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 Posted:   Jan 25, 2021 - 9:56 AM   
 By:   OnyaBirri   (Member)

Michel Legrand's original "I Love Paris" LP was recorded in mono in the mid-1950s.

Later in the decade, Legrand recorded "The New I Love Paris" in stereo.

Is anyone familiar with both versions? Did he use the same arrangements on both albums? Stereo, aside, is there a general preference for one or the other?

 
 
 Posted:   Jan 25, 2021 - 11:11 AM   
 By:   Graham Watt   (Member)

Criswell predicts that nobody will respond, because they don't have even one of those albums, never mind the two. I know that I have neither. Criswell's smarter brother predicts that there's an outside chance of villagarden seeing this thread and responding before the end of the year, even only to say that he knows of the albums but cannot recall hearing much difference.

 
 
 Posted:   Jan 25, 2021 - 11:51 AM   
 By:   OnyaBirri   (Member)

Criswell predicts that nobody will respond, because they don't have even one of those albums, never mind the two. I know that I have neither. Criswell's smarter brother predicts that there's an outside chance of villagarden seeing this thread and responding before the end of the year, even only to say that he knows of the albums but cannot recall hearing much difference.

I'm inclined to agree with Criswell and his brother. frown

I can do my own comparison via YouTube, but I'm not familiar enough with either album to readily notice any differences.

 
 
 Posted:   Jan 25, 2021 - 12:21 PM   
 By:   OnyaBirri   (Member)

Fifteen years ago or so, I probably could have counted on a response. Times change.

 
 
 Posted:   Jan 25, 2021 - 1:26 PM   
 By:   TheFamousEccles   (Member)

The arrangements are mostly identical between the two albums. There are some very subtle differences in performance (i.e. an early flute solo in "I Love Paris"), and an occasional bit of color is either added or removed -- but even those aren't matters of extensive rewrites to any charts, nor does have every chart have tweaks --it's a few bars here or there where I imagine Legrand felt he could better get the effect he wanted, so he did so. It's a wonderful album, a sort of symphonic melange of tunes with some typically inventive Legrand arrangements.

As for my preference, I actually prefer the stereo album. The sound is cleaner, and it doesn't -- to my ear, anyway, but I'm not as attuned to this sort of thing -- have the sort of washy, over-spacious, "fake" stereo sound of some other albums of the time -- it's well-recorded and well-mixed. The original mono album is good too, and the different, slightly drier mixes on the arrangements do allow for different textures to be heard, but the latter album sounds and feels more like a Legrand album, if that makes any sense.

 
 
 Posted:   Jan 25, 2021 - 1:31 PM   
 By:   Graham Watt   (Member)

I always had my suspicions that "Criswell" was just an actor and not a real-life visionary.

 
 
 Posted:   Jan 25, 2021 - 2:06 PM   
 By:   OnyaBirri   (Member)

The arrangements are mostly identical between the two albums. There are some very subtle differences in performance (i.e. an early flute solo in "I Love Paris"), and an occasional bit of color is either added or removed -- but even those aren't matters of extensive rewrites to any charts, nor does have every chart have tweaks --it's a few bars here or there where I imagine Legrand felt he could better get the effect he wanted, so he did so. It's a wonderful album, a sort of symphonic melange of tunes with some typically inventive Legrand arrangements.

As for my preference, I actually prefer the stereo album. The sound is cleaner, and it doesn't -- to my ear, anyway, but I'm not as attuned to this sort of thing -- have the sort of washy, over-spacious, "fake" stereo sound of some other albums of the time -- it's well-recorded and well-mixed. The original mono album is good too, and the different, slightly drier mixes on the arrangements do allow for different textures to be heard, but the latter album sounds and feels more like a Legrand album, if that makes any sense.


Thank you for this! I imagine that in places, it may be hard to tell the difference between a subtle change in a arrangement or simply a different balance because of the miking that was used.

I have the stereo album and love it, and didn't know if the mono was worth seeking out.

If you remember the Sauter-Finegan Orchestra, I have compared some of their earlier arrangements recorded in mono for RCA to the same tunes later recorded in stereo for United Artists. It isn't always easy to tell the difference between changes in balance and changes in orchestration.

 
 
 Posted:   Jan 25, 2021 - 2:31 PM   
 By:   OnyaBirri   (Member)

Famous Eccles, while we're on the topic, have you heard Legrand's "Bonjour Paris" or "Rendezvous in Paris," and if so, how do these compare to "I Love Paris?"

 
 
 Posted:   Jan 25, 2021 - 2:50 PM   
 By:   villagardens553   (Member)

I've heard both albums but can not recall any differences.

 
 
 Posted:   Jan 25, 2021 - 3:02 PM   
 By:   Graham Watt   (Member)

So Criswell wasn't a total charlatan after all. Only partially.

 
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