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Posted: |
Jun 16, 2018 - 11:57 AM
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By: |
joan hue
(Member)
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I already posted that Richter was doing HOSTILES which seemed an odd choice. His score didn’t do a lot for me, but I had hope. Now we have Desplat and Fenton doing westerns. Fenton’s WILD BILL gives me hope. Desplat’s voice might be interesting. So what are some more really different, unique and rather odd choices for future westerns? By that I mean composers who have not scored previous westerns. First I would pick Dario Marianelli and Rachel Portman. I know I’m pigeonholing, but I would describe their music as rather classical; however, Dario is doing Bumblebee, and Rachel was going to do Mulan. It might be interesting to see how they would score a western. They might be more versatile than I realize. I also kind of view Patrick Doyle as rather classical, but he did Thor and one of the APES movie. I think he might compose a good western. Another odd pick would be Elliot Goldenthal. I think it would be a rather dark score. Since most of you know I like thematic, rousing scores, I’d like to see Brian Tyler score a western. Yes, he is now scoring YELLOWSTONE, which is a modern movie and I believe is sort of a western. Hope it is good. What other composers would be rather odd and unique choices for westerns? P.S. (Wish Hollywood would bring back Broughton and J N Howard.)
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John Corigliano and Rachel Portman -- good choices. I'd add (keep in mind I haven't done a check to make 100% sure these people ever did a big western project): Debbie Wiseman. Lolita Ritmanis. Randy Edelman. If he did it in a purely orchestra style with none of that synth additions that cheese up some of his scores. Nan Schwartz. John Lunn. Gerald Fried. Hey, if he's gonna come out of retirement every once-in-a-while to score something, might as well get him for a western while we're at it. Steve Bramson.
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Oh, and: James Peterson. Mark Knopfler. Jan Hammer. And the musician group that's worked on scores by people like James Horner and Morricone: Incantation.
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