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 Posted:   Jun 27, 2022 - 9:07 AM   
 By:   Justin Boggan   (Member)

Continuing SEASON 3:




5"A Grave For Cully Brown"
By: Cyril J. Mockridge
https://archive.org/details/lar-3.20-a-grave-for-cully-brown

Highlights:
  • 1:04 in.^
  • 4:12 in.^
  • 7:33 in.
  • 20:02 in.
  • 27:02 in.^
  • 32:03 in.
  • 33:57 in.^
  • 36:59 in.^
  • 39:13 in.^
  • 43:21 in.^
  • 44:23 in.
  • 46:01 in.^

    12:06 in: track job.



    "The Runt"
    By: Cyril J. Mockridge
    https://archive.org/details/lar-3.21-the-runt

    Highlights:
  • 0:00 in. I think this might be tracked.^
  • 0:46 in.^
  • 1:59 in.^
  • 2:47 in.^
  • 4:32 in.^
  • 7:05 in.^
  • 13:02 in.^
  • 14:00 in.
  • 16:08 in.^
  • 26:27 in.^
  • 27:35 in.^
  • 34:31 in. And the short cue after the commercial break.^
  • 46:10 in. This might be tracked.^

    10:46 in: Since about the last third is tracked, I am going to assume the whole cue is an edited track job.

    20:02 in: tracked.

    21:11 in: tracked. And so is the cue after the commercial break (the "Jaws" piece again).

    31:26 in: tracked.

    36:00 in: tracked.

    39:29 in: tracked.

    41:35 in: tracked.

    43:01 in: tracked. And so is the cue after the commercial break.



    "The Dynamiters"
    NCC
    https://archive.org/details/lar-3.22-the-dynamiters

    (Score: 0:00 [Mockridge], 0:57, 2:05, 4:52, 11:41 [Mockridge], 14:10 [Mockridge] and the cue after the commercial break [also made with Mockridge], 18:06 [Mockridge], 19:15, 19:59 [Mockridge], 22:15, 25:37 [Mockridge], 27:25, 29:31, 31:33 [Mockridge], 33:49, 36:23, 40:47, 43:18, and 45:43 [Mockridge].)



    "Day of the Savage"
    NCC
    https://archive.org/details/lar-3.23-day-of-the-savage

    (Score: 0:00, 2:10, 3:46, 8:18, 10:35, 12:10 and the cue after the commercial break [Mockridge; wagon travel music], 15:37, 17:09, 19:25, 21:36, 23:06 [Mockridge], 26:17, 27:27 [Mockridge], 29:26, 30:32, 32:42 [Mockridge; wagon travel music], 35:25, 37:05, 38:26, 43:03, and 44:59.)




    "Justice in a Hurry"
    By: Cyril J. Mockridge
    https://archive.org/details/lar-3.24-justice-in-a-hurry

    This is presumably the final effort by Mockridge for the series.

    Highlights:
  • 0:52 in. Short dramatic outtro. Might be tracked.^
  • 6:35 in.^
  • 8:17 in.^
  • 14:37 in.^
  • 20:52 in.^
  • 22:47 in.^
  • 27:17 in. I think this is tracked.^
  • 29:03 in.^
  • 31:08 in. I think this is an edited track job.^
  • 32:57 in.^
  • 44:29 in.
  • 45:55 in.

    I liked that surprise happy ending -- didn't see that coming.

    1:58 in: tracked.

    3:29 in: tracked.

    13:20 in: tracked; Mockridge wagon travel music.

    18:37 in: tracked.

    33:39 in: tracked.

    37:48 in: tracked.

    40:19 in: tracked.

  •  
     Posted:   Jun 28, 2022 - 8:07 AM   
     By:   Justin Boggan   (Member)

    Finishing SEASON 3:

    As stated before, ignore the track job episodes; I am just listing them for myself. If you do waste your time on them and recognize any of the episodes they are from, feel free to comment.

    Don't bother continuing below if you want to skip tracked episodes; all entries in this post are tracked episodes.



    "The Replacement"
    NCC
    https://archive.org/details/lar-3.25-the-replacement
    (Score: 0:00, 2:03, 4:45 [Mockridge], 5:53 {Mockridge], 7:02 [Mockridge], 10:48 and the cue after the commercial break [Mockridge], 13:06, 14:50, 1638 [Mockridge], 19:51 [Mockridge], 21:35, 23:37, 25:08 [Mockridge], 28:06, 30:33, 31:15, 34:45 and the cue after the commercial break [Mockridge], 37:18 [Mockridge], 39:00, 41:37, and 45:17.)

    "You gotta wait for the dam breaks before you know its raining?"



    "The Turn of the Wheel"
    NCC
    https://archive.org/details/lar-3.26-the-turn-of-the-wheel

    (Score: 0:00 [Mockridge], 5:17, 6:39, 8:11, 11:05, 21:27, 24:59 [Mockridge], 26:23 [Mockridge], 27:18, 31:28 [including Mockridge], 34:31, 35:34, 38:11, 41:25, and 45:26)



    "Trial By Fire"
    NCC
    https://archive.org/details/lar-3.27-trial-by-fire

    Note to Me: Load is hiss heavy.

    (Score: 0:50 [Mockridge], 2:35, 5:26, 7:15, 9:06, 10:18, 11:16, 12:46, 13:20, 14:27, 20:56, 26:40, 31:49, 33:57, 35:59, 40:21, 42:07, 44:42, 45:57, and 47:15 [Mockridge])



    "Fall Into Darkness"
    NCC
    https://archive.org/details/lar-3.28-fall-into-darkness

    (Score: 0:58, 2:04, 3:24 [Mockridge], 6:17, 8:04 [includes Mockridge], 11:40, 13:49, 16:18, 19:00, 20:53, 27:26, 28:51, 30:17, 31:22 [Mockridge "Jaws" music], 33:17 [Mockridge], 37:24 [Mockridge], 38:27 [Mockridge], 42:57, and 45:03.)

