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 Posted:   Jun 29, 2015 - 7:27 AM   
 By:   Bambole   (Member)

I love the score. It is one of my favorite obscure (or lesser known) Morricone scores. There are just so many good tunes in this album. It is not just the one good tune repeated over and over. It is splendid, right from the warm title theme to the haunting love theme. A true obscure classic as far as Morricone is concerned.

The film is pretty good too.

Any other fans of this score?

 
 Posted:   Jun 29, 2015 - 1:39 PM   
 By:   Stephen Woolston   (Member)

Yep, I love it too. A great score.

I'm not sure I'd describe it as obscure though. As far as Morricone scores go, I think his fans know reasonably well that it's one of his good ones. It's had multiple LP and CD releases. The one I got was a twofer disc with PEUR SUR LA VILLE. It's also been released by it's Italian title.

Cheers

 
 
 Posted:   Jun 29, 2015 - 2:13 PM   
 By:   governor   (Member)

My favorite Morricone score and a cult classic from the seventies by French director Henri Verneuil

http://www.filmscoremonthly.com/board/posts.cfm?threadID=109906&forumID=1&archive=0


 
 
 Posted:   Jun 29, 2015 - 2:26 PM   
 By:   Doc Loch   (Member)

Another example of the eerie sense of perfect timing that seems to happen on this message board. I just bought a decent 16mm scope print of this (as The Burglars) and will be screening it next week.

 
 
 Posted:   Jun 29, 2015 - 2:58 PM   
 By:   Leo Nicols   (Member)

There's also a alternate bonus version of this terrific track on the new reissue !

https://www.youtube.com/watch?v=E47ipdPkKyU

 
 Posted:   Jun 29, 2015 - 3:56 PM   
 By:   MusicMad   (Member)

As much as I love the music of Maestro Morricone (he is easily my most represented composer, albeit not my favourite), I'm not so taken with this score: Gli Scassinatori / Le Casse / The Burglars (1971) ... it's just a little too much. For any number of other composers, it would be a masterpiece ... but for Morricone ... well there are so many of his other scores I'd readily turn.

I'd like to see the film (I have a vague memory my parents went to see it on its UK release) particularly as I enjoy seeing Jean-Paul Belmondo and maybe I'd appreciate it more, but I've read that it's less than satisfactory given poor dubbing.

I do wonder if your suggestion that it is obscure is more to do with the CD being rare. I haven't played my copy for some time ... thanks for the nudge: it's a good excuse to hear it again (the GDM and Play-Time releases merged to provide 17 tracks, including vocals).

Mitch

 
 Posted:   Jun 29, 2015 - 4:29 PM   
 By:   Bill Carson, Earl of Poncey   (Member)

Weird that anyone in our field would consider this score/film obscure.
Back in the Lp collecting days late 70s this and sicilian clan were two of his biggest and more widely available non western scores.
Good score, some exceptional tracks and a classic car chase in the film that would rival bullet, ronin or fear is the key.

 
 
 Posted:   Jun 30, 2015 - 12:30 AM   
 By:   Bambole   (Member)

Weird that anyone in our field would consider this score/film obscure.
Back in the Lp collecting days late 70s this and sicilian clan were two of his biggest and more widely available non western scores.
Good score, some exceptional tracks and a classic car chase in the film that would rival bullet, ronin or fear is the key.


Ok cheers. I am sort of new to this field. I have been listening to a lot of Morricone over the last one year. on IMDB, the film and score are not that well known. But I guess collectors would know about it. My bad.

 
 
 Posted:   Jun 30, 2015 - 5:37 AM   
 By:   Tall Guy   (Member)

I am sort of new to this field. I have been listening to a lot of Morricone over the last one year. on IMDB, the film and score are not that well known. But I guess collectors would know about it. My bad.


No bad at all! Always good to bring to the board a new thread about a classic silver age score. The more younger readers who tap into Morricone's older scores the better. The early 1970s were kind to Morricone in the films that he was offered, and in turn he provided us with brilliant score after brilliant score. I've said before that I can't think of an era of two or three years where any film composer burned so brightly as Morricone from 1970 to 1972 inclusive.

His filmography lists almost 60 films in those three years, and it's hard to find a dud.

TG

 
 Posted:   Jun 30, 2015 - 8:15 AM   
 By:   Bill Carson, Earl of Poncey   (Member)

Yeah good you have started down the morricone road.
Its a long one but the discoveries are almost limitless.

If you like la casse you should pursue his crime scores, fear on the city, violent city, sicilian clan, le ruffian, corleone, grand slam, what else??
Also that kirk douglas one with the 11minute opening track with echo trumpet - come on someone, help me out, name on tip of my tongue...!

