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Continuing SEASON 3:
NOTE: I am noting all score use in tracked episodes and occasionally making notes; these are for myself, so I might get lucky and identify score later (in some cases I'll recognize it immediately and note the composer and/or episode). Feel free to go threw any episodes and see if you recognize any of the episodes score is tracked from (or other series taken from), otherwise, just ignore these posts.
"The Girl from Yesterday" (9)
NCC
https://ok.ru/video/4358979324581 (load used)
https://www.dailymotion.com/video/x813e66
https://www.dailymotion.com/video/x813e64
The Cleave scored episode is still two episodes away, so some episode scores must have already been in the can earlier.
(Score: 6:28 [Cleave], 8:08, 11:16, 14:16, 25:10, 26:49, 31:56, 34:04, 37:59, 44:29, 56:10 [Cleave], 57:37, 1:00:10 [pounding timpani and long brass], 1:00:55, 1:05:22 [might also have Sukman], 1:07:45, 1:09:14, 1:11:12 [opens with Cleave], 1:14:30, and 1:15:45.)
"Return a Stranger" (10)
NCC
https://ok.ru/video/4358980897445 (load used)
https://www.dailymotion.com/video/x814nfk
https://www.dailymotion.com/video/x814nfd
(Score: 0:47 [Cleave], 9:31 [Cleave], 13:47, 14:51 [open: probably Stevens; after commercial break: Cleave], 21:33, 23:20, 24:42, 26:02, 26:49, 28:50, 39:57, 41:40 [brass and strings work arrangement of the theme], 45:09 [Cleave], 46:54, 48:52, 51:44, 1:00:31, 1:06:22 [staccato cello and fluttering woodwind / bold brass work], 1:08:22, 1:12:29, and 1:15:45.)
"All Nice and Legal" (11)
By: Nathan Van Cleave (as "Van Cleave")
https://ok.ru/video/4358983125669
This is the only effort by Cleave for the series.
Highlights:
2:19 in.^
3:55 in.^
4:45 in.^
8:52 in.^
9:40 in.^
15:04 in.
18:04 in. And the cue after the commercial break.^
20:36 in.^
25:17 in.^
31:13 in.^
32:59 in.^
44:57 in. Short outtro cue, and short intro cues.^
48:57 in.^
51:25 in.^
54:55 in.
56:44 in.^
58:49 in. And the cue after the commercial break.^
1:02:19 in.^
1:05:29 in.^
1:06:30 in.^
1:11:04 in.^
1:13:27 in. And the cue after the commercial break.^
Based on this effort, I'd say it was a shame Cleave didn't do more for the show. I wouldn't be opposed to a full release of the score. Bouncy, fun, and a memorable six-note theme. I consider this to be one of the best scores to the series.
(NtM: 8:05, 27:16)
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Continuing SEASON 3:
There are no further scored episodes this season until the final one (which should be due from La La Land Records soon), so expect the next updates to be track job posts.
"A Gallows for Sam Horn" (12)
NCC
https://ok.ru/video/4358985681573
(Score: 0:47 [also contains Cleave], 3:59, 6:10, 7:44, 14:01 [Cleave after the commercial break], 15:22, 16:50, 18:16, 22:34 [Cleave], 27:25, 32:29, 33:24, 35:00, 37:29, 38:12, 39:08 [descending staccato brass open], 41:53, 44:54, 46:16, 53:04 [Cleave], 54:46, 56:33 [I think the bad edit cuts in in the last like four seconds, is Cleave], 57:19, 59:20, 59:57, 1:02:38, 1:05:50, 1:08:11, 1:12:37, and 1:15:11.)
"Portrait of a Widow" (13)
NCC
Starz Official Buy/Rent Load: https://www.youtube.com%2Fwatch?v=9Eo82BZsr6c
https://ok.ru/video/1322636479057 (load used)
First half: https://www.dailymotion.com/video/x8188lx
Second half: https://www.dailymotion.com/video/x8188ln
(Score [Dailymotion links used]: 0:46 [whimsical staccato brass; contains some Cleave], 3:03, 5:09 [opens with whimsical staccato trumpet], 8:10, 10:07 [opens with Cleave; closing seconds are not Cleave; don't know about the music after the commercial break], 11:38 [also contains Cleave], 16:20 [Cleave, except the end, and not the cue after the commercial break], 18:33, 20:05, 27:22, 30:20, 31:52 [playful], 33:49 [playful, followed by low-key dramatic work], 37:33, 41:57, 46:47, 50:20, 53:31, 55:45, and 56:57 / 0:05, 5:57 [identify], 10:05, 11:23, 13:56 [also contains Cleave], 23:50, 25:06, 26:27, 27:46, and 28:32.)
