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 Posted:   Nov 18, 2019 - 12:23 PM   
 By:   Cinefanart   (Member)

Although this is a British reference post, just wondering is it me or is the music for the new 3 part mini series, which began on BBC last night, unfitting?

Essentially, it's a period drama, as we know, but composed using a modern day synth approach. While I was watching the first episode, which did get better as it went along, the music seemed weirdly spotted, up to the point where it started sounding wrong and noticeable for the wrong reasons.

I'm sure this isn't the only time we have heard someone mentioning the same issues with other music scores....I would say let's list them, but we will be here all day. Up to you.

If you all get a chance to watch it sometime, I would be interested to hear your views on the series and the music composed Russ Davies. Hope I'm not upsetting any Davies fans out there but it's just my opinion....

 
 
 Posted:   Nov 18, 2019 - 1:00 PM   
 By:   Thor   (Member)

Still one episode left, but it's a pretty decent adaptation, I thought. Love the whole change between the post-apocalyptic future and the apocalyptic presence.

There's nothing inherently wrong in applying a synth score for a period flick, or -- in fact -- any other style not congruent with the period. THE NAME OF THE ROSE comes to mind; or GLADIATOR. Plenty of other examples too. Drama is really independent of period. But I don't think this particular score was very interesting musically in and of itself.

(by the way, there's no need to start the same topic in both the 'General Discussions' AND the 'Non-Film Score Discussion' area. One is enough! smile)

 
 
 Posted:   Nov 18, 2019 - 1:10 PM   
 By:   Cinefanart   (Member)

Still one episode left, but it's a pretty decent adaptation, I thought. Love the whole change between the post-apocalyptic future and the apocalyptic presence.

There's nothing inherently wrong in applying a synth score for a period flick, or -- in fact -- any other style not congruent with the period. THE NAME OF THE ROSE comes to mind; or GLADIATOR. Plenty of other examples too. Drama is really independent of period. But I don't think this particular score was very interesting musically in and of itself.

(by the way, there's no need to start the same topic in both the 'General Discussions' AND the 'Non-Film Score Discussion' area. One is enough! smile)


That was a senior moment......

 
 
 Posted:   Nov 18, 2019 - 1:18 PM   
 By:   Cinefanart   (Member)

Still one episode left, but it's a pretty decent adaptation, I thought. Love the whole change between the post-apocalyptic future and the apocalyptic presence.

There's nothing inherently wrong in applying a synth score for a period flick, or -- in fact -- any other style not congruent with the period. THE NAME OF THE ROSE comes to mind; or GLADIATOR. Plenty of other examples too. Drama is really independent of period. But I don't think this particular score was very interesting musically in and of itself.

(by the way, there's no need to start the same topic in both the 'General Discussions' AND the 'Non-Film Score Discussion' area. One is enough! smile)



That was unintentional......Just realised when I posted it. Don’t think there’s a delete post button.....

Point taken and when it’s done right it works.....it sounds right for the movie. Will need to see/listen to the other eps and then make my final judgement.

 
 
 Posted:   Nov 19, 2019 - 5:33 AM   
 By:   paulhickling   (Member)

I'm happy to split the music and actual show discussion between the two sides.... unless that just complicates matters.. so....

I watched this again just this morning, and enjoyed it much more. And this time I took note of the score. Most of the time the synths are going for the orchestral style, apart from when they want an unearthly feel where they let the electronic sounds out more. I find all this perfectly reasonable. Personally I'd appreciate a more thematic approach (where's Murray Gold when we need him?), but the sounds are still melodic so I'm happy. I get no jarring feel at all.

In other words, it's melodic and more than just the drone we often get these days. Bottom line is it's a perfectly good score.


 
 Posted:   Nov 19, 2019 - 4:37 PM   
 By:   Grecchus   (Member)

As previously alluded, I haven't watched it. The Beeb has synthed everything from left to right and top to bottom, so they don't get off lightly as far as I'm concerned. Chirp, chirp, chirp, chirp, cheap.

John Williams and Steven Spielberg had the right idea. The Intersection Scene ostinato with the rising tripod can't really be bettered, IMO.

 
 
 Posted:   Nov 20, 2019 - 7:08 AM   
 By:   paulhickling   (Member)

Yes I would have preferred an orchestral score with or without electronics, but I still found it ok, and better than many of late.

 
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