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 Posted:   Oct 7, 2021 - 5:21 AM   
 By:   Hurdy Gurdy   (Member)

This just landed at my household.
WOW!!
What is that album on Disc One that sounds like THE EIGER SANCTION, feels like THE EIGER SANCTION, but is a whole new experience of listening to the music from THE EIGER SANCTION!?
I love the experience of growing up with a John Williams LP and absorbing that sound down the years, only to now be able to experience a whole new feeling when hearing that music again, but with a different orchestral palette, performance, tempo, orchestration AND with lots of NEW MUSIC you haven't heard as much, if at all!!
These are privileged and special times we live in.
Just hearing a brand new cue like Felicity or Art Masterpieces, or Up The Drainpipe, as written and recorded for the film, is fantastic.
AND the sound quality!! (contented sigh).
Scores like THE FURY, JAWS, EARTHQUAKE, MISSOURI BREAKS, THE RIVER...just a great (double) experience.
To the people who get this stuff out to us...I am forever in your debt.

 
 
 Posted:   Oct 7, 2021 - 6:07 AM   
 By:   Hurdy Gurdy   (Member)

This is RIDICULOUSLY BRILLIANT!!
I love hearing all those little shout outs to other scores by him from the same period.
Tension and suspense from JAWS...the mystery motif from FAMILY PLOT.
And the Film Version of Fifty Miles Of Desert sounds like Tusken Raiders!!!

 
 Posted:   Oct 9, 2021 - 7:10 AM   
 By:   agentMaestraX   (Member)

I agree this music is so infectiously brilliant especially those Main Titles!
Also I hear distant tunes of JAWS 2 in there.

 
 Posted:   Oct 9, 2021 - 7:58 AM   
 By:   judy the hutt   (Member)

This is RIDICULOUSLY BRILLIANT!!
I love hearing all those little shout outs to other scores by him from the same period.
Tension and suspense from JAWS...the mystery motif from FAMILY PLOT.
And the Film Version of Fifty Miles Of Desert sounds like Tusken Raiders!!!


he borrows but a lot of times from himself.

some blasphemy. if you listen to a Beethoven symphony you can tell when you listen to a piece of classical music you can hear that it is Beethoven.

 
 
 Posted:   Oct 9, 2021 - 11:39 AM   
 By:   Hurdy Gurdy   (Member)

Oh, it's in no way a diss when I mention little snippets of other works, either from his past or (then) future works.
That's one of the things I love most about composers with signature voices.
Goldsmith did it. Morricone did it. Barry did it.
Even James Horner was known to do it once or twice wink

 
 Posted:   Oct 9, 2021 - 11:49 AM   
 By:   judy the hutt   (Member)

Oh, it's in no way a diss when I mention little snippets of other works, either from his past or (then) future works.
That's one of the things I love most about composers with signature voices.
Goldsmith did it. Morricone did it. Barry did it.
Even James Horner was known to do it once or twice wink


I didn't mean any diss.

 
 Posted:   Oct 9, 2021 - 12:50 PM   
 By:   dtw   (Member)

I always liked this score from the old Varèse disc, so it wasn't long before I caved in to temptation and bought this expansion. Glad I did, cos it's a corker.

 
 
 Posted:   Oct 9, 2021 - 2:05 PM   
 By:   Hurdy Gurdy   (Member)

I can't stop playing it.
I loved the old LP since I bought it back in the early 80s (while on my Williams Quest).
But hearing the score recording is just immense. Unalloyed Joy.
The music I know well, only different.
The newly available score tracks...Oh My!
From arguably Williams' finest period.
Things don't get better than this.
And on top of the ALWAYS expansion and the first ever GHOSTBUSTERS 2 release!!
Like I say...Privileged Times smile

 
 
 Posted:   Oct 14, 2021 - 8:37 AM   
 By:   Hurdy Gurdy   (Member)

Anyone else hear strains of The Icy Ascent when they hear this song?
Listen at around 1:20 and 2:20 of the song...

 
 
 Posted:   Oct 14, 2021 - 9:41 AM   
 By:   Tall Guy   (Member)

Anyone else hear strains of The Icy Ascent when they hear this song?
Listen at around 1:20 and 2:20 of the song...



