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SEASON 1:
A Quinn Martin TV series production from 1965 that ran for several seasons.
I should start off by saying I've never seen a single episode of this series.
All loads are in Spanish for the first season. Dailymotion links are in German. But it is about hearing the music, not watching the episodes for free when it can be bought or rented.
I don't have a lot of these done, so for the first season or two I am only posting once a week.
Attention readers: I have been implementing a system that is nothing more than a note to myself; for cues that I want to include in a suite one day, for now on I will denote them with ^ symbol. It has no special meaning to anyone else but myself. No, the lack of an up arrow symbol doesn't mean the cue is bad (it just may have too much SFX or FX for suite use or just isn't worth my time to edit and include). Hence forth this system will be in all future threads and pre-exiting threads that I go back to for missed episodes. Anything in ( ) are just notes to the arrow and you need not bother with that. The system does not mean that I will make a suite or that one has been made, it's simply for my own reference if and when I do decide to.
"The Monster"
By: Leo Arnaud
https://ok.ru/video/2178327513688 (link used)
Alternative link #1: https://www.bitchute.com/video/j6vUWsMaYOgh/
Alternative link #2: https://ok.ru/video/4472184703629
Highlights:
0:13 in.^
1:37 in.^
3:06 in.^
6:01 in.^
8:25 in.^
9:34 in.^
13:47/14:46 in. And the cue after the commercial break.^
22:47 in.^
23:34 in.^
27:16 in.
29:57 in.^
31:07 in.^
32:46 in.^
36:07 in.^
37:49 in.
41:03 in.^
46:34 in.
Soft, lush, warm, old-school score that is string heavy. Not what I was expecting -- given its a Quinn Martin series, but by no means a disappointment. Very pleasant surprise.
Sadly, MV mentioned they couldn't find any tapes for the series. Luckily, most of this score occurs between talking and has minimal sound effects when playing. The Kaper Collection at USC does not list anything from the show:
https://polishmusic.usc.edu/research/pmc-archives/kaper-collection/
(Note to Me: composer credit -- 49:56 in ~ 21:43)
"Image in a Cracked Mirror"
By: Bronislau Kaper
https://ok.ru/video/2178326858328 (link used)
Alternative link: https://www.bitchute.com/video/DnBY7MWMNXrk/
Highlights:
1:20 in. Dramatic cue lead by frantic strings, backed by brass and some timpani.^
3:#9 in.^
6:54 in.^
11:44 in.^
12:53 in. And the cue after the commercial break.^
21:19 in. Joining a cue already in progress.^
26:41 in.^
28:31 in. And the cue after the commercial break.^
30:47 in.^
36:21 in. Car chase music.^(use?)
39:27 in.
46:13 in.^
(NtM: composer credit -- 49:46 in)
"A Mouthful of Dust"
By: Bronislau Kaper
https://www.bitchute.com/video/s2GT7ZKdJPIx/
NOTE: This link is safe to click on -- at least in FireFox. No other loads could be found; they were all mis-titled and not this episode. Apparently, since this episode deals with attempted rape, the episode is getting blocked just by name and number by many video websites, just like the "Gunsmoke" episode "Mannon".
Highlights:
0:59 in.^
11:45 in.^
15:42/18:06 in.^
20:49 in.^
26:00 in.^
31:20 in.^
32:56 in.^
34:02 in.^(34:49)
36:01 in.^
37:35 in.^
41:09 in. Really a fantastic closing cue, that just sort of builds all the way to the end. Kaper was a gifted composer.^
Co-guest-starring Robert Blake.
(NtM: 9:36)
"Slow March Up a Steep Hill"
By: Leo Arnaud
Music Conducted by: Dominic Frontiere
https://ok.ru/video/2178327054936
This is the final effort by Arnaud for the series.
Highlights:
0:08 in.^
2:37 in.^
8:14 in.^
10:54 in.^
20:37 in.^
21:12 in.^
24:42 in.^
29:22 in.^
35:38 in.^
42:02 in.^(parts)
Arnaud had a very short scoring career, going by his IMDb credits. About a dozen films, only getting credit on one, and this was the only TV series he worked on. In fact, this is his last scoring credit. He died in 1991 at the age of 86. I didn't find a cause of death.
