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SEASON 1:
Loads switch between English and German in each episode (probably to avoid copyright detection). I can't use CBS anymore for links to free videos because everything there re-directs to ParamountPlus, where you need an account to watch anything.
Attention readers: I am implementing a new system that is nothing more than a note to myself; for cues that I want to include in a suite, for now on I will denote them with ^ symbol. It has no special meaning to anyone else but myself. No, the lack of an up arrow symbol doesn't mean the cue is bad (it just may have too much SFX or FX for suite use or just isn't worth my time to edit and include). Hence forth this system will be in all future threads and pre-exiting threads that I go back to for missed episodes.
"Cocoon"
By: Morton Stevens
First Part: https://www.dailymotion.com/video/x6gjpoc
Second Part: https://www.dailymotion.com/video/x6gjpn6
Highlights:
4:44 in.
6:49 in.^(7:22)
14:41 in.^
20:17 in.^(20:30)
28:42 in.^
38:33 in.^
48:53 in.^
Second Part:
16:37 in.
24:28 in.
28:41 in.
(Note to Me: 33:37 in: composer credit)
Stevens' score for the pilot was nominated for an Emmy. The other competition that year:
"Heidi"
Composer: John Williams
(WINNER)
"Hemingway's Spain: A Love Affair"
Composer: Jacques Belasco
(I've never heard of either one; I'll have to check it out)
"Mission: Impossible"
Episode: "The Heir Apparent"
Composer: Lalo Schifrin
"The Outcasts"
Episode: "Take Your Lover in the Ring"
Composer: Hugo Montenegro
"Full Fathom Five"
By: Morton Stevens
https://www.dailymotion.com/video/x6gpg30
Highlights:
2:00 in.^
10:24 in. Pleasant arrangement of the series' main theme.^
12:55 in.^
24:22 in.^
27:37 in.^
30:17 in. The source music.
35:40 in.^
42:35 in.^
44:42 in.
46:55 in.
"Strangers in Our Own Land"
By: Morton Stevens
https://www.dailymotion.com/video/x6gvnkc
Highlights:
13:58 in.^
24:12 in.
Around 28:30 in. The radio source music.^
38:55 in.^
41:05 in.^(open)
44:46 in.
NO LOAD FOUND.
"Tiger by the Tail" (1.3)
By: Morton Stevens
"Samurai"
By: Morton Stevens
https://www.dailymotion.com/video/x6iay08
Highlights:
0:00/2:57/20:59 in. Including a water chime.^
11:24 in.
14:27 in.^
25:05 in. Also including a water chime.^(26:02)
28:03 in.^
30:36 in.^
35:53 in.???
36:55 in.
39:11 in.^
45:21 in. And one final cue with a water chime.^
Guest-starring Ricardo Montalban.
"....And They Painted Daisies on His Coffin"
By: Morton Stevens
https://www.dailymotion.com/video/x6h11xg
Highlights:
0:00 in.^
3:27 in.^
9:56 in.^
13:07 in.
21:29 in. With a Rosenman tone pyramid ending.^
32:55 in.^
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Continuing SEASON 1:
"Twenty-Four Karat Kill"
By: Morton Stevens
https://www.dailymotion.com/video/x6h120r
Highlights:
0:00 in.
6:17 in.^
7:32 in.
11:36 in.^
15:48 in. This strikes me to be more of a John Parker piece than a Stevens piece.^
33:05 in.
36:30 in.
37:48 in.^(parts/EDIT)
43:39 in.
46:12 in.^
NO LOADS FOUND.
"The Ways of Love" (1.7)
By: Morton Stevens
"No Blue Skies" (1.8)
By: Morton Stevens
"By the Numbers"
By: Morton Stevens
https://www.dailymotion.com/video/x6ggk96
https://www.dailymotion.com/video/x6ggk97 (user put the same episodes up twice)
Highlights:
0:00 in.
2:29 in.^
3:46 in.^
19:49 in.^
20:53 in. Joining a cue already in progress for the cool main theme part.^
26:38 in.
