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Score out tomorrow in digital stores https://music.apple.com/nz/album/underwater-original-motion-picture-soundtrack/1491986560 1- The Bends (1:36) 2- Voyage to the Bottom of the C (Main Title) (2:43) 3- Norah's Theme (2:22) 4- Sprung a Leak (1:41) 5- Hi Cap! (2:22) 6- Great Plan (1:08) 7- Shake It Off (1:41) 8- Moonpool (2:17) 9- El E Vator (1:33) 10- We Don't Belong Here (2:04) 11- What Was That? (1:56) 12- Bobbing Along (2:40) 13- Walkie Talkie (2:52) 14- Squid Market (2:41) 15- Eat Me! (1:46) 16- Behemouth (1:07) 17- Bikini Run (2:30) 18- Norah's Choice (3:16) 19- Rapid Ascent (2:25) 20- Under the C (3:19)
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Hmm I wonder if this movie will be a big piece of shit.
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Well, there's only one way I will know if it's great or not...and that's when I go and see it.
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Dunno...I kinda miss lame underwater movies like the soggy summer of 89 gave us. Album looks 'digestible '. Beltrami & Sanders are aight. Maybe we will be ok here....maybe...BIG M.
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Posted: |
Jan 9, 2020 - 1:11 PM
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By: |
Ado
(Member)
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I know what you mean, and I'm well aware that I'm privileged to see movies "for free" (a relative term, since it's work-related). But I often see such advance negativity for 'genre fare' like this, which bewilders me a bit. How about having a positive, or at the very least a neutral attitude when you go into a movie -- whether it's an underwater monster movie or Ingmar Bergman? It is just practicality Thor. There are only so many movies I can see, only so much time and money I can spend on it, so the reviews play a factor. And in large part, if the scores on Meta are showing a low aggregate then there is something to it. Yes, I enjoy some movies that have been critically beaten. I just do not have the practical means to check all the movies myself to see if I like them. Joan has a good point also, that some of them might be explored later, at home streaming.
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Hmm I wonder if this movie will be a big piece of shit. Leviathan- Deep Star Six have already been mentioned. Can’t beat JG scoring a pile of shit and turning in gold.
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I would see this, eventually when it opens in Spain. About the score, it's OK, interesting mix between sound desings (nice synth-vocals) and orchestra, with pleasent theme for Kristen Stewart's character.
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