 |
|
|
|
|
|
|
|
|
|
|
None.
Never have, never will.
Granted, some music, or films, may be moving to various degrees, but waterworks? Really? Are we not grown men (most of us anyway)?
On second thought, I may have come close to crying when the deal for my copy of Godzilla vs. Mothra TCTY-5348 threatened to go south.
|
|
|
|
|
|
Alfred Newman’s The Diary of Anne Frank has often moved me to tears, especially during the penultimate track of the original soundtrack album, “The Dearness of You, Peter.”
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Hi Advise! E.T. for me, at the end when E.T. leaves. Not anymore, but when I first saw the film.
Hello Henry. That one comes awfully close for the waterworks.  Hadn't listened to it for along time when I attended a John Williams concert at the Hollywood Bowl in 2013. Pretty stirring stuff.
|
|
|
|
|
|
Never Cry Wolf
I believe it is No Cry = No Wolf.
|
|
|
|
|
|
From Superman starting at 5:06 in the track The Fortress of Solitude until right before the fanfare at the end of that track starts. That really gets me almost every time. Plus a lot of places in Thomas Newman Scores.
Agreed. Very powerful. I only have a handful of Thomas Newman score, but I must admit he has a knack to pull on the heartstrings in a surprisingly subtle way, avoiding all of the usual bag of treacly cliches.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
In conjunction with the film: the closing cue of To Kill a Mockingbird
|
|
|
|
|
|
|
|
|
|
|
|
|
|
E.T. killed me in 1982, when we're building up to the bicycle chase and we cut from that close-up on Dee Wallace's face - bam! to the kids peddling like mad and the introduction of a brand new fanfare. I was a mess. My friends were worried for me I was bawling so hard. Lately I've been choking up listening to A.I. Williams' music for that film cuts me deep. In his own words "it's about love and death". I cry.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
