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"Trip Upriver", according to a youtube load of the cue, but I think that was a bootleg and therefore a made-up bootleg title.
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Posted: |
May 8, 2017 - 1:16 PM
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By: |
rjkizer
(Member)
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Are you sure? If so, I'll remove it.
But it opens up a whole other can of worms -- did Horner write 'stock music' that did not appear in any particular film? Like back in the Corman days? If so, that's a whole library of unreleased music that could be added to the list.
I was a film editor at Corman's from 1979 to 1983. I know that "The Lady in Red" was a full-length score, as was "Battle Beyond the Stars," and "Humanoids from the Deep." For "Up from the Depths," Horner only wrote one cue (for the end credits), plus one or two smaller "stinger" cues used at various points in the movie. The overall score for "Depths" was written and recorded in the Philippines , where the film was shot and initially edited. The score is credited on-screen to Russell O'Malley. This is really Restie Umali. In 1979, Corman wanted all the the Filipino crew names in the screen credits to be listed as "English" names. He wanted audiences to think the film was shot in Hawaii, and not in the Philippines.
I know for a fact that Horner did not write or record any "stock" music cues for Corman. Everything he wrote and recorded were for specific movie assignment.
For "Space Raiders," I took sound transfers of all the Horner cues for "Battle/Stars" and "Humanoids/Deep" and re-edited them to create the music soundtrack.
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Posted: |
May 13, 2023 - 7:20 PM
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By: |
GoblinScore
(Member)
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Bumping this for the hell of it....and finally watching The Lady In Red.
It's...phew, a Corman picture, which would not play now At All, so see it if you can before it's cancelled to oblivion. Actually rather depressing, actually.
Dramatic scoring starts at about 54mins in, lovely flute-led romantic cue. Since this one, more and more scoring has been popping up. The last act just started with a grim, piano and trombone dirge for....eh, see the flick.
I have to mention, I've seen a lot of grumbling about Horner's big band writing, assumption he leaned heavily on Billy May's help.
The very first jazz cue here, a couple minutes in, is proof JH has the wheel in those Once Around Coccon *batteries days. It's just for 4 or 5 players, not the 40-100 he had later on. You can hear the phrasing and voicings that resurfaced later. Slightly....but their there.
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