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I don't feel the same energy in the performance as I do with Raiders, which is in my top 3 favorite scores of all time, utterly perfect from start to finish. Last Crusade is a wonderful score but I feel it falls a little short of the epic highs of the first. And there's nothing in the score which comes close to Short Round's Theme or Slave Children Revolt from Temple of Doom. ToD gets too atonal and shrill in spots for me to consider a great listening experience in total, so it took is a bit of a dip for me from Raiders. For me, Raiders is unmatched in the series with the other two in the trilogy on equal levels. All three are superb. I even like Crystal Skull, but it's just a few notches down.
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I do love Last Crusade very much, but for me Raiders remains the best. I think it has the most interesting story, Lawrence Kasdan's script is the strongest as far as I'm concerned, and the film overall has a harder edge than the later movies. John Williams' scores for the first three films are outstanding, and contain some of his best work. But like the film, I think Raiders is the best score, if only due to the London Symphony, who give the most technically and artistically satisfying performance (particularly from the brass sections). It's always saddened me that Williams did not record more of his scores with LSO.
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TLC will always have a special place in my heart. I love the grail theme particularly and I think next to the Ark theme, it's probably my favorite secondary theme that Williams ever did. It's just a shame that the recording is so flat and lifeless. The Concord gives it a little more oomph than the OST but it still sounds the weakest of the three (TEMPLE sounds the best imo in terms of recording quality). In terms of performance, I think the performances on all three from the original trilogy are top-notch and the only reason TLC suffers is the recording quality, not the quality of the musicians...IMO.
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