 
 
 Posted:   Jun 30, 2015 - 11:21 AM   
 By:   Gary Radovich   (Member)

UN HOMME A RESPECTER

 
 Posted:   Jun 30, 2015 - 5:07 PM   
 By:   Bill Carson, Earl of Poncey   (Member)

Thank you gary! Of course. Now why couldnt i think of it!!

 
 
 Posted:   Jul 1, 2015 - 12:35 PM   
 By:   AndrewH   (Member)

Love this too though I haven't seen the film in over thirty years. I saw it a couple of times in the seventies and eighties when it was on late on ITV.

Soundtrack has stayed with me. Love to see the film again though I don't think the English version is easily available.

 
 
 Posted:   Jul 1, 2015 - 12:36 PM   
 By:   AndrewH   (Member)

Love this too though I haven't seen the film in over thirty years. I saw it a couple of times in the seventies and eighties when it was on late on ITV. It was just known as "The Burglars" then.

Soundtrack has stayed with me. Love to see the film again though I don't think the English version is easily available.

 
 
 Posted:   Jul 1, 2015 - 12:52 PM   
 By:   Simon Morris   (Member)


Also that kirk douglas one with the 11minute opening track with echo trumpet - come on someone, help me out, name on tip of my tongue...!



Un Uomo Da Rispettare:


https://www.youtube.com/watch?v=SZDkePQOGiY

 
 
 Posted:   Jul 1, 2015 - 12:55 PM   
 By:   Gorbadoc   (Member)

For me, 'Le Casse' pales in comparison to Morricone's other scores from the same period. The title theme is great, some tracks are good, but I don't care for the rather bland source music.

Enjoyable, but not a major score by the Maestro.

 
 Posted:   Jul 1, 2015 - 2:09 PM   
 By:   Bill Carson, Earl of Poncey   (Member)


Also that kirk douglas one with the 11minute opening track with echo trumpet - come on someone, help me out, name on tip of my tongue...!



Un Uomo Da Rispettare:


https://www.youtube.com/watch?v=SZDkePQOGiY


thanks for the link simon.
Its a bit discordant to begin with but theme starts proper with trumpet at 3.03.
Just magic.

 
 Posted:   Jul 3, 2015 - 2:41 AM   
 By:   Ray Worley   (Member)

I've always had a soft spot for this score because it was one of my early Morricone acquisitions. Back in the day, it was one of the few Morricone scores to get an LP release in the US (as THE BURGLARS). Other than the Italian Westerns, I think this and THE SICILIAN CLAN were among the first of his scores to be released here.

I fed my Morricone habit mostly by a friend's visit to NY...I gave him money and told him to go to Footlight Records and buy everything with Morricone's name on it. I got a lot of great import LPs that way. Later, it was STAR and ReCollections that filled the bill.

Because so much of the score is source music that is meant to sound like "elevator" music ala Mantovani or Melachrino, it has never been among my favorites....but I do love the main theme, "Rodeo" and "Ma non troppo erotico". I just got the new CD, mainly to replace my scratchy LP to CDR transfer. I didn't look closely before I ordered, so I was blown away when I got the CD and discovered there are two vocal renditions by Astrud Gilberto.
And they are awesome! I had no idea she ever collaborated with Morricone. What a treat!

 
 
 Posted:   Jul 3, 2015 - 5:23 AM   
 By:   Les Jepson   (Member)

For me, 'Le Casse' pales in comparison to Morricone's other scores from the same period. The title theme is great, some tracks are good, but I don't care for the rather bland source music.

Enjoyable, but not a major score by the Maestro.


I have to agree. Only the title track is worth a jot, really. I got the LP back in the day, but never took to it. I think I might have played it right through three times in the last forty-odd years. For me, side two is just a few tracks of musak.

 
 
 Posted:   Jul 6, 2015 - 4:46 AM   
 By:   Bambole   (Member)

For me, 'Le Casse' pales in comparison to Morricone's other scores from the same period. The title theme is great, some tracks are good, but I don't care for the rather bland source music.

Enjoyable, but not a major score by the Maestro.


I have to agree. Only the title track is worth a jot, really. I got the LP back in the day, but never took to it. I think I might have played it right through three times in the last forty-odd years. For me, side two is just a few tracks of musak.


Hi Les, I beg to disagree. Apart from the main theme, "Love Theme" is a very haunting track. Track 5 - The Girl with the Fringe might qualify as elevator music. But it is not by any means unremarkable. It is wonderful to listen to - very very romantic. The 8th track - Marinella was sampled by John Zorn. It is not a favorite of mine. The 9th track To Carlos S - is another remarkable tune and is not by any means filler. The 10th track - To Melachrino is amazing. It is a repetition of Love Theme with words. Sorry, I am not too good at describing the technical side of music like some people here. But try listening to these tracks once again. They are not simply filler. I swear you will not be disappointed.

 
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