(NtM: 16:49, 17:07, 19:00)
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I should note that even thought it ran for nine seasons, not every episode has a credited composer (so probably track jobs, despite Frontiere being still credited as a conductor); and some episodes with credited scores, track cues/parts of cues from earlier episodes. Even if all the tapes could be found, it's not as much as you might think.
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I could be wrong, but my theory is: since Frontiere is credited as a conductor when the series began, no matter the composer, he probably had some contractual obligation (or made a request) to be credited on track job episodes, since the music is stuff he conducted anyway.
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Continuing SEASON 1:
"The Insolents"
By: Bronislau Kaper
Music Conducted by: Dominic Frontiere
https://ok.ru/video/2178327186008
Highlights:
0:00 in.^
3:55 in.^
4:57 in.^
9:38 in.
11:07 in.^
12:24 in. And the cue after the commercial break.^
13:57 in.^
19:29 in. Short outtro cue and short intro cue.^
23:22 in.
29:30 in.
31:25 in.^(second)
37:15 in. Dramatic brass-lead cue.^
41:50 in.^
46:33 in.^
49:11 in.^
"To Free My Enemy" (6)
By: Richard Markowitz
Music Conducted by: Dominic Frontiere
https://ok.ru/video/2178327841368
Alternative link: https://ok.ru/video/3372186077823
Highlights:
2:04 in.^
4:33 in.^
14:23 in.
17:17 in. And the cue after the commercial break.^
21:52 in.^
23:38 in.^
25:29 in. Dramatic brass and strings cue.^
27:45 in.^
29:25 in.^
33:01 in.
35:24 in.^
36:06 in.
39:19 in.^
42:05/45:10/46:30 in.^
49:14 in.^
(Note to Me: composer credit -- 50:57 in)
"The Problem of the Honorable Wife"
By: Bronislau Kaper
Music Conducted by: Dominic Frontiere
https://ok.ru/video/2178327317080
Highlights:
0:00 in.^
4:27 in.^
6:14 in.^
9:26 in.^
10:18 in.^
16:59 in.^
26:24 in.^
27:59 in. On a set of season one scoring, I'd probably combine this with the above cue.^
34:11/36:48/39:32 in. On a set of season one scoring, these three dramatic/tense cues naturally go together.^
41:11 in. Another dramatic cue.^
"Courage of a Conviction"
By: Bronislau Kaper
Music Conducted by: Dominic Frontiere
https://ok.ru/video/2178328300120
Highlights:
1:10 in.^
5:49 in.^
11:56 in.^
13:57 in.^
26:01 in.^
32:05 in.^
39:44 in.^
40:35 in.^
42:37 in.^
46:05 in.^
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Continuing SEASON 1:
"The Exiles"
By: Richard Markowitz
Music Conducted by: Dominic Frontiere
https://ok.ru/video/2178327382616
Highlights:
0:10 in.^
1:19 in.^
4:29 in.^
7:30 in.^
9:53 in.^
13:32 in. And the cue after the commercial break.^
16:45 in.^
24:07 in.^
26:26 in.^
28:10 in.^
35:20 in.^
39:09 in.^
42:18 in.^
44:22 in. End of the episode cuts off early, so the full cue is not heard.
(NtM: 6:21, 22:22)
"The Giant Killer"
By: Bronislau Kaper
https://ok.ru/video/2178328103512
Highlights:
0:39 in.^
9:58 in.^
14:14 in.^
19:44 in.^
21:21 in.^
27:21 in.^
30:23 in.^
32:48 in.^
38:18 in.^
A good amount of dramatic scoring throughout.
"All the Streets Are Silent" (11)
By: Bronislau Kaper
https://ok.ru/video/4096320539212 (volume is a little too high on this load; might want to turn it down)
Highlights:
1:06 in.^
3:47 in.^
6:04 in.^
12:41 in.^
13:50 in.^
19:46 in.^
22:00 in.
24:44 in. Might be a tracked Markowitz cues (his familiar three-note woodwind motif is heard).
26:17 in. And the cue after the commercial break.^
33:08 in.^
37:15 in.^
39:02 in.^
41:05 in. Some of this might be tracked Markowitz.
