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SEASON 1:
A Quinn Martin TV series production from 1965 that ran for several seasons.
I should start off by saying I've never seen a single episode of this series.
All loads are in Spanish for the first season. Dailymotion links are in German. But it is about hearing the music, not watching the episodes for free when it can be bought or rented.
I don't have a lot of these done, so for the first season or two I am only posting once a week.
Attention readers: I have been implementing a system that is nothing more than a note to myself; for cues that I want to include in a suite one day, for now on I will denote them with ^ symbol. It has no special meaning to anyone else but myself. No, the lack of an up arrow symbol doesn't mean the cue is bad (it just may have too much SFX or FX for suite use or just isn't worth my time to edit and include). Hence forth this system will be in all future threads and pre-exiting threads that I go back to for missed episodes. Anything in ( ) are just notes to the arrow and you need not bother with that. The system does not mean that I will make a suite or that one has been made, it's simply for my own reference if and when I do decide to.
"The Monster"
By: Leo Arnaud
https://ok.ru/video/4472184703629 (link used)
Alternative link #1: https://www.bitchute.com/video/j6vUWsMaYOgh/
Alternative link #2: https://ok.ru/video/2178327513688 (reduced quality, in another language)
Alternative link #3: https://ok.ru/video/6638506084983
Highlights:
0:13 in.^
1:37 in.^
3:06 in.^
6:01 in.^
8:25 in.^
9:34 in.^
13:47/14:46 in. And the cue after the commercial break.^
22:47 in.^
23:34 in.^
27:16 in.
29:57 in.^
31:07 in.^
32:46 in.^
36:07 in.^
37:49 in.
41:03 in.^
46:34 in.
Soft, lush, warm, old-school score that is string heavy. Not what I was expecting -- given its a Quinn Martin series, but by no means a disappointment. Very pleasant surprise.
Sadly, MV mentioned they couldn't find any tapes for the series. Luckily, most of this score occurs between talking and has minimal sound effects when playing. The Kaper Collection at USC does not list anything from the show:
https://polishmusic.usc.edu/research/pmc-archives/kaper-collection/
(Note to Me: composer credit -- 49:56 in ~ 21:43)
"Image in a Cracked Mirror"
By: Bronislau Kaper
https://ok.ru/video/2178326858328 (link used)
Alternative link #1: https://www.bitchute.com/video/DnBY7MWMNXrk/
Alternative link #2: https://ok.ru/video/6638508771959
Highlights:
1:20 in. Dramatic cue lead by frantic strings, backed by brass and some timpani.^
6:54 in. Might be from the pilot.^
11:44 in.^
12:53 in. And the cue after the commercial break.^
21:19 in. Joining a cue already in progress.^
26:41 in.^
28:31 in. And the cue after the commercial break.^
30:47 in.^
36:21 in. Car chase music.^(use?)
39:27 in.
46:13 in.^
3:39 in: tracked from the pilot.
(NtM: composer credit -- 49:46 in)
"A Mouthful of Dust"
By: Bronislau Kaper
https://www.bitchute.com/video/s2GT7ZKdJPIx/
NEW LINK: https://ok.ru/video/6638931937911
NOTE: This link is safe to click on -- at least in FireFox. No other loads could be found; they were all mis-titled and not this episode. Apparently, since this episode deals with attempted rape, the episode is getting blocked just by name and number by many video websites, just like the "Gunsmoke" episode "Mannon".
Highlights:
0:59 in.^
11:45 in.^
15:42/18:06 in.^
20:49 in.^
26:00 in.^
31:20 in.^
32:56 in.^
34:02 in.^(34:49)
36:01 in.^
37:35 in.^
41:09 in. Really a fantastic closing cue, that just sort of builds all the way to the end. Kaper was a gifted composer.^
Co-guest-starring Robert Blake.
3:23 in: tracked from the pilot.
(NtM: 9:36)
"Slow March Up a Steep Hill"
By: Leo Arnaud
Music Conducted by: Dominic Frontiere
https://ok.ru/video/2178327054936
Alternative link: https://ok.ru/video/6638932986487
This is the final effort by Arnaud for the series.
Highlights:
0:08 in.^
2:37 in.^
8:14 in.^
10:54 in.^
20:37 in.^
21:12 in.^
24:42 in.^
29:22 in.^
35:38 in.^
42:02 in.^(parts)
Arnaud had a very short scoring career, going by his IMDb credits. About a dozen films, only getting credit on one, and this was the only TV series he worked on. In fact, this is his last scoring credit. He died in 1991 at the age of 86. I didn't find a cause of death.
