 11:07 AM   
 By:   Mark5760   (Member)

Who is the composer for much of the closing credits when period music from the 60's is not being used?

 
 
 Posted:   Aug 14, 2019 - 11:21 AM   
 By:   Morricone   (Member)

Who is the composer for much of the closing credits when period music from the 60's is not being used?

I believe you are talking about, as mentioned above, Maurice Jarre's THE LIFE AND TIMES OF JUDGE ROY BEAN.

 
 
 Posted:   Aug 14, 2019 - 11:58 AM   
 By:   Bob DiMucci   (Member)

As soon as I heard that end title music from "...Judge Roy Bean", I had to chuckle to myself and think: "Perfect!". One of the catch lines of the Roy Bean movie or maybe it was in the dialog somewhere was "...Maybe this isn't the way it was... it's the way it should have been." That's ONCE UPON A TIME IN HOLLYWOOD and I'd be surprised if Quentin didn't choose the Jarre piece partially for that reason. The theme has a lovely sense of nostalgia and melancholy anyway.


You have a good memory. See the tagline on the poster below.

 
 Posted:   Aug 14, 2019 - 8:42 PM   
 By:   'Lenny Bruce' Marshall   (Member)

If it's.not " historically accurate, I'm not going!

Right, Solium?
wink

 
 
 Posted:   Aug 15, 2019 - 7:38 PM   
 By:   John Mullin   (Member)

Does anyone know WHICH recording of TORN CURTAIN was used? "The Killing" sounded more like the McNeely recording to me, but the use of "The Radiogram" at Spahn Ranch sounded more like the original recording that finally appeared on the "Alfred Hitchcock Presents... Signatures In Suspense" album in 1999.

Anyone know? I've never had the Elmer Bernstein LP recording.

 
 
 Posted:   Aug 15, 2019 - 8:00 PM   
 By:   GoblinScore   (Member)

Does anyone know WHICH recording of TORN CURTAIN was used? "The Killing" sounded more like the McNeely recording to me, but the use of "The Radiogram" at Spahn Ranch sounded more like the original recording that finally appeared on the "Alfred Hitchcock Presents... Signatures In Suspense" album in 1999.

Anyone know? I've never had the Elmer Bernstein LP recording.


Almost certain I saw the Bernstein recording credited at the end...and if you buy QT's BS claim ALL his music drops come strictly from vinyl (I know my LP of The Entity has seen some play!!), this would bear the Bernstein out.

 
 Posted:   Aug 15, 2019 - 8:18 PM   
 By:   Shaun Rutherford   (Member)

Does anyone know WHICH recording of TORN CURTAIN was used? "The Killing" sounded more like the McNeely recording to me, but the use of "The Radiogram" at Spahn Ranch sounded more like the original recording that finally appeared on the "Alfred Hitchcock Presents... Signatures In Suspense" album in 1999.

Anyone know? I've never had the Elmer Bernstein LP recording.


Yeah, this sounds right, judging from the credits on the IMDB.

 
 
 Posted:   Aug 16, 2019 - 12:53 PM   
 By:   mikael488   (Member)


There is a splendid Western-styled cue when the character of Tex rides his horse back to the Spahn Ranch. I'm hoping to track it down - it could be either the Cattle Annie excerpt or one of the De Masi cues.


Did you find out what cue was used in that particular scene?

I haven't seen the film yet but since you describe the music as 'western-styled', could it be the opening credits music from the Italian western Apocalypse Joe by Bruno Nicolai?

 
 
 Posted:   Aug 17, 2019 - 2:04 AM   
 By:   Hercule Platini   (Member)

It just felt like a mess. It's so drenched in the pop culture mods to old movies and music and TV shows (which he couldn't really do in Django, Inglourious or Hateful) that even I got a bit fed up with the posters and cinema marquees and other references. I'm usually up for that Movie Quiz aspect, to look it up afterwards on the IMDb and see how many I got right (and how many I missed) but I just wearied of it in the end. Half an hour or more of QT nerding around could be trimmed (or lopped) out to no significant loss, which would tighten the baggy, all-over-the-place narrative enormously.

There is fun to be had with it, though the violence in the last reels felt excessive even to me, and I've marathoned the Saw movies over a weekend at least twice.

http://streetrw.blogspot.com/2019/08/once-upon-time-in-hollywood.html

 
 
 Posted:   Aug 17, 2019 - 1:23 PM   
 By:   John Black   (Member)

I loved the recreation of Hollywood circa 1969, but I'm of a certain age. The film is more about the stuntman/TV western milieu than it is about the whole Manson family culture. I'm not a Tarantino fan, but I liked most of this film up until the climax.

