---

INTRADA Announces:




DOUBLE INDEMNITY: FILM NOIR AT PARAMOUNT
Music by MIKLóS RóZSA, HUGO FRIEDHOFER, FRANZ WAXMAN, GAIL KUBIK, LEITH STEVENS, HEINZ ROEMHELD, and VICTOR YOUNG
INTRADA Special Collection Vol. 335

Following the releases of the vintage Paramount scores The Lost Weekend and Desert Fury, Intrada's next entry is a 2-CD set featuring seven different composers writing for film noir classics. The headliner is Miklós Rózsa's Oscar-winning score to Double Indemnity, in near complete form. Rózsa composed three principal motifs for the film. A restless “conspiracy” theme dominates his score, but it is the powerful murder theme that opens the film and the composer returns to this theme repeatedly with an almost tragic quality. The third principal theme is a love theme.

But that's not all! This album also contains the surviving elements of several other Noir scores:

Hugo Friedhofer's Ace in the Hole
Franz Waxman's Sorry, Wrong Number
Gail Kubik's The Desperate Hours
Leith Stevens' The Scarlet Hours
Heinz Roemheld's Union Station
Victor Young's I Walk Alone


Friedhofer’s Ace in the Hole deftly matches the unusual mixture of tones Billy Wilder achieved in his unusually bleak dissection of modern journalism. For Sorry, Wrong Number, Waxman set the film’s anxious tone with a dramatic main title cue which incorporated phone sound effects. In The Desperate Hours, Gail Kubik took an unusual and daring approach, writing and recording a score he described as “pointillistic … a series of sounds which were completely unpredictable: you didn’t know when the next sound was coming or where it was coming from.”

For The Scarlet Hour, Leith Stevens supplied suitably dramatic and agitated original cues for key scenes, but the main musical focus of the film is the original song “Never Let Me Go,” written by the team of Jay Livingston and Ray Evans. Although the main titles of Union Station don’t list a composer, Heinz Roemheld scored the picture, yet little of his music ended up in the final film. Finally, the nearly 30 minutes of Victor Young's I Walk Alone features a vivid and varied score including bluesy music and exciting chase music.

Most of the music in this album was sourced from 35mm magnetic film stored in the Paramount vaults. Desperate Hours is three-track stereo. The Scarlet Hour is in “quasi stereo” because there were “directional angles” for certain cues, while all the other film tracks are mono.

INTRADA Special Collection Vol. 335
Retail Price: $29.99
SHIPPING NOW
For track listing and sound samples, please visit:
http://store.intrada.com/s.nl/it.A/id.9968/.f

---

---

Miklos Rozsa
Label: Intrada Special Collection Volume ISC 335
Date: 1944 - 1956
Time:
Tracks: 64

Film Noir pictures from Paramount with dramatic soundtracks are examined in exciting world premiere 2-CD set. Miklos Rozsa, Hugo Friedhofer, Franz Waxman, Victor Young, several other composers are featured. Leading the way is powerhouse, influential Miklos Rozsa soundtrack for equally powerful, influential Billy Wilder classic, Double Indemnity (1944), with Barbara Stanwyck, Fred MacMurray, Edward G. Robinson. Angular main theme that unfolds in deliberate fashion is centerpiece. Agitated secondary suspense ideas, blossoming romantic tune also have their say. Legendary final scene stands out with tragic, ever-building "So Long Keyes" leading to anguished fortissimo "Finale". Nearly 39 minutes of intense, magnificent Rozsa. Following is superb Hugo Friedhofer soundtrack from Billy Wilder's stunning, cynical "media circus" picture Ace In The Hole (1951), starring Kirk Douglas, Jan Sterling. Intense "Prelude", somber "Sand Trickle" cave-in material, sultry "Platinum Blonde" tune are amongst several dramatic sequences. Highlight is tragic, tent-collapsing "Grand Finale" to grim proceedings. Subsequent "Tatum's Death And End Title" provides solid wrap-up. Sorry, Wrong Number (1948) affords Franz Waxman considerable room for intense, edged action, dark suspense music to accompany emotionally-charged Anatole Litvak film with Burt Lancaster, Barbara Stanwyck. One track by Nathan Van Cleave also appears. Victor Young follows suit with equally charged, dramatic soundtrack for I Walk Alone (1948), directed by Byron Haskin, starring Burt Lancaster, Kirk Douglas as clashing ex-partners in crime. Thirty minutes of edged, aggressive music features some of Young's most powerful ever. The Desperate Hours (1955) happily survives in stereo, boasting unusual, rhythmically potent soundtrack by Gail Kubik with one track by Daniele Amfitheatrof. William Wyler directs, Humphrey Bogart, Fredric March star in suburban hostage story. Leith Stevens has his say with dark, agitated soundtrack for 1956 Michael Curtiz picture The Scarlet Hour, with Tom Tryon, Carol Ohmart. Score also features melody from film's original song "Never Let Me Go" by Livingston/Evans. Rounding out exciting collection are three cues by Heinz Roemheld from Union Station (1950), Rudolph Mate's kidnap thriller with William Holden. 2-CD set restored from 35mm magnetic film recordings courtesy Paramount Historical CDs project. Chris Malone handles audio restoration, Lukas Kendall guides production, Scott Bettencourt offers informative notes. Dramatic "flipper" cover plus generous booklet chock full of color posters, stills designed by Joe Sikoryak. All scores recorded at Paramount Pictures Scoring Stage. Irvin Talbot, Franz Waxman, Gail Kubik, Daniele Amfitheatrof, Leith Stevens, Victor Young conduct. Intrada Special Collection 2-CD available while quantities and Interest remain!


