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 Posted:   Jun 9, 2021 - 5:03 PM   
 By:   OnyaBirri   (Member)

 Posted:   Jun 10, 2021 - 6:50 AM   
 By:   OnyaBirri   (Member)

86 Italian library fans can't be wrong!

 Posted:   Jun 10, 2021 - 6:59 AM   
 By:   Lukas Kendall   (Member)

Great piece, thanks for sharing!


 Posted:   Jun 10, 2021 - 7:37 AM   
 By:   Sean Nethery   (Member)

Excellent - appreciate the link!

 Posted:   Jun 10, 2021 - 8:29 AM   
 By:   OnyaBirri   (Member)

In the 1990s, this stuff was my bread and butter. So many great reissues and comps at the time from Easy Tempo, Beat, Plastic, Irma, Crippled Dick Hot Wax.

I remember my brother-in-law, who is also a soundtrack nut, saying, "Buy this stuff now while you can get it. It will all disappear soon." He was right.

 Posted:   Jun 10, 2021 - 9:00 AM   
 By:   Sean Nethery   (Member)

At least the long tail of digital streaming has a lot of this stuff. Even with depressingly small audience figures. But true believers, every one.

I'm grooving* right now to Lorenzo Fabrisi's SONOR MUSIC EDITIONS playlist on Spotify. He's the guy first profiled in the NYT article. Sweet!

*OK, no one who knows me would say I am ever "grooving".

 Posted:   Jun 10, 2021 - 2:51 PM   
 By:   Pangolino   (Member)

I did start buying production music when I found that soundtrack LPs I wanted were becoming much less affordable. Several composers I liked did work in both areas. I had the sense then that production music LPs were going to go the same way price-wise, and they did (maybe to an even greater degree). Now even newly-released LPs are too expensive if you include shipping costs, so that's all worked out the way it was supposed to.

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