(NtM: 16:49, 17:07, 19:00)
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I should note that even thought it ran for nine seasons, not every episode has a credited composer (so probably track jobs, despite Frontiere being still credited as a conductor); and some episodes with credited scores, track cues/parts of cues from earlier episodes. Even if all the tapes could be found, it's not as much as you might think.
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I could be wrong, but my theory is: since Frontiere is credited as a conductor when the series began, no matter the composer, he probably had some contractual obligation (or made a request) to be credited on track job episodes, since the music is stuff he conducted anyway.
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Continuing SEASON 1:
"The Insolents"
By: Bronislau Kaper
Music Conducted by: Dominic Frontiere
https://ok.ru/video/6638990199415
Alternative link: https://ok.ru/video/2178327186008 (sadly, link used at the time; poor quality sound and in another language)
Highlights:
0:00 in.^
3:55 in.^
4:57 in.^
9:38 in.
11:07 in.^
12:24 in. And the cue after the commercial break (I think heard in the previous episode with Blake).^
13:57 in.^
19:29 in. Short outtro cue and short intro cue.^
23:22 in.
29:30 in.
31:25 in.^(second)
37:15 in. Dramatic brass-lead cue.^
41:50 in.^
46:33 in.^
49:11 in.^
"To Free My Enemy" (6)
By: Richard Markowitz
Music Conducted by: Dominic Frontiere
https://ok.ru/video/2178327841368
Alternative link: https://ok.ru/video/3372186077823
Highlights:
2:04 in.^
14:23 in.
17:17 in. And the cue after the commercial break.^
21:52 in.^
23:38 in.^
29:25 in.^
33:01 in Part of this cue is heard in the train bomber episode (both this one and the cue below are in the same track when the young man wrecks his model train set). It may have originated in this episode.
35:24 in. Tracked into the train bomber episode.^
36:06 in. This track is heard in the train bomber episode. I think it originated in this episode.
39:19 in.^
42:05/45:10/46:30 in. Two parts of the third cue are tracked into the train bomber episode; one that opens up the rage when smashing the train set, and quickly thereafter part of the train exploding in the open.^
49:14 in. Mostly re-used for the closing cue of the train bomber episode.^
4:33 in: tracked from the pilot.
25:29 in: tracked from the train bomber episode, which hasn't aired yet, so that score must have already been in the can.
27:45 in: edited tracked cue. Also heard in the train bomber episode.
(Note to Me: composer credit -- 50:57 in)
"The Problem of the Honorable Wife"
By: Bronislau Kaper
Music Conducted by: Dominic Frontiere
https://ok.ru/video/6673556507255
Alternative link: https://ok.ru/video/2178327317080 (link used; reduced quality and in another language)
Highlights:
0:00 in.^
6:14 in.^
10:18 in.^
16:59 in.^
26:24 in.^
27:59 in. On a set of season one scoring, I'd probably combine this with the above cue.^
34:11/36:48/39:32 in. On a set of season one scoring, these three dramatic/tense cues naturally go together.^
41:11 in. Another dramatic cue.^
4:27 in: tracked from the pilot.
9:26 in: from the train bomber episode.
"Courage of a Conviction"
By: Bronislau Kaper
Music Conducted by: Dominic Frontiere
https://ok.ru/video/2178328300120 (reduced quality, in another language)
Alternative link: https://ok.ru/video/6673556703863
Highlights:
11:56 in.^
13:57 in.^
26:01 in.^
32:05 in.^
42:37 in.^
46:05 in.^
1:10 in: tracked from "To Free My Enemy".
3:38 in: tracked from the pilot.
5:49 in: tracked.
15:47 in: tracked. Alternative link.
17:07 in: tracked. Alternative link.
24:03 in: tracked. Alternative link.
39:44 in: tracked. Also heard in part in the train bomber episode. In fact, I think everything from this cue to the closing cue of the episode, is tracked.
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Continuing SEASON 1:
"The Exiles"
By: Richard Markowitz
Music Conducted by: Dominic Frontiere
https://ok.ru/video/2178327382616 (reduced quality, in another language)
https://ok.ru/video/6673556834935
Highlights:
0:10 in.^
1:19 in.^
4:29 in.^
7:30 in.^
9:53 in.^
13:32 in. And the cue after the commercial break.^
16:45 in.^
24:07 in.^
26:26 in.^
28:10 in.^
35:20 in.^
39:09 in.^
42:18 in.^
44:22 in. End of the episode cuts off early, so the full cue is not heard.