45:16 in.
45:53 in.
Trivia: There was not and still has not been, a movie called "Syndicate Girl".
"An Elephant is Like a Rope" (12)
By: Richard Markowtiz
https://ok.ru/video/549716101698
Highlights:
0:44 in.^
4:06 in.^
5:30 in.
6:48 in.^
13:15 in.^
15:55 in.
20:35/21:41 in.^
23:41 in.^
25:05 in.^
26:35 in.^
29:45 in.^
32:56 in. And the cue after the commercial break.^
34:49 in. And the source cue that immediately follows it.^
36:16 in.^
37:28 in.^
42:46 in.^
46:12 in.^
(Note to Me: 28:20)
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Continuing SEASON 1:
"How to Murder an Iron Horse"
By: Bronislau Kaper
https://ok.ru/video/584825702978
Highlights:
0:41 in.^
6:01 in.^
7:42 in.^
10:32/13:18 in.^
15:51 in.^
17:00 in.^
18:15 in. Pauses for a few seconds, then continues.^
20:53 in.^
21:36 in.^
23:38 in.^
25:35 in.^
28:41 in.
29:50 in.^
32:56 in.^
36:39 in.^
37:30/39:30/40:35 in. Dramatic driving music for trying to capture the bomber.^
45:42 in.
A.K.A.: The train bomber episode, as referred to in later episodes.
"Pound of Flesh" (14)
By: Bronislau Kaper
https://ok.ru/video/593039854146
Highlights:
0:19 in.^
2:12 in.^
10:12 in.^
15:49 in. And the cue after the commercial break.^(second)
17:15 in.^
21:42 in. Short outtro cue. And the cue after the commercial break.^
25:24 in.^
29:30 in.^
38:18 in. 40:28 in is tracked from the train bomber episode.^
42:36 in.^
43:32 in.^
I think some Markowitz might be tracked in this episode. But I wonder how he got a gig alternating with Kaper. Did they know each other? Did he study with Kaper?
(NtM: 8:14, 26:44, 31:29, 34:11)
"The Hijackers"
By: Richard Markowitz
https://ok.ru/video/2649020959414 (video sound quality too poor for suite use)
Highlights:
3:54 in.^
9:27 in.^
10:39 in.^
19:25 in.^
25:06 in.^
27:51 in.^
35:19 in.^
35:28 in. Snare drum, timpani and brass lead this steady pensive cue.^
39:15 in.
42:10 in.^
43:52 in.^
49:08 in.^
(NtM: 15:20, 16:46, 23:36, 26:33, 31:40, 32:22, 38:31)
"The Forests of the Night" (16)
By: Bronislau Kaper
https://www.dailymotion.com/video/x8d3o0f
Highlights:
0:25 in.^
3:38 in.
6:25 in.^
18:16 in.^
20:02 in.^
21:41 in.^
30:13 in.^
31:27 in.^
34:54 in. Including brief airplane porn.^
40:08 in.^
42:51 in.^
Kaper's dramatic edgy music for both fire scenes, is great stuff.
(NtM: 9:41, 28:32, 32:40)
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Continuing SEASON 1:
"The Chameleon"
By: Bronislau Kaper
https://www.dailymotion.com/video/x8d3nyr (volume level is really low)
Highlights:
1:27 in.^(3:??)
9:26 in.^
14:46 in.^
20:26 in.^
23:20 in.^
29:48 in.^
31:50 in.^
39:07 in.^
(NtM: 14:07, 18:26, 19:00, 28:26)
"The Sacrifice" (18)
By: Bronislau Kaper
https://www.dailymotion.com/video/x8d4h6l
Highlights:
0:23 in.^
15:35 in.^
19:09 in.^
22:27 in. And I'll take the 1960's light rock source cue that immediately follows it.^
24:52 in.^
29:33 in.^
31:21 in.^
34:06 in.^
39:20 in.^
40:36 in. Part of this cue is tracked from the train bomber episode.^
43:09 in. This might be tracked Markowitz.^
Special note to the acting of Ed Begley, who really immersed himself in the role. Even the nervous fidgeting appeared real. Well, except those last three or four seconds that close out the episode, with his character crying -- that was very subpar.