"The Payment" (14)
NCC
https://ok.ru/video/4358988630693
(Score: 0:47 [Cleave], 2:14, 3:55 [Cleave], 5:50, 6:42, 12:00, 14:19, 16:21 [first: playful; second: also contains Cleave], 19:33 [contains Cleave for closing seconds], 21:00, 21:46 [contains Cleave], 30:29, 33:39, 34:27, 37:31 [including fight music], 40:14, 41:10, 44:29, 48:44, 51:06, 52:29, 53:25, 56:33, 58:34 [Cleave after the commercial break], 1:00:10, 1:09:25, 1:13:10, and 1:15:25.)
"A Man of the People"
NCC
https://ok.ru/video/1322636675665
First half: https://www.dailymotion.com/video/x81bztu
Second half: https://www.dailymotion.com/video/x81bztt
(Score: 0:56 [Cleave], 4:30, 5:14 [Cleave except a little part with pizzicato double bass], 5:52, 7:08, 11:03, 13:19, 17:25 [after commercial break: quick whimsical cue], 21:39, 24:08 [more quick whimsical material; identify exciting horse riding music; material after it is Cleave], 35:00 [cue after commercial break: Cleave], 29:02 [Cleave after commercial break], 36:33, 38:14, 41:33, 45:09, 1:00:41, 1:07:24, 1:08:16, 1:09:21 [opens with Cleave, then goes to that unidentified exciting horse riding music], 1:10:22, 1:11:44, and 1:!5:50)
"The man believes what he hears himself saying, and unfortunately, so do his constituents."
The Hour of the Tiger"" (16)
NCC
https://ok.ru/video/4365885115045
(Score: 0:47 [Cleave until rock slide], 2:36 [punchy staccato brass with theme over; possibly Sukman], 4:36, 6:56, 12:56 [Cleave after the commercial break], 15:52 [Chinese music], 18:43, 21:00, 22:25, 23:37 [soft string work], 27:13, 30:29, 34:03 [cue after commercial break: soft trumpet open], 36:53, 38:07, 41:40, 43:59, 49:18 [light Chinese music], 56:17, 58:12, 1:01:47 [light Chinese music], 1:03:44, 1:05:10 [little Chinese music], 1:05:52, 1:07:06 [Cleave after the commercial break], 1:07:51, 1:09:25 [Cleave until the group of men is scene walking amongst the big boulders], 1:11:14 [crossfades into more Chinese music], and 1:14:41.)
Can I have a pretty Asian girl like that? No? Well, fuck.
"Two Men Named Laredo" (17)
NCC
https://ok.ru/video/4365890620069
Crossover episode from the spin-off series [b"Laredo". You'd think a crossover would get an original score, but alas...
(Score: 0:46 [Cleave], 2:30 [second half is Cleave], 6:33, 7:55, 8:57, 10:04, 11:55, 13:12, 14:28, 16:27, 17:59, 19:53, 25:14, 26:08, 27:08, 28:01 [including some spirited cow-rustling music], 31:47, 33:04, 34:40, 37:52, 39:59, 43:50, 44:55, 46:31, 48:11, 1:01:17 [trembling brass and hard timpani closer], 1:02:59 [punchy staccato brass with theme over; possibly Sukman], 1:06:57, 1:09:04, 1:10:34, 1:13:02, and 1:14:19.)
"Hideout" (18)
NCC
https://ok.ru/video/4365895010981
(Score: 0:46 [Cleave], 3:45, 5:52, 7:39, 11:05, 15:46, 16:39, 18:07 [very clean version of a frequently tracked cue], 20:29, 21:24, 22:09, 24:48 [all Cleave until after the doctor asks if it was a rattler], 27:08, 29:07, 32:14 [mostly Cleave], 33:33, 34:56 [Cleave], 35:45, 36:24 [including romantic string music], 39:24 [Cleave], 43:11 [Cleave], 46:12, 50:07, 52:14, 53:04, 53:53, 54:54, 57:33, 59:38, 1:00:29 [exciting horse-riding music], 1:02:12 [sounds like a later part of the previous cue], 1:03:55 [more exciting horse-racing music], 1:11:17, 1:13:02, and 1:14:50.)
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Continuing SEASON 3:
There are no further scored episodes this season until the final one (which should be due from La La Land Records soon), so expect the next updates to be track job posts.
"Six Graves at Cripple Creek" (19)
NCC
https://ok.ru/video/4365901564581
(Score: 0:47, 4:15, 6:48 [Cleave], 9:05 [Cleave], 12:16, 14:09 [identify cue after commercial break], 18:07, 22:36*, 27:35, 32:02, 37:26 [Cleave], 39:27, 40:11 [Cleave opens cue after commercial break, until character ducts behind a bolder], 45:55, 47:06 [from the same score as the second cue from 14:09], 50:37, 56:29, 59:18, 1:01:11, 1:02:53, 1:04:15, 1:04:59, 1:09:39, 1:14:02 [Cleave], and 1:15:53.)
* = That a beautiful gold-colored sunset.
