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 Posted:   Oct 16, 2014 - 9:16 AM   
 By:   SilentWitness   (Member)

Finally after all these years we get an official release of Bill Conti's beautiful and emotionally charged score from Quartet Records.
The release comes with a beautiful cover and a lavish and informative 20-page booklet sporting detailed liner notes by Daniel Schweiger as well as lots of stills.
Interestingly the Main Titles feature a different string arrangement than the film version (starting at 4:00). But the film arrangement is included at the end of "It's All Right Malachi / Malachi's Murder" (5:28).
It's great that this Bill Conti score finally gets some attention. I noticed some music in the film which I didn't hear on the CD, but it sounds great nevertheless.
For anyone interested in a strictly chronological track order, this would be it:

1. Main Titles (different string arrangement, film arrangement at the end of track 8)
2. The Raid
3. Graveside Hit
4. Martin Waits / Martin's Confession / Billy & Jenny
5. Malachi's Meeting
6. Martin Meets Anna / Meehan the Malevolent
7. Trashing the Church / Da Costa's Agony / Message for Martin
8. It's All Right Malachi (track 8, 0:00 - 1:41)
9. Martin & Anna
10. Billy Goes Away
11. Malachi's Murder (track 8, 1:41 - 2:35)
12. Meehan at Church
13. Meehan Gets Anna / The Boat
14. Martin & Meehan / Martin on the Cross
15. End Credits

 
 Posted:   Oct 16, 2014 - 9:23 AM   
 By:   Jason LeBlanc   (Member)

Was there something wrong with the existing thread?

http://www.filmscoremonthly.com/board/posts.cfm?threadID=105898&forumID=1&archive=0

 
 
 Posted:   Oct 16, 2014 - 10:06 AM   
 By:   SilentWitness   (Member)

Believe it or not, but the search showed no results for an existing thread at the time. Sorry about the double post.

 
 Posted:   Oct 16, 2014 - 10:08 AM   
 By:   Jason LeBlanc   (Member)

The search engine here has been broken for months; Just use google (type in whatever you are searching for, followed by "site:filmscoremonthly.com"

 
 
 Posted:   Oct 16, 2014 - 10:31 AM   
 By:   SilentWitness   (Member)

Will keep that in mind, thank you!

 
 Posted:   Feb 10, 2019 - 10:59 AM   
 By:   edwzoomom   (Member)



Just finished listening to this. What a wonderful score. I believe that the End Credits selection may be one of the loveliest ever.

 
 
 Posted:   Feb 10, 2019 - 1:21 PM   
 By:   Graham   (Member)

Top-notch Conti.

Graham

 
 
 Posted:   Feb 10, 2019 - 1:41 PM   
 By:   Hurdy Gurdy   (Member)

Possibly my favourite Bill Conti score.
Just brilliant from start to finish.
I have both editions of the score (the old boot and the Quartet legit release) and it's another PREDATOR where the boot sounds better than the legit release to my ears.

 
 
 Posted:   Feb 10, 2019 - 4:34 PM   
 By:   Graham   (Member)

Possibly my favourite Bill Conti score.
Just brilliant from start to finish.
I have both editions of the score (the old boot and the Quartet legit release) and it's another PREDATOR where the boot sounds better than the legit release to my ears.


I too thought that the Concorde edition sounded better.

Graham

 
 Posted:   Feb 10, 2019 - 6:40 PM   
 By:   edwzoomom   (Member)



Oh boy, I have the Quartet only - a wee bit jealous Graham and Kev.

 
 
 Posted:   Nov 17, 2023 - 6:26 AM   
 By:   Thor   (Member)

Here's another Conti I've only known by name over the years, but never got around to....until now. It's really great. A little bit of religioso, a little bit of experimental textures. Beautifully melancholic. A gem and a keeper, this.

[Oops, just saw there was another, previous thread for this, but it didn't come up in my Google search]

 
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