(NtM: 12:36, 21:29, 32:18)
"Special Delivery"
By: Bronislau Kaper
https://www.dailymotion.com/video/x8d4h5g
NOTE: Episode load is incomplete.
Highlights:
8:32 in.^
15:57 in.^
18:47 in.^
22:26 in.^
23:59 in.^
27:14 in. Based on the abrupt opening (which I don't think was dialed in), I think this may be tracked from a prior episode.
29:26 in.^
in.^
in.^
in.^
in.^
(NtM: 4:10, 15:02)
"Quantico" (20)
By: Bronislau Kaper
https://ok.ru/video/4096337840716 (link used)
Alternative link: https://www.dailymotion.com/video/x8d57wj
Highlights:
0:19 in.^
5:09 in.
7:42 in.^
11:36 in.^
17:00 in.^
22:15 in.^
22:45 in.^
27:00 in. I think this is tracked Markowitz.^
28:54 in.^
32:38 in. This might be tracked as well.^
39:33 in.^
(NtM: 14:30, 45:00)
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Continuing SEASON 1:
"The Spy-Master"
By: Bronislau Kaper
https://www.dailymotion.com/video/x8d57wn
Highlights:
0:88 in.^
3:30 in.^
5:23 in.^
9:15/9:55 in.^
13:00 in.^
14:01 in.^
17:54 in.^
19:51 in.^
23:26 in.^
26:56 in.^
30:37 in.^
33:25 in. About 35:00 in it becomes a track job for some extent; one part is from the train bomber episode.^
(NtM: 6:11, 16:34)
"The Baby Sitter" (22)
By: Bronislau Kaper
https://www.dailymotion.com/video/x8d57x5
Highlights:
9:59 in.
10:38 in.^
11:53 in. This might be tracked.^
12:51 in.^
17:43 in.^
27:52 in.^
35:40 in.^
37:08 in.^
39:08 in.^
(NtM: 24:18, 29:12)
"Flight to Harbin"
By: Sidney Cutner
https://www.dailymotion.com/video/x8d8kct
Highlights:
2:39 in. Opens with airplane porn.^
3:31 in.^
6:14 in.^
8:55 in. Airplane porn opens and closes.
12:15 in.^
13:19 in.^
15:18 in.^
18:29 in.^
28:22 in.^
29:55 in.^
36:45 in.^
37:52 in.^
"The Man Who Went Mad by Mistake" (24)
By: Bronislau Kaper
https://www.dailymotion.com/video/x8d8kdw
Highlights:
0:24 in.^
2:41 in.^
4:46 in.^
8:31 in. Might be tracked.^
10:52/14:23 in.^ *
31:22 in.^
33:25 in.
35:20 in.^
36:51 in. I think some of this may be tracked.^
43:06 in.^
* = Symmetrical book stacking. Clearly this must be the place of an evil force.
(NtM: 32:41)
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Continuing SEASON 1:
"The Divided Man"
By: Sidney Cutner
https://www.dailymotion.com/video/x8d8kdu
Highlights:
0:24 in. Cutner grabs you right away with his tense cue with jazz work; cue ends a few seconds after the explosion. Thankfully there's barely any FX in this cue.^
6:01 in.^
8:28 in.^
11:42 in.^
18:29 in.^
21:06 in. Brass leads for a tense cue.^
25:59/27:35 in.^
28:45 in.^
33:37 in.^ *
36:30 in.^
42:46 in.^
Right out the gate Cutner impresses with a fantastic score and surely amongst the series' best efforts. I cited all but maybe two or three cues. I wouldn't be opposed to the full score being released.
(NtM: 31:55)
* = I think that shot in he microscope aligning the markings, is re-used from a prior episode.
"The Defector (Part 1)" (26)
By: Bronislau Kaper
https://www.dailymotion.com/video/x8d9omv
Highlights:
0:52 in.^
2:36 in.^
4:28 in.^ *
7:18 in. Might be tracked.^
21:57 in.^
29:50 in.^
35:42 in.^
43:10 in.^
9:29 in: tracked from a prior episode.
10:36 in: tracked from a prior episode.
21:26 in: tracked from a prior episode.
