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Finishing SEASON 1:
Yes, I'm still sticking to the "SEASON 1" thing even if a show only had one season.
"Miracles"
https://www.youtube.com/watch?v=K0VknQuIesk
Highlights:
3:04 in.
5:54 in.
7:36 in.
15:37 in.
19:37 in.
23:50 in.
26:35 in.
27:52 in.
29:42 in.
30:58 in.
34:56 in.
39:51/43:30 in.
"The Chain"
https://www.youtube.com/watch?v=1D4aQ77hWdw
Highlights:
0:50 in.
9:30 in.
1105 in.
12:19 in.
14:42 in.
25:00 in.
27:32 in.
29:55 in. Goes on, with some brief lulls, for ten minutes.
43:31 in.
"I pray you never have to make the choices I have."
"The Trial" (final episode)
https://www.youtube.com/watch?v=xLFYFYHmIQI
Highlights:
0:09 in.
2:21 in.
30:07 in.
39:37 in.
42:53 in.
The final episode is a clip-show episode. I can't tell how much new scoring there is, 'cause it may simply be the scoring that was in the episodes the clips are from.
Just skimming the show for score, I have to say this looks like a good show and worth watching. It's a shame this is as far as it got.
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I realized I forgot to make my personal final call on where I'd place the scoring of the series.
Considering the score overall, while almost all of it is indeed amongst the finest television scoring ever, it just falls short (by a really tiny margin, mind you) it taking that pedestal because of some rare meandering cues and some synth stuff -- both rare, but enough.
Great stuff. If I were a betting man, I'd bet that Kiner used pieces from his work on the show, on a demo to get "Star Wars: Rebels".
And while I know it might be blasphemy to some people here, even though there are fans of Kloser/Wanker on the Emmerich films, I have to say I want Kiner to be scoring them from this point onward.
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Finding an excuse to bump the thread to get the scoring some more attention...
The one thing I didn't like was the theme music; cheesy synth piece and out-of-place. I wonder if an orchestral piece was passed on.
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Initially I said:
"Considering the score overall, while almost all of it is indeed amongst the finest television scoring ever, it just falls short (by a really tiny margin, mind you) it taking that pedestal because of some rare meandering cues and some synth stuff -- both rare, but enough."
After some re-consideration, I had decided I was wrong. "The Visitor" is some of the fine modern television scoring ever.
My reasoning for the reconsideration is so obvious, I don't know why it didn't occur to me before: I can't think of any fine television scoring, of yesteryear or modern, that over all didn't have some let downs.
(also, this has worked in a non-pointless bump!)
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