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MIB II is actually my favourite score in the series, just because Elfman lays the theme on thick after hardly using it in the original. Plus it has the awesome Worm Lounge source cues.
I also credit Barry Sonnenfeld for getting a full-on scrotum shot into a PG-13 film, and the BBFC for leaving it in and giving it a PG over here.
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I enjoyed all three MiB films well enough, although the second was obviously the worst. I'm in for this one -- Tessa Thompson and Chris Hemsworth are a great duo as Thor 3 revealed. 
Yavar
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I' have dumped a Fifty Shades film on somebody else, too. That also makes sense.
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When We Rise also credited Bacon alongside Elfman in the recent past.
He's been quite fortunate, in the industry, to have gotten his early breaks and tutelage under James Newton Howard and is now getting some thrust alongside Danny Elfman.
He's a great composer in his own right.
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Listening to the album this morning and at the risk of surrendering any credibility as an Elfman fan, it’s quite clear who what wrote here.
Compare Elfman cues “Logos” or “L Train” with what is presumably Bacon’s “Seeing is Believing” and “Too Much” and you’ll hear the difference. There’s a lilting woodwind that threads through Bacon’s material that sort of sounds more John Powell than Danny Elfman.
Anyways, hard not to smile when you hear the first track on the album.
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You people keep saying this is the movie that "no one wants"...just because YOU don't want it, doesn't mean other people have to go along with your narrow minded view. It looks entertaining, and I will be seeing it!
THIS!
My wife and I are looking forward to this. Hemsworth is f'n comedy gold.
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My wife and I are looking forward to this. Hemsworth is f'n comedy gold.
He and Kate McKinnon (and Leslie Jones, albeit to a lesser degree) had so much fun with their material that IMO they carried the recent Ghostbusters reboot on their shoulders, through a lot of lame and stupid stuff (and a couple of totally boring main characters).
Yavar
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