 
 Posted:   Aug 18, 2019 - 1:46 PM   
 By:   Viscount Bark   (Member)


There is a splendid Western-styled cue when the character of Tex rides his horse back to the Spahn Ranch. I'm hoping to track it down - it could be either the Cattle Annie excerpt or one of the De Masi cues.


Did you find out what cue was used in that particular scene?

I haven't seen the film yet but since you describe the music as 'western-styled', could it be the opening credits music from the Italian western Apocalypse Joe by Bruno Nicolai?


It's not Apocalypse Joe music. It's a more modern-sounding solo guitar piece. I can't find any Cattle Annie music excerpts on YouTube, and the Against a Crooked Sky excerpts I listened to (marvelous score!) are all orchestral. I'm hoping at this point someone will post a "which music is used in what scene" list!

 
 Posted:   Oct 4, 2019 - 6:24 PM   
 By:   Viscount Bark   (Member)

I've now seen this seven times. A record for me for going to a film that many times on its first run.

Some of the tiny, amusing, and interesting details:


Wojciech's look of wide-eyed astonishment as Jay Sebring explains how much money he earns for just one hairstyling assignment.

The little wave Manson gives Margot Robbie's Sharon Tate as he saunters away from her home as Paul Revere's "Hungry" is heard at its most guttural. Brrrr!

Brad Pitt's Cliff Booth is christened "the Hawaiian guy" at Spahn ranch because of his shirt!

Martial arts moves tripled: Sharon Tate vs. Nancy Kwan onscreen, Sharon practicing with Bruce Lee, Sharon watching and remembering at the Bruin.

Leonardo Dicaprio: Rick Dalton's exaggerated accents for his co-stars on his rehearsal reel: "She's asleeeep."

Brandy the pit bull's dilemma: Warn Cliff about intruders outside or risk no raccoon-flavored dinner by whining?

Mikey Madison's seemingly hundreds of facial expressions during barely more than a minute of dialogue. Sadie's craziness is ready to explode....

Awesome music on the soundtrack, a galloping horse, a sweeping crane shot over the ranch: Tex to Clem's rescue! Except Cliff is already out of there. Not the last time Tex will be outwitted by our Mr. Booth.

Pussycat manages to slam her hands and position herself even further into Cliff's car window while still standing outside it. Just one of the several things Margaret Qualley does and says in this role that makes me laugh. I'll be very happy to see her under consideration for Supporting Actress awards come this winter.

A sad detail: Sharon buys the novel "Tess" for Roman. Ten years later, he finishes the film version of it. First credit onscreen: "To Sharon."

Two beautiful women snoring gracelessly: Sharon and, later, Francesca.

The way in which Rick folds the cover of his little "Easy Breezy" paperback all the way around. Books were definitely bound better back then!

When blinded by switching on the light, Cliff initially misses the switch to turn it back off by a country mile. "Bad idea!"

 
 Posted:   Dec 12, 2019 - 7:48 PM   
 By:   Viscount Bark   (Member)

I just watched the home version of this. I love this movie, fucking hippies and all! I hope Tarantino wins every Best Director award this year.

 
 
 Posted:   Dec 13, 2019 - 4:48 AM   
 By:   Tall Guy   (Member)

I love this movie


You kept that quiet!

I'm looking forward to seeing it again, but have no immediate plans.

 
 
 Posted:   Dec 13, 2019 - 7:47 AM   
 By:   joan hue   (Member)

I saw this movie just once in a theater, and I really liked it. I knew I was missing a lot of details during my first viewing. There is a lot to absorb. Mark points out a lot of symbols and details that I missed, so I will probably buy the DVD so that I can enjoy all those rich details that eluded me during my first viewing. Thanks, Mark, for you analysis of various aspects of this movie.

 
 Posted:   Dec 13, 2019 - 10:12 AM   
 By:   Viscount Bark   (Member)

I love this movie


You kept that quiet!


wink

 
 Posted:   Dec 13, 2019 - 10:15 AM   
 By:   Viscount Bark   (Member)

I saw this movie just once in a theater, and I really liked it. I knew I was missing a lot of details during my first viewing. There is a lot to absorb. Mark points out a lot of symbols and details that I missed, so I will probably buy the DVD so that I can enjoy all those rich details that eluded me during my first viewing. Thanks, Mark, for you analysis of various aspects of this movie.

Thanks, Joan, but you make me sound so scholarly! The truth is OUATIH is the first film since La La Land where I have a case of giddy love for a movie. smile

 
You must log in or register to post.
  Go to page:    
© 2024 Film Score Monthly. All Rights Reserved.
Website maintained and powered by Veraprise and Matrimont.