24:27 in: tracked from a prior episode.
* = Gotta laugh at that jazz musician. Doesn't try to save anybody's life, cuts in front of women to get out, and carries his double bass with him. No shits given. Fuck everyone else.
"The Defector (Part 2)"
By: Bronislau Kaper
https://www.dailymotion.com/video/x8d9onl
Highlights:
0:57 in.^
5:39 in.^
6:27 in.^
13:14 in.^
15:20 in.^
19:25 in.^
24:08 in.^
29:42 in.^
35:18 in.^
39:07 in. Dramatic scoring for a car speeding away from a helicopter, lead by brass, snare drums and hurried strings.^
43:50 in.^
I'm not sure how much original scoring is in this episode. I cant' say with 100% certainty, but I think many of the cues above are tracked.
37:40 in: tracked from the train bomber episode.
"The Tormentors" (28)
By: Bronislau Kaper
https://www.dailymotion.com/video/x8d9ono
Highlights:
1:06 in.^
5:26 in. Might be tracked from a prior episode.^
8:17 in.^
9:36 in.^
14:12 in.^
19:16 in.^
21:00 in.^
22:50 in.^
24:27 in. This might be tracked from "The Divided Man".^
25:38 in. The source music.^
27:45 in.^
35:05 in.^
38:28 in.^
43:37 in. This might be tracked from the train bomber episode.^
(NtM: 30:42)
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Finishing SEASON 1:
"The Animal"
By: Bronislau Kaper
https://www.dailymotion.com/video/x8darh9
Alternative link #1: https://ok.ru/video/4096334236236 (warped sound; not suitable for suite use)
Alternative link #2: https://ok.ru/video/4023280732813
Highlights:
3:46 in.^
5:59 in.^
14:19 in.^
16:36 in.^
19:21 in.^
42:45 in.
10:16 in: tracked from a prior episode.
(NtM: 18:01, 43:53)
"The Plunderers" (30)
By: Bronislau Kaper
https://www.dailymotion.com/video/x8darhl
Highlights:
8:55 in. I think they may be tracked from a prior episode.^
11:21 in.^
14:52 in. No, it's not your computer or headphones -- the sounds shifts to the right channel for a period.^
20:02 in.^
23:25 in. I think they may be tracked from a prior episode.^
25:35 in.^
26:58 in.^
31:25 in.^
35:28 in. About nine minutes of mostly tense and dramatic material, which closes out the episode.^ *
* = CinemaSins voice: "And of course he's eating an apple, because he's an asshole."
"The Bomb That Walked Like a Man"
By: Bronislau Kaper
https://ok.ru/video/3991695723149 (link used) (LO: 8:50
Alternative link #1: https://www.dailymotion.com/video/x8darif
Highlights:
8:59 in.
11:37 in.^
14:21 in.^
15:55 in.^
16:59 in.^
20:49 in.^
23:00 in.^
29:22 in.^
34:18 in.^
39:41 in. Might be a tracked Markowitz cue. Barely any FX.^
42:25 in.
44:26 in.^
48:05 in.^
0:22 in: tracked from a prior episode.
(NtM: 3:57, 10:40, 18:20)
NO LOAD FOUND.
"The Hiding Place" (32)
By: Bronislau Kaper
This is the final effort by Kaper for the series.
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SEASON 2:
"The Price of Death"
"MUSIC COMPOSED BY": Richard Markowitz
https://ok.ru/video/2830352911095
Highlights:
1:20 in.^
3:36 in.^
6:12 in.^
8:42 in.^
12:36 in.^
14:50 in.^
21:20 in.^
22:53 in. And the cue after the commercial break.^(second)
26:22 in.^
29:07 in.^
30:40 in.^
35:07 in. Short outtro and the cue after the commercial break.^
38:39 in.^
41:36 in.^
42:25 in.^
44:28 in. And the cue after the commercial break.^
Markowtiz provides a good score for a good episode. Both lead baddies were perfectly cast.
Robert Blake once again guest stars in the series, playing a different bad guy.
"The Escape"
By: Sidney Cutner
https://ok.ru/video/2830352976631
Highlights:
4:01 in.^
10:00 in.^
12:16 in.^
18:13 in.^
25:30 in.