DISC ONE

Double Indemnity (Miklós Rózsa)
01. Prelude (film version)/First Scene (4:50)
02. The Meeting (2:35)
03. In the Cab (0:52)
04. The Anklet (0:55)
05. Inner Struggle (1:18)
06. The Conspiracy (0:57)
07. The Policy (1:48)
08. The Market (1:04)
09. Reading His Mail (0:28)
10. Preparation/The Murder (3:06)
11. Railroad Tracks (3:10)
12. Relief (1:21)
13. The Hallway (2:15)
14. The Daughter (0:57)
15. Warnings (3:02)
16. The Appointment (1:24)
17. Punishment/So Long Keyes/Finale (8:03)
Total Time: 38:41

Ace in the Hole (Hugo Friedhofer)
18. Prelude (2:47)
19. Sand Trickle (1:22)
20. The Dirty Work Begins (2:09)
21. Platinum Blonde (1:21)
22. Pneumonia (1:10)
23. Grand Finale (2:32)
24. Tatum’s Death and End Title/End Cast (4:01)
Total Time: 15:36

Sorry, Wrong Number (Franz Waxman)
25. Prelude/The Foreword (2:09)
26. Wedding and Honeymoon (2:07)
27. Staten Island (4:11)
28. The Stanger Buzzer/Mr. Evans Cuts Off (1:18)
29. A Message of Murder (0:53)
30. Bowery 2-1000 (4:00)
31. Finale and End Title/Cast (0:28)
Total Time: 15:14

The Extras
32. Schubert’s Unfinished Symphony (1:41)
33. Spanish Dance (Van Cleave) (1:18)
34. June in January (Ralph Rainger & Leo Robin) (2:29)
Total Time: 5:32


DISC TWO

The Desperate Hours (Gail Kubik)
01. Paramount Seal (Van Cleave)/Prelude (1:42)
02. Kobish Toccata (unused) (2:06)
03. Open Conflict (unused) (0:52)
04. Retribution (Daniele Amfitheatrof) (2:44)
05. Last Chance (unused) (1:43)
Total Time: 9:14

The Scarlet Hour (Leith Stevens)
06. Prelude* (2:01)
07. Never Let Me Go (Theme Intro) (Jay Livingston & Ray Evans) (3:30)
08. Unexpected Arrival/Ralph Trails Paulie/Lynbury Home (revised ending) (3:19)
09. Ralph’s Interruption (1:07)
10. Never Let Me Go (Crystal Room Beguine) (Livingston & Evans) (1:57)
11. Scarlet Hour Mambo (Leith Stevens and Bebe Blake) (2:35)
12. Music City Jump (2:51)
13. Teen Swing (2:50)
14. Breakup/Close Watch/Lynbury Home (original version) (2:21)
15. Paulie Packs*/End Title (2:04)
Total Time: 24:57
*includes “Never Let Me Go” by Jay Livingston & Ray Evans

Union Station (Heinz Roemheld)
16. Prelude (1:15)
17. The Stockyard (3:05)
18. Trapped/End Title (2:53)
Total Time: 7:19

I Walk Alone (Victor Young)
19. Prelude (1:00)
20. The Revelation/Hi-Jackers/We’re Partners (4:43)
21. Double Cross/Dave’s Double Cross/End of Fight and Intro (4:02)
22. Two Real Friends (1:18)
23. Dutch Uncle/Frankie Comes Through (3:58)
24. Wanted for Murder/Get the Truth (1:53)
25. Five Shots Left (1:30)
26. The Ride (6:16)
27. End of Ride/Together and Cast (3:05)
28. Easy to Remember (1:44)
Total Time: 29:52

The Extra
29. Double Indemnity - Prelude (stereo re-recording) (1:23)
30. Ace in the Hole - Prelude (with FX) (2:32)

---