(NtM: 6:21, 22:22)
"The Giant Killer"
By: Bronislau Kaper
https://ok.ru/video/2178328103512 (reduced quality, in another language)
https://ok.ru/video/6673556900471 (sounds like it was recorded from inside a box next to a TV)
(no decent-quality load found)
Highlights:
9:58 in.^
14:12 in.^
27:21 in.^
30:23 in.^
38:18 in.^
0:39 in: tracked from the train bomber episode.
16:34 in: tracked.
19:44 in: tracked from the train bomber episode.
21:21 in: tracked.
32:48 in: tracked.
40:33 in: tracked from the train bomber episode.
I'm not sure how much -- if any -- original scoring there is in this episode.
"All the Streets Are Silent" (11)
By: Bronislau Kaper
https://ok.ru/video/4096320539212 (volume is a little too high on this load; might want to turn it down)
Alternative link: https://ok.ru/video/6685690366583
Highlights:
1:06 in.^
6:04 in.^
12:41 in.^
13:50 in.^
19:46 in.^
22:00 in.
24:44 in. Might be a tracked Markowitz cues (his familiar three-note woodwind motif is heard).
26:17 in. And the cue after the commercial break.^
33:08 in.^
37:15 in.^
39:02 in.^
45:16 in.
45:53 in.
3:47 in: tracked from the pilot.
8:20 in: tracked. Alternative link.
20:56 in: tracked. Alternative link. Probably Markowitz.
41:05 (used link)/41:30 in: tracked. Alternative link. Probably Markowitz.
48:21 in: tracked. Alternative link. Probably Markowitz.
I'm not sure how much original scoring -- if any -- is in this episode.
Trivia: There was not and still has not been, a movie called "Syndicate Girl".
"An Elephant is Like a Rope" (12)
By: Richard Markowtiz
https://ok.ru/video/549716101698
Alternative link: https://ok.ru/video/6685690432119
Highlights:
0:44 in.^
4:06 in.^
5:30 in.
6:48 in.^
13:15 in.^
15:55 in.
20:35/21:41 in.^
23:41 in.^
25:05 in.^
26:35 in.^
29:45 in.^
32:56 in. And the cue after the commercial break.^
34:49 in. And the source cue that immediately follows it.^
36:16 in.^
37:28 in.^
42:46 in.^
46:12 in.^
24:46 in: tracked. Alternative link. Probably Markowitz.
28:27 in: tracked. Alternative link. Probably Markowitz.
43:46 in: tracked. Alternative link.
45:46 in: tracked. Alternative link. Probably Markowitz.
There may be very little original scoring in this episode.
(Note to Me: 28:20)
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Continuing SEASON 1:
"How to Murder an Iron Horse"
By: Bronislau Kaper
https://ok.ru/video/584825702978 (link used)
Alternative link: https://ok.ru/video/6685690956407 (better quality)
Highlights:
0:41 in.^
6:01 in.^
7:42 in.^
10:32/13:18 in.^
15:51 in.^
17:00 in.^
18:15 in. Pauses for a few seconds, then continues.^
20:53 in.^
21:36 in.^
23:38 in.^
25:35 in.^
28:41 in.
29:50 in.^
32:56 in.^
36:39 in.^
37:30/39:30/40:35 in. Dramatic driving music for trying to capture the bomber.^
45:42 in.
A.K.A.: The train bomber episode, as referred to in later episodes.
A number of cues in this episode are tracked from prior ones. Also, score in the episode is edited up and tracked in the episode; nearly all the train brass music is the same cue just edited up and sometimes with entirely different cues edited in.
"Pound of Flesh" (14)
By: Bronislau Kaper
https://ok.ru/video/593039854146
Highlights:
0:19 in.^
2:12 in.^
10:12 in.^
15:49 in. And the cue after the commercial break.^(second)
17:15 in.^
21:42 in. Short outtro cue. And the cue after the commercial break.^
25:24 in.^
29:30 in.^
38:18 in. 40:28 in is tracked from the train bomber episode.^
42:36 in.^
43:32 in.^
I think some Markowitz might be tracked in this episode. But I wonder how he got a gig alternating with Kaper. Did they know each other? Did he study with Kaper?
(NtM: 8:14, 26:44, 31:29, 34:11)
"The Hijackers"
By: Richard Markowitz
https://ok.ru/video/2649020959414 (video sound quality too poor for suite use)
Highlights:
3:54 in.^
9:27 in.^
10:39 in.^
19:25 in.^
25:06 in.^
27:51 in.^
35:19 in.^
35:28 in. Snare drum, timpani and brass lead this steady pensive cue.^
39:15 in.
