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Posted: |
Feb 6, 2019 - 9:37 AM
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By: |
dragon53
(Member)
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Director Robert D. Krzykowski comments on hiring composer Joe Kraemer.
"Getting Joe was a dream come true. I used to listen to his music in high school. I remember first hearing the score for The Way of the Gun, thinking that it felt stripped down and had a throwback feel, but a strange romantic quality to it. I kind of tracked his career, and as he progressed, his scores got more grand and more complex, but his heart was always there. When I did my short film, Elsie Hooper, I sent it to his reps on a whim, and they showed it to him, and Joe said, "I'll score this for you!" He did it for next to nothing, and we stayed in touch. He wanted to know what I was doing next, so I sent him the script. He read about twenty or thirty pages of it. He said he doesn't usually read the scripts, because he likes to be kind of the last editorial eye on the cut of the movie so that he can actually talk about it as a storyteller. Joe is a storyteller. He delivered this score that's just up there with David Shire, Jerry Goldsmith, John Williams, and Bernard Herrmann; we talked a lot about those people, and the score he delivered for this little film... I remember hearing a quote from Robert Zemeckis, that he had asked Alan Silvestri: "I didn't quite get the scope of the movie that I had in my head; can you make the movie as big as I imagined it being?" I think that's exactly what Joe's music does for this film."
from: screenrant.com
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The trailer intrigued me quite a bit, Joe -- I'm going to see if I can talk the wife into it. 
Yavar
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The trailer was very flat but i'd be willing to give it a go off the title alone. Some good actors in there. It seems like it'd be a hard film to score. The idea seems bonkers.
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