26:52 in.^
29:31 in.^
30:22 in.^
31:40 in.^
32:57 in.^
37:11 in.^
39:21 in.^
40:21 in.^
43:05 in. Including dramatic music lead by brass. Over three minutes long.^
49:23 in.^(close)
(NtM: composer credit -- 50:37 in [use this one for Cutner suites] ~ 14:08, 36:00)
"The Assassin"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830354156279
(Score: 0:13, 1:33, 2:51, 4:15, 8:23, 11:23, 14:03, 19:45, 20:50, 23:43, 25:39, 28:50, 30:33, 31:50, 33:46, 38:17, 41:51, 43:42, 44:18, and 48:42.)
"The Cave-In"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830352845559
(Score: 0:15, 2:55, 5:01, 9:56, 14:37, 16:29, 18:29, 20:12, 21:16, 23:35, 27:11, 29:32, 31:25, 33:31, 37:21, 39:25, 42:41, 44:19, and 49:07.)
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Continuing SEASON 2:
"The Scourge"
By: Sidney Cutner
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830353238775
Highlights:
3:14 in.^
6:07 in.^
6:39 in.^
9:32 in.^
13:00 in.^
15:13 in.^
18:52 in. Short theme intro cue.^
19:46 in.^
21:27 in.^
23:00 in.^(connect to 18:52)
25:17 in.^
32:39 in.^
34:08 in.^
35:49 in.^
43:30 in.^
44:43 in. Including action music lead by brass and snare drum.^
49:35 in.^(close)
(NtM: 18:32)
"Most people in business only have overhead and taxes to keep them broke. Me? I gotta have a brother, too!"
"The Plague Merchant"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830352517879
(Score: 0:15, 1:30, 3:25, 7:15, 10:39, 19:09, 22:18 [identify], 25:32, 27:05, 27:54 [identify: action music], 30:29, 32:00, 34:29, 36:15, 38:59 [identify: cue after commercial break], 40:29, 41:36, 43:38, 48:12 [identify: cue after commercial break], and 49:13)
"Ordeal"
By: Richard Markowitz
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830352255735
Highlights:
0:13 in.^
9:00 in.^
12:53 in.^
17:09 in.^
19:26 in.^
25:40 in. Joining a cue already in progress. And the cue after the commercial break.^
27:44/29:24/31:39 in. And the cue after the commercial break of the third cue, which sounds like a natural continuation, so I would crossfade them together on a set of season two scoring.^ *
36:26 in.^
41:10 in.^
43:45 in.^
47:19 in. The cue after the commercial break is tracked from a prior episode.^
49:34 in.^
(NtM: 7:37 ~ use this credit for Markowtiz suites)
* = Wasn't there a similar rig for explosives in an episode of "CHiPs"? I'm sure I've seen that before.
"Collision Course"
By: Richard Markowitz
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830352648951
Highlights:
2:27 in.^
4:35 in.^
8:46 in.^
12:16 in.
15:33 in.^
20:59 in.^
24:18 in.^
26:07 in.^
27:01 in. And the cue after the commercial break.^(second)
28:44 in.^
32:42 in.
34:13 in.^
36:37 in.^
38:55 in.^
44:49 in.^
47:49 in.^
49:27 in.^
Jack Lord guest stars as the bad guy.
About twelve years later Markowitz would go on to score one episode of "Hawaii Five-O", once again combining him and Lord.
Erskine: "Let's go bother some criminals."
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Continuing SEASON 2:
"Vendetta"
By: Sidney Cutner
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830352321271
Highlights:
1:45 in.^
3:59 in.^
8:35 in.^
17:49 in.^
21:09 in.^
26:46 in. Dramatic intro cue.^
28:06 in.^
31:33 in. Sad strings-lead music.
33:55 in.^
37:10 in.^
41:34 in.^
"Anatomy of a Prison Break"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830353500919
(Score: 0:15, 2:29, 3:41, 5:59, 8:13, 9:50, 15:09 [identify: cue after commercial break], 19:27 [identify], 20:28, 22:30 [identify], 24:01, 25:01 [identify: cue after commercial break], 26:22, 27:29, 30:39, 32:12, 35:41 [identify: cue after commercial break], 39:09, 44:52 [identify], and 49:46.)
