 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
This is one of my holly grails!
It's surely one of the very best works of Morricone
???????
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Serious question: is this version not already expanded?
It's only the old LP content! But I am not sure if other track recordings still exist ...
Had the lp.
Aint no NOBODY.
|
|
|
|
|
|
Its true, it was always the poor cousin of Nobody - a kind of weaker doppelganger - but...it has moments.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Its true, it was always the poor cousin of Nobody - a kind of weaker doppelganger - but...it has moments.
NOBODY does it better!
|
|
|
|
|
|
|
|
|
|
It's a coyote yelp!
|
|
|
|
|
|
Death rides a horse on retro movies uk tv right now
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
He also used "Fur Elise" for the duel in BIG GUNDOWN- as the thene for the German gunfighter.
|
|
|
|
|
|
Shame to hear some less than enthusiastic comments about this score, I've had the LP for over 30 years and have the Quartet CD as well, and enjoy it immensely. The outstanding track on it is probably 'Cavalcade...pour Elise' with the Beethoven quotation, Edda and the chorus, but as a listening experience the whole album is excellent. I enjoy all the more comedic Italian western scores EM wrote in this period like the PROVIDENZA scores. You can really see the composers sense of humour come out in these scores, such imaginative orchestration!
I'm not sure why so much emphasis on the comparison with NOBODY, agreed it is not on the same level, but just saying that is not IMHO a reason for such dismissive comments (by one person in particular). It's very strange to me that anyone who enjoyed NOBODY would not enjoy UN GENIO as well, but hey ho.
My understanding is also that the tapes are lost, shame as I also recall some different music and variations in the movie.
|
|
|
|
|
|
|
 |
Posted: |
Jan 25, 2019 - 10:54 AM
|
|
|
|
By: |
NUMBER 6
(Member)
|
Shame to hear some less than enthusiastic comments about this score, I've had the LP for over 30 years and have the Quartet CD as well, and enjoy it immensely. The outstanding track on it is probably 'Cavalcade...pour Elise' with the Beethoven quotation, Edda and the chorus, but as a listening experience the whole album is excellent. I enjoy all the more comedic Italian western scores EM wrote in this period like the PROVIDENZA scores. You can really see the composers sense of humour come out in these scores, such imaginative orchestration!
I'm not sure why so much emphasis on the comparison with NOBODY, agreed it is not on the same level, but just saying that is not IMHO a reason for such dismissive comments (by one person in particular). It's very strange to me that anyone who enjoyed NOBODY would not enjoy UN GENIO as well, but hey ho.
My understanding is also that the tapes are lost, shame as I also recall some different music and variations in the movie.
refreshing to see that there are still some soundtrack fans here that like something else than Goldsmith !
|
|
|
|
|
|
|
|
|
|
|
|
This one was totally unknown to me. I'll definitely check it out, I like what I've seen and heard of it now.