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 Posted:   Apr 4, 2003 - 8:22 PM   
 By:   SheriffJoe   (Member)

From the Associated Press cia CNN -

The senseless plot is meant only to connect the dots between the bloody action sequences. The idiocy of the story and Diesel's bad acting would not necessarily sink "A Man Apart" if director F. Gary Gray ("The Negotiator") had applied some finesse to the fisticuffs and gunplay.

The action often is edited with such choppy quick-cuts it's impossible to tell who's doing what to whom. Midway through, Gray serves up one of the most ridiculous shootouts ever captured on camera, where it doesn't seem to matter what everyone's aiming at so long as they all keep firing.

This mess is driven by Anne Dudley's bombastic score and phony street lingo from screenwriters Christian Gudegast and Paul Scheuring, whose script also provides suitably leaden voice-overs for Diesel to mumble his way through.

When captured early on, Silva's druglord warns Vetter, "Things are only going to get worse for all of us."

Ditto for us as Diesel expands on his filmography

 
 
 Posted:   Apr 5, 2003 - 2:56 AM   
 By:   Chris Kinsinger   (Member)

Never paid a cent to see Diesel....
Thanks, Joe.
I won't waste my time on this one either.

 
 Posted:   Apr 5, 2003 - 3:51 AM   
 By:   JJH   (Member)

Silva's got a drug lord?

 
 
 Posted:   Apr 5, 2003 - 3:16 PM   
 By:   mtodd   (Member)

That might explain some of their releases...

 
 
 Posted:   Apr 5, 2003 - 9:22 PM   
 By:   Hercule Platini   (Member)

I saw the film Friday afternoon. It's fairly efficient bang-bang stuff; mindless fun while it's on but it has a repeat viewing value of zero and most of it has already seeped from my memory. Bits of Anne Dudley's score did occasionally strike me while viewing the movie, but I'm not surprised that there hasn't been a CD released.

NP: THE SIXTH SENSE (James Newton Howard)

 
 
 Posted:   Apr 5, 2003 - 10:14 PM   
 By:   Luscious Lazlo   (Member)

From Luke Y. Thompson's review of A MAN APART:

Sean soon tells us, via voice-over once more, that he's not your typical cop: He doesn't look or act like one, and doesn't even hang out with them. None of which explains why he shows up in plainclothes to high-five his partners at a police press conference, or holds a party at his house to which he invites all his colleagues in their offical "DEA" logo caps. What it does explain, presumably, is how the bad guys find his house with ease and bust some shots off. Sean's wife (Jacqueline Obradors, with whom Diesel has zero chemistry) doesn't die immediately--she gives a final monologue so distracting that it prevents Sean from uttering the simple word "ambulance" to the 911 operator he's just called. Yeah, better to listen to your mortally wounded wife ramble on rather than demand medical attention that might just save her.

Sean mourns his wife by smoking and drinking from those tiny liquor bottles you find on airplanes. Meanwhile, a mysterious figure known only as Diablo is going around carving his initials in junkies' backs and starting up a brand-new cocaine cartel. This same Diablo is apparently the one behind the death of Sean's wife, as well as the death of the wife of the imprisoned Memo. Sean proceeds to meet Memo several times in prison to get cryptic advice, sort of like in THE SILENCE OF THE LAMBS, only not interesting. When he's not trying to be a big dumb bald-headed Jodie Foster, Sean keeps busy by shooting drug dealers, threatening to shoot them, or beating them to bloody pulps. One or two scenes are entertaining; they only serve to get your hopes up needlessly.

http://www.clevescene.com/issues/2003-04-02/film.html/1/index.html

 
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