"The Contaminator"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830353435383
(Score: 0:20, 5:19 [identify], 8:01 [identify], 12:06, 17:05 [identify: cue after commercial break], 20:07, 23:15, 27:05, 30:33, 33:59, 38:40, 41:12, 42:00 [identify; probably Markowitz], 47:52, and 48:55.)
"The Camel's Nose"
By: Richard Markowitz
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830352583415
Highlights:
1:32 in.^
3:11 in.
4:35 in.^
13:25 in.
15:59 in.^
17:39 in.^
25:05 in.^
27:28 in. And the cue after the commercial break.^
38:50 in.^
40:59 in.^
43:11 in.^
44:46/48:00 in.^
(NtM: 0:12, 31:20)
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Continuing SEASON 2:
All track-job episodes today.
"List for a Firing Squad"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830352386807
(Score: 0:12, 3:07 [identify], 5:01, 9:17, 12:10, 13:43, 20:02, 31:47, 23:25, 27:28, 29:42, 33:07 [identify: source cue after score cue -- might be one of the source cues from a prior episode], 36:44, 45:15 [identify], 48:16, and 49:43.)
"The Death Wind"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830354025207
7:05 in: helicopter porn.
(Score: 1:06, 3:01, 9:52, 13:02, 15:18 [identify: underwater music], 18:25, 22:52, 29:56, 31:41, 34:25, 38:33 [identify: cue after commercial break], 41:52, 43:21, 46:18 [identify], 48:58, and 49:41.)
"The Raid"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830353107703
(Score: 0:14 [identify], 5:03 [identify], 9:17, 10:48, 11:26, 13:37, 16:06, 17:08 [identify], 21:59 [identify: cue after the commercial break], 26:31, 27:35 [identify], 28:47, 30:59, 32:19 [identify; probably Markowitz], 34:41, 40:19, 45:06 [identify; quick staccato trumpet], and 46:30 [identify: first].)
"Passage Into Fear"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830352714487
A good portion of the episode takes place on a train and they decided to let there be quiet and train sound effects, so there's not as much tracked score in this episode as normal.
(Score: 0:12, 5:06, 6:43 [identify], 7:57 [identify], 20:05, 22:57, 25:28, 28:39, 30:15, 33:15, 40:46, 42:24, 44:25, and 48:52.)
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Continuing SEASON 2:
All track-job episodes today.
"The Courier"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830353959671
(Score: 0:12 [identify], 2:50, 4:54, 6:01, 7:56, 9:53, 11:41, 12:59, 13:50, 17:43, 20:44, 24:12, 26:00 [identify: cue after commercial break], 28:46, 31:53, 35:44 [identify: cue after commercial break], 39:00, 41:15, 45:16, and 46:19 [identify: both].)
"A Question of Guilt"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830353304311
(Score: 3:45, 5:05 [identify], 7:05 [identify; "The Red-Hand Gang" sounding bit], 9:02, 15:01 [identify: both], 18:42, 22:59, 25:20 [identify], 30:32, 33:26, 35:58 [identify: both], 42:38, 43:55, 45:57, 47:18 [identify], and 49:19.)
"The Gray Passenger"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830353828599
(Score: 2:01, 7:35, 11:24 [identify], 16:35, 18:52, 20:17, 22:23, 25:05, 30:12 [identify], 31:17, 34:23, 38:42, 40:32, 43:20, 44:39, and 48:42.)
"The Conspirators" (20)
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830353894135
(Score: 0:12, 3:56, 6:56 [identify], 9:34, 10:46, 15:25, 18:58, 19:43, 20:26, 23:53 [identify], 25:22 [theme then piano bits], 26:48 [identify: both], 28:13, 31:50, 32:45, 33:33, 35:41 [identify: swirling strings and staccato brass over], 38:56, 39:46 [identify], 42:41, 44:23, and 49:46.)
"Rope of Gold"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830354090743
(Score: 0:44, 4:10, 7:49, 11:32, 12:41, 18:14, 18:55, 24:30, 25:45, 27:18, 29:13, 34:27, 36:18, 42:48 [identify], and 49:21.)
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