37:31 in.^
42:58 in.
45:24 in.^
"Yesterday Died and Tomorrow Won't Be Born"
By: Morton Stevens
https://www.dailymotion.com/video/x6h1205
Highlights:
2:58 in.^
11:29 in.^
18:18 in.^
30:24 in.^
33:48 in.^
"Deathwatch"
By: Don B. Ray
https://www.dailymotion.com/video/x6gjpjl
Highlights:
2:27 in.^
6:43 in. The source music (begins a little earlier, but it's so hard to hear that I just noted its time when you can really hear it).
25:39 in.^
32:59 in.
38:35 in.^
47:38 in.^
On a set of season one scoring, I'm not sure how much of this I would include (likely candidates for inclusion: the first two and last two highlights).
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I forgot to mention Stevens was nominated for an Emmy for the pilot score, so I've edited the post and included that and the other competition that year.
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Continuing SEASON 1:
"Pray Love Remember, Pray Love Remember"
By: Morton Stevens
https://www.dailymotion.com/video/x6gloli
Highlights:
0:00 in.^
21:45 in. Including a water chime.^
28:33 in. And the cue after the commercial break.^(28:44/both)
30:37 in.^(parts)
33:18 in.^(parts)
46:29 in.
Stevens' soft arrangement of the series main theme, heard so far two or three times now in episodes, reminds me of the soft island theme from Kaper's score to "Mutiny on the Bounty" (heck, Kaper would have been a great choice of composer for an episode or two).
"King of the Hill"
By: Harry Geller
https://www.dailymotion.com/video/x6gloj6
Highlights:
4:35 in.
12:43 in.^
23:04 in.^(closing)
34:40 in.^
Very disappointing step down from Stevens. You may notice that three of the cues are short dramatic outtros.
(NtM: 47:41)
"Up Tight"
By: Morton Stevens
https://www.dailymotion.com/video/x6glojt
Highlights:
1:44 in.
6:23 in. Joining a cue already in progress.^
10:36 in.^
22:12 in.^(too much editing to include?)
About 25:58 in.^(about 27:40 in)
39:19 in.^
46:45 in.^
There is some interestingly twisted music here and there from Stevens. It's a new side of him for me.
"Face of the Dragon"
By: Richard Shores
https://www.dailymotion.com/video/x6gnfih
Highlights:
19:18 in.^
21:58 in.^
27:31 in.^
31:35 in.^
39:03 in. and^(both)
(NtM: About 16:40 in)
"The Box"
By: Morton Stevens
https://www.dailymotion.com/video/x6gnfir
Highlights:
0:00 in.^
4:48 in.^
9:33 in.^
20:22 in.^
23:33 in.^
42:33 in.^
45:13 in.^(part)
46:20 in.^
"Along Came Joey
By: Morton Stevens
https://www.dailymotion.com/video/x6gpg2u
Highlights:
3:10 in.
4:53 in.
15:20 in.
24:29 in.
26:42 in. And the cue after the commercial break.^(part)
32:11 in.
36:22 in.^
43:17 in.^
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Yes, "No Blue Skies" had no load I could find.
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Finishing SEASON 1:
"Once Upon a Time: Part 1"
By: Harry Geller
https://www.dailymotion.com/video/x6gpg04
Highlights:
4:57 in.
9:59 in.^
12:31 in.
18:47 in.^
28:56 in.^
39:41 in.^
47:24 in.^
"Once Upon a Time: Part 2"
By: Harry Geller
https://www.dailymotion.com/video/x6gsj0x
Highlights:
0:07 in.^(parts)
8:35 in.
12:37 in. Another cue that strikes me as a John Parker piece (I'll have to compare the two to make sure it's not the same cue).^ *
16:15 in. and^(both/parts)
47:30 in.^
* = He did exactly what I was thinking of doing to "chick-y baby".
"Not That Much Different"
By: Morton Stevens
https://www.dailymotion.com/video/x6gsj0y
Highlights:
0:00 in.^
12:04 in. And the cue after the commercial break.^(both)
20:49 in.^
29:42 in.^
35:51 in.
