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Oh good grief. This seller is a criminal and the poor fool who buys this is going to be pretty disappointed with the lossy sound quality of what they get on this CD-R... Yavar
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Oh good grief. This seller is a criminal and the poor fool who buys this is going to be pretty disappointed with the lossy sound quality of what they get on this CD-R... Yavar So it HAS been recorded after all... Well, it's just a question of time and a good dose of effort and it will show up on a legitimate label one day...
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Ahh, good old Jame Horner. The guy knew how to write a melod.
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That back cover is a treasure of hilarity.
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That reminds me of when there was a [cough cough] of Goldsmith's Players, before the legit Intrada version came out, and the artwork was from Robert Altman's The Player. Good times. (if anyone ever decides to do a film music concert featuring less famous/obvious/familiar pieces, Goldsmith's big Wimbledon cue would be a great inclusion). I hadn't known that Horner actually recorded his R&J -- maybe if I read more Message Board threads... I'm greatly looking forward to Penny Dreadful: City of Angels, but sad that Korzeniowski isn't on board this time. His score for the original series is probably my favorite work of his, especially the main title theme (his music for the slow-motion shot of the cup shattering -- imagine chef's-kiss gesture).
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I can't tell you how much was recorded, but I can tell you fourteen tracks and a little over sixty-four minutes of score for sure. And no, I don't have it.
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Finally listened to it. My thoughts: It's certainly very pleasant to listen to and has a good deal of "Titanic" to it, but I can't for the life of me recall a theme from it except that one flourish that is straight out of Christophe Beck's score to "Guinevere". And while Horner had a propensity to lift from other composers, I seriously doubt he lifted from "The Usual Suspects", so can anybody tell me which Horner score Ottman lifted from? Didn't care for the song. I'd take some score away from it for sure.
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