 |
|
|
|
|
|
|
|
|
|
|
EDIT: Title abbreviated to fit in the series name and composer.
The Amazon Studios series set to air presumably sometime 2020:
https://www.imdb.com/title/tt7631058/reference
Trivia on the IMDb page says it's "slated to run for at least five seasons" and indeed last month Amazon renewed the show for a second season even though we don't even have a trailer yet.
So, who would you like to see score it?
Looking at the only director listed so far, J. A. Bayona, he's worked recently with: Fernando Velázquez, and Giacchino (once).
Certainly after "The Impossible" Fernando would be an interesting choice.
I, however, continue to be an avid fan of most TV series having multiple composers of their run like it used to be decades ago. Incomplete short list of composers I'd like to see score one or more episodes:
Don Davis
Gabriel Yared
Howard Shore
Ryan Shore
Conrad Pope
John Debney
Joel McNeely
David Bell
|
|
|
|
|
|
|
|
|
|
Part of me kind of wants to see how Howard Shore returning would sound...would he do something super similar, or would he go in an entirely new direction? But the other part of me probably thinks it's best to move in different direction with someone new. Without getting some visuals and a trailer to get a feel of the show, I'm not sure off the top of my head (without just saying my favorites) would be good...
|
|
|
|
|
|
Bring back David Arnold !
|
|
|
|
|
|
|
|
|
|
|
|
|
|
If it was my choice
Bear McCreary
Murray Gold
David Arnold with Michael Price (It's Huge Project)
James Newton Howard
Conrad Pope (Well he was involved with the feature films of LOTR)
Lee Holdridge
Debbie Wiseman
or
Christopher Gordon
|
|
|
|
|
|
Panu Aaltio would be my choice
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Well, maybe he'd do themes and have Michael Price do the score.
|
|
|
|
|
|
IMO they should do it the way it used to be done with Jerry Goldsmith back in the day, on MAN FROM U.N.C.L.E. and the like. Hire Howard Shore to score the pilot and as much of the series as his schedule and the budget will allow, then pass the remainder of the scoring duties to trusted associates who have the skill to carry on the established voice with distinction.
I doubt that will happen, of course, but it's certainly what I'd like to see happen! (Again, assuming there's no way for Shore to tackle it all himself -- which would certainly be ideal if it were possible!)
This.
I know there a number of people who would like something completely different from the movies, but I think Shore could still bring something new and fresh to the series. He easily reinvents and molds himself to whatever project is at hand, just compare scores like Dead Ringers, Cosmopolis, Crash and A Dangerous Method.
About David Arnold, I just don't see what the appeal is, especially for a project such as this.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
And here is the cast:
"Robert Aramayo, Owain Arthur, Nazanin Boniadi, Tom Budge, Morfydd Clark, Ismael Cruz Córdova, Ema Horvath, Markella Kavenagh, Joseph Mawle, Tyroe Muhafidin, Sophia Nomvete, Megan Richards, Dylan Smith, Charlie Vickers, and Daniel Weyman will all star in the series."
|
|
|
|
|
|
|
|
|
|
Premieres September 2.
|
|
|
|
|
|
If I hear one synth beat or a chugga chugga, I'm so out.
Did you see the teaser trailer?
|
|
|
|
|
|
If I hear one synth beat or a chugga chugga, I'm so out.
Did you see the teaser trailer?
No.
Trailers are the worst. I avoid them as much as possible. They're all look and sound like they were processed at the same Zimmerwurst factory.
|
|
|
|
|
|
|
|
|
|
|