I was going scornfully to accuse you of seeing JW in everything but dammit I hear it too…

 
 
 Posted:   Oct 15, 2021 - 2:07 AM   
 By:   Hurdy Gurdy   (Member)

Gawd Bless Yer Chris.
I always knew you had a good ear! smile

 
 
 Posted:   Oct 15, 2021 - 5:41 AM   
 By:   Tall Guy   (Member)

Gawd Bless Yer Chris.
I always knew you had a good ear! smile



I have, Kev. But you should see the other one….

 
 
 Posted:   Oct 15, 2021 - 4:55 PM   
 By:   eriknelson   (Member)

Last evening I listened to this score. I remember the film from when it was released but that was a long time ago and I had forgotten almost all of the score. The only cue I remembered was the training sequence with George. That sequence was also memorable for reasons i won't go into here :-)

This score seems unique in Williams' oeuvre. It's unmistakably Williams but has a different feel to it. I will be playing this one often henceforth.

Also, I rented the film last evening as well. The score fits the film like a glove, and those climbing sequences are as stupendous as I recalled. Oh, to see it again on the big screen...

 
 
 Posted:   Oct 15, 2021 - 11:54 PM   
 By:   The Shadow   (Member)

deleted

 
 
 Posted:   Dec 25, 2021 - 4:52 AM   
 By:   Graham Watt   (Member)

Finally got this, and it's freakin' fantastic from beginning to end! I played CD 2 first because I was familiar with the LP presentation, but this was like listening to it anew. AND with bonus tracks re-recorded for the original album but left off! AND with three source cues by JW, written in his unmistakable light pop-jazz "disaster movie" style! Brilliant!

Then I listened to Disc 1. Now, you know I'm an old grump with the attention span of an amoeba, but this totally held my interest from beginning to end, all 75 minutes of it. And if you think you "know" the score through having heard the LP presentation, well you're as wrong as I was! What a treat. It was like going back to 1975 and picking up a few John Williams records, TOWERING INFERNO, EARTHQUAKE, JAWS... there's a bit of all these in this, especially THE TOWERING INFERNO, and one clear precursor to Ben Gardner's head.

Forgive my "review". I'm on my phone and I'm not following any logical line of thought. I just wanted you to know that I'm as happy as a pig in shit with this, and I hope you lot are too.

That is all.

 
 
 Posted:   Dec 25, 2021 - 4:55 AM   
 By:   Hurdy Gurdy   (Member)

Welcome to the party, pal.

 
 
 Posted:   Dec 25, 2021 - 5:07 AM   
 By:   Graham Watt   (Member)

Welcome to the party, pal.

Cheers Kev. I was aware of one of our mind melds there. I'm going to listen to this again this afternoon after pulling me crackers (?) - I am literally a pig. A pig in shit. Wallowing in this. I can't remember the last time I got so much pleasure out of rolling in the mud with John Williams.

 
 
 Posted:   Dec 25, 2021 - 1:35 PM   
 By:   Hurdy Gurdy   (Member)

Glad you are enjoying it, my Sco-nish friend.
It is a delight, innit.
To use a line from a film with another great score by this master composer and to compare how one would feel about you experiencing this for the first time...
'Monsieur Neary, I envy you'.

 
 Posted:   Dec 25, 2021 - 1:43 PM   
 By:   Viscount Bark   (Member)

I always like that music that plays during Eastwood's training jogs with George. (The hottie, not Kennedy!)

 
 
 Posted:   May 31, 2022 - 3:27 AM   
 By:   Hurdy Gurdy   (Member)

This one never stops never stoppin'.
Such a delight from start to finish.
I love Felicity, such a great 'turn of pace' in a score filled with so many.
The differences in the film recording and the album re-do are many and fascinating...the harpsichord(?) in the Main Title, the Tusken Raiders percussion in Fifty Miles Of Desert...the expansion of that unused material in Hemlock's Bonus, all the extra danger/suspense material recalling his Disaster scores, extra/alt versions of his soaring/lyrical outdoors stuff.
The list goes on.
Just a magnificent, stellar release to a score I thought I knew from the old LP...but I actually really didn't.

 
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