David Raksin used the Processional humorously in "The Unicorn in the Garden" when the wife gets carried off to the booby hatch. See just after 5:47 for the cue.
George Duning does an Arabian-harmonized-and-instrumented quote of Wagner's Bridal Chorus. It's in the "Wedding Celebration" cut of the soundtrack release of 1001 ARABIAN NIGHTS:
Morricone quoted both of them in his career. Here are two examples (but there are more of them):
Wagner's one in:
MENAGE ALL'ITALIANA: track 1+1+1=4 : from 0'43 on (in this cue you then also find a snippet of a future theme from LA TENDA ROSSA)
Mendelssohn's one in:
IL MIO CARO DOTTORE GRASLER: track The decision: the entire cue is a new orchestration with castagnets of the beginning of Mendelssohn's brilliant march
There are also cases where composers come up with an original bridal march. I like this very solemn one written by Vladimir Cosma for the French comedy LA GALETTE DU ROI:
"There are also cases where composers come up with an original bridal march. I like this very solemn one written by Vladimir Cosma for the French comedy LA GALETTE DU ROI:"
Where classical music is concerned, there is another bridal march I think of right now, also from the Romantic era, as part of Carl Goldmark's 1st symphony"Ländliche Hochzeit", opus 26:
Another obvious example featuring a quote from Mendelssohn's wedding march from the very beginning and then a superb square dance treatment of LA RESA DEI CONTI's main theme:
Rewatching Masque of the Red Death earlier today, I noticed a motif in the climactic moments of the film that is a lot like, if not exactly the same, as the "Redemption through Love" motif prominent at the end of Götterdämmerung.