39:15 in.^
42:53 in.
47:55 in.^
"Six Kilos"
By: Morton Stevens
https://www.dailymotion.com/video/x6gsj16
Highlights:
0:00 in.
3:10 in.^
9:42 in.^
12:23 in.^
17:43 in.
26:38 in.
28:58 in.^
40:52 in.
44:59 in.
47:09 in.
For the guys here: 5:37 in. You're welcome.
(NtM: 17:07)
"The Big Kahuna"
By: Morton Stevens
https://www.dailymotion.com/video/x6gvp15
Highlights:
0:00 in.^
3:30 in.^
6:01/11:53 in. Both including a water chime.^
13:58 in. Also including a water chime.^
23:08 in. Also including a water chime.^
36:02 in.^
39:04 in. Also including a water chime.^
43:01 in. Also including a water chime.^
47:17 in.
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SEASON 2:
"A Thousand Pardons -- You're Dead!"
By: Morton Stevens
https://www.dailymotion.com/video/x6isakn
Highlights:
1:49 in.
24:27 in.
26:29 in.
38:39 in. Stevens breaks into another fugue.^
42:38 in.^
This episode score won an Emmy. This other competition that year:
"The Bill Cosby Show"
Episode: No episode specified
Composer: Quincy Jones
"Charlie, the Lonesome Cougar"
Composer: Franklyn Marks
"To Hell with Babe Ruth"
"Music Composed and Conducted by": Harry Geller
https://www.dailymotion.com/video/x6iziap
Highlights:
0:00 in. Including a water chime. Off hand I think this is the first score I have heard that uses multiple ones for a water chime cluster effect.^
3:12 in.^
6:17 in.^
8:41 in.
12:18 in.
24:52 in.^
27:16 in.^
About 35:20 in. Joining a cue already in progress.^
38:38 in.^
42:12 in.^
"Forty Feet High and It Kills!"
By: Richard Shores
https://www.dailymotion.com/video/x6j5ok6
Highlights:
0:00 in.^
6:20 in.^ *
10:07 in.^
12:19 in.
14:01 in.
26:14 in.^
29:54 in.
35:08 in.^(35:30)
36:21 in.^(parts)
44:52 in.^
46:33 in.^
* = Yes, that's a thing nefarious people do, stand around silently looking at each other. LOL.
You know, if you took away the music and the up-close shots and just had a wide shot angle of them standing still and turning their heads and looking at each other, they would looke dumbfucks.
"Just Lucky, I Guess"
By: Richard Shores
https://www.dailymotion.com/video/x6j8foo
Highlights:
31:08 in.
35:34 in. Around four minutes long.
On a set of season two scoring, I'm not sure I'd include either cue. If there was room, I'd only consider the second one.
There was barely any score in the episode. What you see listed in the highlights, is most of it.
"Savage Sunday"
By: Don B. Ray
https://www.dailymotion.com/video/x6j8fnz
Highlights:
0:00/1:17 in.^(second cue/parts)
12:43 in.
23:33 in.
40:29 in. Joining a cue already in progress.^
42:19 in.
45:14 in.^
"A Bullet for McGarrett"
By: Richard Shores
https://www.dailymotion.com/video/x6j8fp4
Highlights:
1:47 in.^(2:44)
10:42 in.^
About 14:25 in. Joining a cue already in progress.
24:01 in.^
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Continuing SEASON 2:
"Sweet Terror"
By: Richard Shores
https://www.dailymotion.com/video/x6jdt6t
Highlights:
1:45 in.^
3:51 in.^
8:44 in.
10:57 in.^
14:17 in.^
33:16 in.^(parts)
35:41 in. I'll have to check, but this sounds like it's essentially a continuation of the above cue and it could be combined reasonably.^
39:16 in.
