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 Posted:   Nov 27, 2023 - 6:15 PM   
 By:   GoblinScore   (Member)

Notes on this release, in case anyone still cares about the music and not boasting of shipping & tracking notices....

I'm a die hard (yuk yuk) Kamen fan. Got it all except Jack.

His LIFEFORCE score is a very mixed bag. The 14mins of National Philharmonic are worth admission. The orchestra sounds great here, despite the music itself being mostly gesture and exclamations.
The synth score....is a tough listen.

Pros: the weird distortion of the BSX selections (oddly noted as 'Kamen did that intentionally!), was corrected. The aforementioned orchestral suite is rather nice - but not a pox on a pimple to Mancini's masterwork. Intrada's production is typically excellent from the label.

Con: The synth portion - it's a real slog. The Kurzweil, despite being a very costly piece of hardware, always sounds cheap & weak to me. Kamen sadly never really opened it up beyond the string patches in the scores he used it on. And usually employed to mimic an orchestra. It's all nervous ambience and goes on for 51mins....plus 11mins of odd sounds that sit comfortably next to the unused Sputnik cues heard on Intrada's SEBASTIAN (Goldsmith) album!

** 1/2. Yet I'm glad to have the chance to own & hear what Kamen contributed. The title blast of brass kind of made it worth it all to me.

 
 
 Posted:   Nov 28, 2023 - 12:56 AM   
 By:   Graham Watt   (Member)

After much dithering, I just got around to ordering the Mancini the other day. I love Mancini in that mode.

I also caught up again with the film last night, for the first time in over thirty years. It kind of drags a bit in the middle, but the first part in space is terrific, as is the last part with London getting blown up amidst zombie mayhem. Very reminiscent throughout of Quatermass (especially "...and the Pit"). A real hoot, loads of fun. I'm sure at least some of its laughs were intentional.

I seem to recall Henry Mancini on a British chat show (possibly Parkinson) before the film's release, and Parky (if it were he) said something along the lines of, "I hear that your new score is for a horror film. Could you play something from it here on the piano?", and Hank just slammed his two elbows down on the keyboard. Always the showman!

 
 
 Posted:   Nov 28, 2023 - 2:35 AM   
 By:   Prince Damian   (Member)

After much dithering, I just got around to ordering the Mancini the other day. I love Mancini in that mode.

I also caught up again with the film last night, for the first time in over thirty years. It kind of drags a bit in the middle, but the first part in space is terrific, as is the last part with London getting blown up amidst zombie mayhem. Very reminiscent throughout of Quatermass (especially "...and the Pit"). A real hoot, loads of fun. I'm sure at least some of its laughs were intentional.

I seem to recall Henry Mancini on a British chat show (possibly Parkinson) before the film's release, and Parky (if it were he) said something along the lines of, "I hear that your new score is for a horror film. Could you play something from it here on the piano?", and Hank just slammed his two elbows down on the keyboard. Always the showman!



I remember that but I think it was Wogan.

 
 
 Posted:   Nov 28, 2023 - 2:37 AM   
 By:   moolik   (Member)

It´s a killer Mancini score with a theme that is one of the most driving force there is in filmmusic history.
Kamens score is just ..well....insignificant in my opinion.

 
 Posted:   Nov 28, 2023 - 2:42 AM   
 By:   Amer Zahid   (Member)

After much dithering, I just got around to ordering the Mancini the other day. I love Mancini in that mode.

I also caught up again with the film last night, for the first time in over thirty years. It kind of drags a bit in the middle, but the first part in space is terrific, as is the last part with London getting blown up amidst zombie mayhem. Very reminiscent throughout of Quatermass (especially "...and the Pit"). A real hoot, loads of fun. I'm sure at least some of its laughs were intentional.

I seem to recall Henry Mancini on a British chat show (possibly Parkinson) before the film's release, and Parky (if it were he) said something along the lines of, "I hear that your new score is for a horror film. Could you play something from it here on the piano?", and Hank just slammed his two elbows down on the keyboard. Always the showman!



I remember that but I think it was Wogan.


I think it was our FSM member MORRICONE who ran into him in a hotel elvator and immediatley told how great this score was. To which Hank replied " You Know, I CAN do these type of scores. They just dont give them to me"

I suppose he was so typecast for the other romantic and comedy scores that he didnt get that chance and sort of give up. And ofcourse he could defintely handle this stuff!!!

 
 
 Posted:   Nov 29, 2023 - 2:17 PM   
 By:   GoblinScore   (Member)

Re reading the liners for Kamen's piece and they are quite good. Ed Shearmur is interviewed and offers excellent insight into MK's work. Grieving's notes are always a joy to read.

For the record, Mancini's LIFEFORCE is a masterpiece IMO, one of my top favorite scores ever.

That's all folks!

 
 Posted:   Nov 29, 2023 - 2:24 PM   
 By:   Advise & Consent   (Member)

Very reminiscent throughout of Quatermass (especially "...and the Pit").

I found the entire film to be reminiscent of Hammer films in general, and I mean that in the most complementary way.

 
 Posted:   Feb 17, 2024 - 2:19 PM   
 By:   emusician   (Member)

It's been a while since I've seen this film. Using both releases, does anyone have a proper cue assembly reflecting the score as heard in the movie?

 
 Posted:   Feb 18, 2024 - 5:39 PM   
 By:   Steve H   (Member)

It's been a while since I've seen this film. Using both releases, does anyone have a proper cue assembly reflecting the score as heard in the movie?

Its not really that simple.
The theatrical cut features the Kamen score along with music Mancini originally wrote, while the longer directors cut features the Mancini score only. In saying that, both scores feature music that ultimately wasn't used and/or cut and pasted in the film. So I suppose it depends on what version you prefer?
Don't know how much truth there is to an even longer cut of the film that's said to exist?

https://www.movie-censorship.com/report.php?ID=863389

 
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