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 Posted:   May 20, 2022 - 10:41 AM   
 By:   BTTFFan   (Member)

ORDERED!

Only 1,500 copies? Get it while you can.

 
 Posted:   May 20, 2022 - 11:05 AM   
 By:   Jason LeBlanc   (Member)

John Powell says:

"Digital Streaming on August 5."

https://www.instagram.com/p/CdyZkA1N3pd/

 
 Posted:   May 20, 2022 - 11:33 AM   
 By:   Solium   (Member)

Not familiar with the OST will have to give it a listen.

 
 Posted:   May 20, 2022 - 11:52 AM   
 By:   SchiffyM   (Member)

adjective: tumescent
1. swollen or becoming swollen, especially as a response to sexual arousal.
2. (especially of language or literary style) pompous or pretentious.

Which meaning was Mr Powell going for?! eek


Oh, those cheeky Brits!

 
 Posted:   May 20, 2022 - 12:01 PM   
 By:   SpaceMind   (Member)

I love this score. As mentioned above, only 1500!

 
 
 Posted:   May 20, 2022 - 12:30 PM   
 By:   moolik   (Member)

Booooooouring

 
 
 Posted:   May 20, 2022 - 5:21 PM   
 By:   TerraEpon   (Member)

I have to buy any score that has an alternate of "with bassoon".
(Well maybe not, but it's amusing, especially in light of the fact I remember a post years back someone was complaining about the orchestration of modern scores and talking about how there would never be a solo bassoon as a for instance)

 
 Posted:   May 20, 2022 - 6:06 PM   
 By:   Jurassic T. Park   (Member)

I have to buy any score that has an alternate of "with bassoon".
(Well maybe not, but it's amusing, especially in light of the fact I remember a post years back someone was complaining about the orchestration of modern scores and talking about how there would never be a solo bassoon as a for instance)


Honestly those are the only parts that I'm curious about with this score - I find the original to be a bit of a Remote Control electronic mess, but I'd be really curious to see if there was originally a more orchestral bent to the music.

 
 Posted:   May 20, 2022 - 6:29 PM   
 By:   SchiffyM   (Member)

I find the original to be a bit of a Remote Control electronic mess, but I'd be really curious to see if there was originally a more orchestral bent to the music.

I believe Powell said in an interview that when Carter Burwell's score was rejected, there was not a lot of money left for a big, orchestral score, so it was conceived to be more percussive and feature solo instruments.

I'm often not a fan of this technique, but I like this one – somehow, Powell gives it soul.

 
 Posted:   May 20, 2022 - 6:36 PM   
 By:   digitalfreaknyc   (Member)

Well, that's certainly an interesting way to program a title...

Still getting it.

 
 Posted:   May 21, 2022 - 7:54 AM   
 By:   Solium   (Member)

I have to buy any score that has an alternate of "with bassoon".
(Well maybe not, but it's amusing, especially in light of the fact I remember a post years back someone was complaining about the orchestration of modern scores and talking about how there would never be a solo bassoon as a for instance)


Honestly those are the only parts that I'm curious about with this score - I find the original to be a bit of a Remote Control electronic mess, but I'd be really curious to see if there was originally a more orchestral bent to the music.


I'm a third of the way thru a listen on YT. I love Powell's animated and fantasy scores but this isn't my cup of tea. Much to droning for my tastes. Hope it sells well for them though.

 
 Posted:   May 21, 2022 - 3:33 PM   
 By:   Ian J.   (Member)

I'd like to see expansions of more of Powell's animated scores, the likes of 'Mars Needs Moms', 'Horton Hears A Who', etc, but I get the feeling that there just isn't likely to be enough interest in them due to the movies themselves not being notable enough.

 
 Posted:   May 21, 2022 - 4:18 PM   
 By:   Yavar Moradi   (Member)

Solium for what it's worth I think you'll like the sequel score(s) a lot better. Much more orchestral, and more thematic.

Yavar

 
 Posted:   May 23, 2022 - 6:33 AM   
 By:   spielboy   (Member)

TRACKLIST
1. The Bourne Identity Main Titles 4:23
2. The Bourne Identity Original Opening 4:25

4. Bourne On Land 1:45
5. Bourne On Land (With Bassoon) 1:41
6. Bourne On Land (Alternate Version) 1:55


I ll never understand how people (and the composer himself!) like that for a listening sequence

 
 Posted:   May 23, 2022 - 9:18 AM   
 By:   OneBuckFilms   (Member)

TRACKLIST
1. The Bourne Identity Main Titles 4:23
2. The Bourne Identity Original Opening 4:25

4. Bourne On Land 1:45
5. Bourne On Land (With Bassoon) 1:41
6. Bourne On Land (Alternate Version) 1:55


I ll never understand how people (and the composer himself!) like that for a listening sequence


In this particular case, I think it is to showcase the evolution of the score.

More an illustrative exercise than a pure listening experience.

He probably knows that many fans like to see how things changed as a way of exploring the score.

 
 
 Posted:   May 23, 2022 - 5:11 PM   
 By:   TerraEpon   (Member)


I ll never understand how people (and the composer himself!) like that for a listening sequence


Depends how different they actually are. In the HTTYD scores, the both of them have an alternate opening, which is different enough it doesn't feel samey.

 
 Posted:   May 24, 2022 - 8:45 AM   
 By:   Warlok   (Member)

Ordered. Here's hoping for Bourne Supremacy next.

 
 
 Posted:   May 24, 2022 - 5:22 PM   
 By:   jamesluckard   (Member)

I'd like to see expansions of more of Powell's animated scores, the likes of 'Mars Needs Moms', 'Horton Hears A Who', etc, but I get the feeling that there just isn't likely to be enough interest in them due to the movies themselves not being notable enough.

Mars Needs Moms never even got a CD for the commercial album, sadly.

 
 
 Posted:   May 27, 2022 - 7:19 AM   
 By:   Ant   (Member)

Wow! So unless I'm mistaken, Powell's "new" main theme in Supremacy was ACTUALLY originally written for the "Bourne On Land (Alternate Version)" cue here, but then went unused until the second movie!

 
 Posted:   May 27, 2022 - 7:29 AM   
 By:   Solium   (Member)

Solium for what it's worth I think you'll like the sequel score(s) a lot better. Much more orchestral, and more thematic.

Yavar


Thxs, I'm not familiar with any of the Bourne scores so I'll check them out.

 
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