That doesn't make much sense... TV scoring is usually even faster job and probably more pressure one as well with much longer running time of the content and need to produce more music... while in movies he "only" works on a project for eg 2 months, wouldn't a TV series such as Dracula or that other one coming very soon take much more of his time?
Still hope he'll be back for the new Bond at least.
Excellent. I'd love to hear a gothic/darkly romantic horror score by Arnold -- who has basically prematurely retired from feature films, it seems.
Wow, he did Bonds what happened, Arnold, still baby-age in the composer world, I liked his Sherlock projects although surprised they were collaborated i didn't follow him after that. Drac sounds cool looking forward too it.