44:47 in.*
* = At one point one of them says in German what sounds like in English: "Weiner stamp"
"King Kamehameha Blues"
By: Mundell Lowe
https://www.dailymotion.com/video/x6q49vb
This is the only effort by Lowe for the series.
Highlights:
0:00 in. Opening bumper followed by the opening score cue.^
2:14 in. Possibly joining a cue already in progress. Kind of hard to tell what was a score cue and if it continued into this.
2:53 in.^
10:38 in.
14:23 in.*
24:51 in. Joining a long uneventful and boring cue in progress for the good part. Yes, if I were producing a set of season two scoring, I would lop off those opening minutes for this.^
28:07 in.
33:05 in.^
45:22 in.
* = He was told he had "Exactly three minutes". Meanwhile, over five minutes later it's still going on and the episode goes to commercial break. Then over six more minutes after the commercial break.
For the guys here: 34:55 in. You're welcome.
"The Singapore File"
By: Morton Stevens
https://www.dailymotion.com/video/x6jdt1h
Highlights:
0:00 in. The source cue and the short score cue that immediately follows it.^
6:06 in.
7:52 in.
14:54 in.
32:50 in. The source cue.
34:35 in.^(parts)
40:45 in.^
"All the King's Horses"
By: Richard Shores
https://www.dailymotion.com/video/x6jg7d3
Highlights:
2:27 in.
28:37 in.
38:57 in.^(opening)
41:42 in.
I'm not sure how much of this I would include on a set of season two scoring.
"Leopard on the Rock"
By: Morton Stevens
https://www.dailymotion.com/video/x6isafu
Highlights:
6:55 in.^
11:41 in.^
13:33 in.^(parts)
18:15 in.
30:27 in. And the cue after the commercial break.^(both)
35:17 in.^ *
39:33 in.^
44:07 in.^(parts)
* = I hope my Hawaiian assassin is that sexy.
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Thanks for letting me know. Any time anybody recognizes a cue from another episode, feel free to let me know (it would be great if the episode it's from is remembered); I can use parts from other episodes the cues are used in, to creates better edits and remove sections that had FX/SFX and replace it with clean sections.
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Very cool. By the way, some time next week in my review batches, there are two scores in particular that I had to give some praise to -- one Ray effort and one Stevens effort (which I'm 100% positive you'll be in agreement with me over).
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Posted: |
Mar 28, 2021 - 9:38 AM
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By: |
Broughtfan
(Member)
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Shores also did some of these. The Hawaiian guitar band music heard on the plane in the finale of S4's "Three Thousand Crooked Miles to Honolulu" (one of favorite 5-O scores) being one that he did.
Yep, I agree. Another great score.
It is almost a crime to not have these scores released.
No arguments, here. Well, it took three volumes of disks to contain the thirty or so "Star Trek" scores. Mort, alone, scored nearly double that number of "5-O" episodes. One set of three disks of his music would be tough because there's no bad score in the bunch with some being, IMO, among the finest composed for series television. Personally, I would want all of his S1-2, 4, 6 and 9 and 12 scores. That would make me "very happy camper" to see this (along with Shores S2, 4, 6-7 shows, all of Bruce Broughton's scores from S6 - 9 and 12, Don Ray's S4 - 6 eps). Now, most of the 5-O scores aren't as lengthy as those composed for "Star Trek," so the way to go might be to do "suites" (as Mort had on his 1980s demo). So you might drop things such as the act-out freeze-frame "wave" cues (though a few, such as the ones composed by Bruce for "McGarrett is Missing" are pretty exciting). This said, you would want to include at least a few complete scores: Full Fathom Five, Highest Castle, Deepest Grave, Hookman, Nine Dragons, The Bells Toll at Noon (talking Mort's stuff). If the set sold well, then you might do a Vol 2 with music by the other composers who worked on the series (Cacavas, Ernest Gold, Scharf, Steiner, DeBenedictis, Immel, Rugolo, Romanis) as there are still plenty of good scores there (particularly Debenedictis' "Skyline Killer"). But, for a Vol. 1, Stevens, Shores, Broughton, Ray.
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