I ordered this score with Somewhere In Time at La-La-Land's site. Movie was on UK TV recently but I missed it however the samples are excellent. Different to typical thriller music.
Autographed copies were still available, last time I looked.
Some tracks were released on a Mike Figgis compilation album 'Figgis On Figgis' on the Milan label in 2000 but obviously this La-La-Land edition appears definitive..
I realize this score isn't everyone's cup of tea particularly amidst a bumper crop of Goldsmith releases, but I hope that people who are on the fence consider purchasing if for no other reason than to support releases like it.
I ordered this score with Somewhere In Time at La-La-Land's site. Movie was on UK TV recently but I missed it however the samples are excellent. Different to typical thriller music.
Autographed copies were still available, last time I looked.
I realize this score isn't everyone's cup of tea particularly amidst a bumper crop of Goldsmith releases, but I hope that people who are on the fence consider purchasing if for no other reason than to support releases like it.
I completely agree with your opinion Mike Esssss!
It's kind of like a legacy that needs to be preserved and passed on ...
I realize this score isn't everyone's cup of tea particularly amidst a bumper crop of Goldsmith releases, but I hope that people who are on the fence consider purchasing if for no other reason than to support releases like it.
For me, this cup of tea surely tastes better than any Goldsmith-tea...
Can't help but once again mention this pretty cool score. I just wanted to say that for me this score is one of the great examples of how the music itself tells the plot of the film. As the tension in the film increases, the sounds of the synt flash become more pronounced and aggressive. The score perfectly conveys the psychological state of the protagonist and his confrontation with the antagonist. Marinelli and Banks themselves could do well with the task. But I'm very glad that Figgis joined them and brought great motives to the score.
Very original and powerfull score, especially for its time!
Can't help but once again mention this pretty cool score. I just wanted to say that for me this score is one of the great examples of how the music itself tells the plot of the film. As the tension in the film increases, the sounds of the synt flash become more pronounced and aggressive. The score perfectly conveys the psychological state of the protagonist and his confrontation with the antagonist. Marinelli and Banks themselves could do well with the task. But I'm very glad that Figgis joined them and brought great motives to the score.
Very original and powerfull score, especially for its time!
