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Franklin Schaffner was a great director who made some wonderful films, but "LIonheart" isn't one of them. it is, in fact, the most extraordinary mess of a movie, in large part, I think, because it was a vanity project of Jack Schwartzman, then husband of actress (and Francis Coppola's sister) Talia Shire, hence the film's being a "Taliafilm Production," a man who had no business producing movies. As for Goldsmith's score, I think it's one of his weakest (not awful and un-listenable, like, oh, "Mr. Baseball," but it just drones on and on and on, like practically any John Barry score. In that regard, they might just have signed Barry to do it.
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I love this score. I am holding out hope we get a complete release some day.
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I love this score. I am holding out hope we get a complete release some day. Varèse's Vol. 1 & 2 already feature the complete score. It would even fit on one CD if the end credits hadn't been repeated. Here's the chronological order: 1. The Ceremony 2. The Castle 3. Bring Him Back 4. Failed Knight 5. The Circus 6. Robert and Blanche 7. The Future (unused) (without end credits of course) 8. Children in Bondage 9. Gates of Paris 10. Paris Underground 11. The Road from Paris 12. The Banner 13. The Dress 14. Mathilda 15. The Plague 16. Forest Hunt 17. The Lake 18. The Wrong Flag 19. Final Fight (unused) 20. King Richard
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