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Posted: |
Mar 23, 2019 - 5:02 PM
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By: |
GoblinScore
(Member)
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Is there another thread on this yet?
Anyways, FANTASTIC main title, buying album on that alone. A real MT sequence, I'm still fluttering...excellent choral work.
Rest of the score is good, couple highlights within, more horror-trope- taiko-drum-reliance than I care for but I'll live. Source songs take up a couple key points & i was elated to hear that great Minnie Ripperton tune, again, used well (ex. INHERENT VICE, PTA is thanked in the end titles too....).
At least one concert-service toward the end, but a Tchaikovsky adaptation it may be. Heard a touch of ARP-MOOG coloring & some nice atonal-ish string moments.
Good film, some interesting ideas in there,like a TZ episode with current socio-politico leanings.
Worth seeing, nice companion to GET OUT.
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Liked the film and loved that score. Best horror score I have heard in quite some time
MV
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Seriously this is the most effective horror score I have heard in quite some time. Great MT, effective playful theme. Creepy as hell. Wonderfully Herrmnann/Goldsmithesque.
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Get out was the first film directed by Jordan Peele and scored by Michael Abels. Us is the second.
Yavar
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Michael Abels delivers the goods. Again. Think I'll put on my GET OUT Vinyl and give a spin. Hoping US gets the vinyl treatment as well. Better than a digipak CD.
How is a vinyl better than a digipak CD (other than the usual arguments for vinyl like it’s warmer-sounding and all that shit)? Is it because it’s 30 dollars more, larger and more fragile? Just wondering.
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Michael Abels delivers the goods. Again. Think I'll put on my GET OUT Vinyl and give a spin. Hoping US gets the vinyl treatment as well. Better than a digipak CD.
How is a vinyl better than a digipak CD (other than the usual arguments for vinyl like it’s warmer-sounding and all that shit)? Is it because it’s 30 dollars more, larger and more fragile? Just wondering.
None of those reasons smart ass. You are not wondering you're just insulting. What I do should not really concern you
I have been buying/collecting/selling/trading vinyl seriously since I was 15yo So for 40 years now. In the 80s-2000's buying vinyl was mandatory as my main focus was Soul, Funk, an Hip Hop and there was no other way to get the independent AND Major Label releases I wanted.
I have never stopped and never will. I have a love affair with records that you could not even comprehend and I am not alone.
I have a shitload more CD's and will be buying US CD- just like I bought the CD of GET OUT.
I'm a collector and have a collector's mentality. I only buy new vinyl of scores/composers I love. I buy old vinyl of scores not on CD.
Yer a Jerky Boy. Always having to make a negative remark when anyone mentions vinyl.
False. I have loads and loads of records myself. Fine to get the LP over the CD, so long as the LP comes with a download (if this comes out on a boutique label, those usually don’t). I was just wondering why you think vinyl is better than a digipak version of a CD specifically. Aren’t both sleeves made of cardboard?
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What a great film, scared the poopoo out of me. I was scared like a kid. Abels really delivered a great score. GO SEE THE FILM 
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75 minutes is quite a bit much, especially for a horror score. I'm sure someone will get around to finding an ideal shorter playlist sometime.
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Listened to a few cues, then when the BRRRAAAAMMMMM came in, I abandoned ship. Nothing I need to hear again.
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