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I haven't A/Bed the two and even if I did my equipment isn't too fancy...but if you're that big a fan of The Stripper I'd say upgrade for sure, because the final cue (end credits) on the FSM was presented once in stereo (damaged) and once in mono (undamaged), whereas here it appears only once, in stereo I'm pretty sure, which must mean Mike Mattesino did his restoration magic on it. Can anyone else confirm that? Yavar
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I finally listened to S*P*Y*S; whoa, what a zany score, and lots of fun. Very catchy tunes, musically, it's like Yavar said a bridge between the 60s jazzy Flint scores and the latter, whacky Joe Dante collaborations. Lots of musical quotes in there, from "Tahiti Trot/Tea for two" to Beethoven's 5th, bouncy synthesizers... Yes, I had never heard this score (or seen the movie) before just today. I picked up the "Goldsmith at 20th Vol. III" release of this and THE STRIPPER, as I didn't have these in any prior version. I really enjoy S*P*Y*S, it's a wholly original, funny score. Would be interesting to compare this to the score John Scott wrote for it.
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