     
     Posted:   Jun 29, 2022 - 9:24 AM   
     By:   Justin Boggan   (Member)

    SEASON 4:

    This final season marked a drastic change in scoring: there are almost no credited composers.



    "Among the Missing"
    NCC
    https://archive.org/details/lar-4.1-among-the-missing

    (Score: 0:00, 2:23, 3:33, 7:15, 8:04, 9:04, 11:09, 14:45, 18:19, 19:58, 21:42, 23:44, 33:25, 36:28, 40:44, and 45:59)



    "War Hero"
    NCC
    https://archive.org/details/lar-4.2-war-hero

    (Score: 0:00, 2:34, 3:59, 4:51, 6:02, 7:19, 8:55, 11:38, 13:02, 15:42, 17:49, 19:59, 23:08, 24:27, 25:39, 28:34, 31:40, 32:33, 34:05, 36:39, 38:16, 40:35, 41:19, and 45:24)

    32:44 in: That's a beautiful orange-colored sunset.

    Slim: "I'd think twice before I voted for anybody."



    "The Fortune Hunter"
    By: Nathan Scott
    https://archive.org/details/lar-4.3-the-fortune-hunter

    Highlights:
  • 0:00 in.^
  • 2:19 in.
  • 5:44 in.^
  • 7:36 in.^
  • 8:56 in.^
  • 9:45 in.^
  • 11:00 in.^
  • 13:24 in.^
  • 16:41 in.^
  • 26:04 in. Short outtro.^
  • 28:46 in.^
  • 30:02 in.^
  • 31:20 in.^
  • 33:25 in.
  • 35:07 in.^
  • 36:44 in.^
  • 39:20 in.^
  • 40:59 in.^
  • 42:28 in.^
  • 44:58 in.^



    "Shadow of the Past"
    NCC
    https://archive.org/details/lar-4.4-shadow-of-the-past

    (Score: 0:00 [Scott, 8:56 from the above episode], 1:07, 3:09, 6:37, 9:57 [might be Scott from the above episode], 12:49, 15:21, 16:40, 17:33, 18:53, 20:05, 21:59, 25:07 and the cue after the commercial break [which might be Scott from the above episode], 26:39, 32:08 and the cue after the commercial break [which might be Scott from the above episode], 36:07, 39:30, 41:23, 44:10, and 46:06.)



    "The Long Road Back"
    NCC
    https://archive.org/details/lar-4.5-the-long-road-back

    (Score: 0:00, 1:56, 4:24, 5:21 [might be Mockridge], 7:21, 14:07, 16:03 [from the same score as the previous tracked cue], 16:55, 19:03 [probably Scott from "The Fortune Hunter"], 23:19, 25:01, 29:41, 31:26, 32:34, 34:11, 36:06, 38:24, 41:00, and 42:45.)

  •  
     Posted:   Jun 30, 2022 - 8:46 AM   
     By:   Justin Boggan   (Member)

    Continuing SEASON 4:

    Note: scroll to the end -- there's one credited composer episode covered.



    "Lost Allegiance"
    NCC
    https://archive.org/details/lar-4.6-lost-allegiance

    (Score: 0:00, 2:25, 3:40, 6:45, 12:34 and the cue after the commercial break [which contains some Mockridge], 20:08, 21:21, 23:44, 26:18, 28:30, 30:22, 35:18, 38:09, 44:03, and 46:08.)



    "The Sunday Shoot"
    NCC
    https://archive.org/details/lar-4.7-the-sunday-shoot

    (Score: 0:00, 2:55, 4:06, 11:08, 12:55, 18:40, 21:42, 25:44, 27:32 [Mockridge], 30:38, 31:45, 34:11, 36:03, 38:49, 39:57, 41:35, 42:35 [some might be from the Scott score above], and 45:53.)



    "Double Eagles"
    NCC
    https://archive.org/details/lar-4.8-double-eagles

    (Score: 0:00, 2:03, 3:11, 4:16 [Mockridge], 6:19, 9:32, 10:53 [includes Mockridge], 12:11, 13:34, 14:30, 17:11, 19::07, 22:13, 23:50, 25:00, 28:37, 30:32, 33:21, 34:33, 36:09, 37:17, 39:29, 44:33, and 46:04.)



    "Beyond Justice"
    NCC
    https://archive.org/details/lar-4.9-beyond-justice

    This is the third episode to re-use that orange sunset.

    (Score: 0:00 [I don't even think this is tracked from "Laramie"...], 1:45, 3:04, 6:21, 10:34, 13:55, 18:29, 19:50 [probably Mockridge], 23:11, 26:41 [contains Mockridge], 27:34, 29:36, 31:00, 32:47, 34:49, 35:49, 36:28, 39:19, 40:56, 42:11, 43:16, and 46:07.)



    "Bad Blood"
    By: Nathan Scott
    https://archive.org/details/lar-4.10-bad-blood

    Highlights:
  • 2:04 in.^
  • 4:32 in.^
  • 7:51 in.^
  • 9:49 in.^
  • 12:18 in. Short dramatic outtro. And the cue after the commercial break.^
  • 15:51 in.^
  • 17:39 in.^
  • 21:57 in.^
  • 29:12 in.^
  • 31:57 in.^
  • 36:18 in.
  • 37:24 in.^
  • 40:49 in.
  • 42:17 in.^

    If I were compiling a set of season four scoring, there's not much I'd include from this episode score.

    I'm not sure what was so special about this episode that it needed an original score. Especially when the effort turned in could have been matched just as serviceably by tracking the episode.

  •  
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