"Lost Yesterday"
NCC
https://ok.ru/video/4365905824421
(Score: 0:46, 5:03 [Cleave until the woman hears past voices in her head], 6:57 [Cleave, up until she asks for help], 12:16, 15:25, 19:32, 20:34, 25:04 [romantic solo violin playing over/then woodwind], 26:44, 29:34, 40:01, 41:19 [with pizzicato strings], 42:38, 45:52 [Cleave after the commercial break], 47:25, 49:28 [romantic solo violin playing over], 51:50, 53:27 [a short bit of Cleave after the Virginian says "No"], 55:37, 57:46, 59:22, 1:00:40, 1:06:12, 1:08:46 [Cleave], 1:10:40 [cello base under and bassoon open -- possibly Stevens], and 1:15:24.)
Out-of-context quote exchange...
The Virginian: "You like getting down for a while?"
Attractive Blonde Woman: "Yes, my back's much better now."
"A Slight Case of Charity" (21)
NCC
https://ok.ru/video/4365909953189
(Score: 3:37 [brass-lead big rendition of the main theme], 5:32, 6:10 [Cleave after she says "time of the announcement" up to the train], 8:20 [Cleave], 9:23 [playful woodwinds], 10:11 [whimsical woodwinds], 14:01, 15:37, 17:02, 18:54, 20:26 [possibly Stevens], 21:28, 22:16, 23:02 [whimsical flute open], 24:32, 28:47 [first: possibly Stevens], 31:02, 32:48, 33:47 [pizzicato strings open], 35:35 [possibly Stevens], 36:37 [includes Cleave when it crossfades to the train], 37:59, 38:32 [whimsical woodwind/brass], 41:30, 42:23 [identify], 44:35 [identify: whimsical brass with light snare under], 45:53 [identify: whimsical brass/woodwind after commercial break], 47:46 [also contains Cleave], 49:34, 51:57, 53:25, 55:25 [possibly Stevens], 58:39 [racing ascending strings open], 1:03:46 [possibly Stevens], 1:05:33, 1:08:56, 1:12:00 [identify], 1:14:18, and 1:15:15 [Cleave].)
"You Take the High Road" (22)
NCC
https://ok.ru/video/4365915458213
(Score: 0:46 [punchy brass with theme opens edit job; possibly Sukman; Cleave when he walks into the saloon], 2:53 [action music], 6:58 [hurried staccato brass clusters with bold theme over], 8:37 [identify], 11:53 [quiet woodwind piece], 17:06, 20:41, 28:48 [open: possibly Sukman], 30:35 [Cleave until they all ride away], 40:53, 41:56, 43:49, 46:32, 47:46, 53:58, 56:24, 57:08, 59:49 [Cleave for most if not all the edit job], 1:08:13 [possibly Stevens], 1:09:43 [Cleave until horse ride in], 1:11:03 [exciting music -- identify; tracked before], and 1:14:17.)
"Shadows of the Past" (23)
NCC
https://ok.ru/video/3174425823923 (in Spanish)
Alternative link: https://www.solie.org/alibrary/TheVirginian_323ShadowsofthePast.html
(Score: 0:46, 4:50, 6:13, 7:26 [this was also in the prior episode -- I think it's Herrmann], 9:14, 11:07, 13:09, 18:15 [little to no FX -- identify which episode this is from; also contains some Cleave when the man on the horse rides over], 25:51 [Cleave], 26:59, 29:37, 30:29, 36:47 [biting brass with brass over/dramatic work], 37:43, 41:08 [all Cleave until maybe the last bit], 45:34, 47:23, 49:16 [episode mutes for a few minutes, starring during this cue], 46:05 [use solie link for this cue, picking up where the other video left off], 52:32 [opens with three flutes], 53:59, 58:07 [another cue with three flutes; cue after commercial break: legato strings and thundering timpani hits], 1:02:50, and 1:09:51 [punchy brass and timpani open/three-note cello climb; the abrupt edit cuts to Cleave for a minute or two; might also be some Stevens in here].)
"Legend for a Lawman" (24)
NCC
https://ok.ru/video/4365920242341
(Score: 2:31, 4:06 [Cleave until it focuses on the man], 5:19, 7:53, 8:24, 11:38, 17:06 [after commercial break: possibly Stevens], 20:24, 27:54, 30:02, 33:19, 34:26 [Cleave], 35:56, 38:09, 44:31 [first: possible Stevens; SFX free until end riding music rendition of the theme], 47:33 [possibly Stevens for cue open], 48:17, 52:12 [tender violins for open/different cue for rest: brass and wooden xylophone], 56:18 [exciting brass-lead music with some snare drum], 58:41 [exciting music -- identify; tracked before], 1:02:53, 1:08:11 [Cleave], 1:10:41, 1:14:15, and 1:15:42)
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Who would have thought that LLL would release a (over half hour long!) complete score from this series before you got even halfway through your traversal of the show!
Super cool and I hope they release a bigger set dedicated to the series’ music in the future.
Yavar
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