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We dumped them at under cost to our distributor. Honestly it was a mistake. We should have waited for the popularity of the Netflix show to hit its peak, but alas...we did not MV
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Yeah, admittedly, I purchased this through Amazon at an enormous discount about 4 years ago. I was on the fence about whether or not to purchase it but the roughly 40% off the retail price decided for me.
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I recently came across an item in the Feb 10 '68 issue of Cashbox magazine which stated, and I quote: "For 20th Century-Fox network television shows currently airing, Joseph Mullendore and Leith Stevens are on segments of "Lost in Space"... Mullendore, of course, scored the final two episodes of the series, but Leith Stevens didn't work on any of the 3rd Season episodes (though I wish he had.) But is it possible he had been tentatively assigned to score one of the final shows in the series, only for plans to have changed at the last minute? "Fugitives in Space," the third-to-last episode, seems like it might have been a good fit for his style. It's likelier, I suppose, that Stevens was assigned to some other Fox show and the Cashbox writer got some jumbled info from the studio. Link to the item in question: https://archive.org/details/cashbox29unse_27/page/48/mode/2up?q=%2220th+Fox+Music+Staff%22
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I've recently been making my way through Shout Factory's new "Irwin Allen Disasters" blu-ray collection, and - having read up on Richard LaSalle on these boards - was amused, but not surprised, to hear him reusing bits and pieces of his old "Lost In Space" score from the episode "The Derelict" in his scores for both "Cave-In" and "The Night The Bridge Fell Down" (a pair of made-for-TV movies both filmed around 1979, though both sat on the shelf until 1983). I'm pretty sure a couple of bits from one of his "Land Of The Giants" score also got recycled in one or both of those titles.
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Now I've started on "Hanging By A Thread," another made-for-TV disaster included in the Shout box, and it didn't take more than a half-hour or so for some of LaSalle's familiar "Derelict" cues to turn up yet again as part of the score. Can't really blame the composer, though; the movie runs three hours and fourteen minutes, so he had an awful lot of time to fill!
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I never knew LIS music was used in a movie— only that movie music was used in LIS. This is interesting. It wasn't that the actual recordings were used, only that LaSalle used his motifs from Lost in Space in the TV movie score. He did same on Buck Rogers and other shows.
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