42:10 in.^
43:52 in.^
49:08 in.^
(NtM: 15:20, 16:46, 23:36, 26:33, 31:40, 32:22, 38:31)
"The Forests of the Night" (16)
By: Bronislau Kaper
https://www.dailymotion.com/video/x8d3o0f
Alternative link: https://ok.ru/video/6685760227959
Highlights:
0:25 in. From the train bomber episode, but I can't say if it originated in that episode.
3:38 in.
6:25 in.^
18:16 in.^
20:02 in.^
21:41 in.^
30:13 in.^
31:27 in.^
34:54 in. Including brief airplane porn.^
40:08 in.^
42:51 in.^
Kaper's dramatic edgy music for both fire scenes, is great stuff.
(NtM: 9:41, 28:32, 32:40)
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Continuing SEASON 1:
"The Chameleon"
By: Bronislau Kaper
https://www.dailymotion.com/video/x8d3nyr (volume level is really low)
https://ok.ru/video/6688666815095
Highlights:
1:27 in.
14:46 in.^
20:26 in.^
23:20 in.^
29:48 in.^
31:50 in.^
39:07 in.^
9:26 and the cue before it (not cited) are both from the train bomber episode. Though I can't say they originated in said episode.
(NtM: 14:07, 18:26, 19:00, 28:26)
"The Sacrifice" (18)
By: Bronislau Kaper
https://www.dailymotion.com/video/x8d4h6l
https://ok.ru/video/6688667077239
Highlights:
0:23 in.^
15:35 in.^
19:09 in.^
22:27 in. And I'll take the 1960's light rock source cue that immediately follows it.^
24:52 in.^
29:33 in.^
31:21 in.^
34:06 in.^
39:20 in.^
40:36 in. Part of this cue is tracked from the train bomber episode.^
43:09 in. This might be tracked Markowitz.^
Special note to the acting of Ed Begley, who really immersed himself in the role. Even the nervous fidgeting appeared real. Well, except those last three or four seconds that close out the episode, with his character crying -- that was very subpar.
In the 15:00 range that cue heard in the train bomber episode, is heard here yet again. They really liked this cue.
(NtM: 12:36, 21:29, 32:18)
"Special Delivery"
By: Bronislau Kaper
https://www.dailymotion.com/video/x8d4h5g
https://ok.ru/video/6688667208311
NOTE: Episode load is incomplete.
Highlights:
8:32 in.^
15:57 in.^
18:47 in.^
22:26 in.^
23:59 in.^
27:14 in. Based on the abrupt opening (which I don't think was dialed in), I think this may be tracked from a prior episode.
29:26 in.^
in.^
in.^
in.^
in.^
(NtM: 4:10, 15:02)
"Quantico" (20)
By: Bronislau Kaper
https://ok.ru/video/4096337840716 (link used)
Alternative link: https://www.dailymotion.com/video/x8d57wj
Alternative link #2: https://ok.ru/video/6688667404919
Highlights:
0:19 in.^
5:09 in.
7:42 in.^
11:36 in.^
17:00 in.^
22:15 in.^
22:45 in.^
27:00 in. I think this is tracked Markowitz.^
28:54 in.^
32:38 in. This might be tracked as well.^
39:33 in.^
(NtM: 14:30, 45:00)
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Continuing SEASON 1:
"The Divided Man"
By: Sidney Cutner
https://www.dailymotion.com/video/x8d8kdu
https://ok.ru/video/6692089563767
Highlights:
0:24 in. Cutner grabs you right away with his tense cue with jazz work; cue ends a few seconds after the explosion. Thankfully there's barely any FX in this cue.^
6:01 in.^
8:28 in.^
11:42 in.^
18:29 in.^
21:06 in. Brass leads for a tense cue.^
25:59/27:35 in.^
28:45 in.^
33:37 in.^ *
36:30 in.^
42:46 in.^
Right out the gate Cutner impresses with a fantastic score and surely amongst the series' best efforts. I cited all but maybe two or three cues. I wouldn't be opposed to the full score being released.
(NtM: 31:55)
* = I think that shot in he microscope aligning the markings, is re-used from a prior episode.
"The Defector (Part 1)" (26)
By: Bronislau Kaper
https://www.dailymotion.com/video/x8d9omv
https://ok.ru/video/6692089760375
Highlights:
0:52 in.^
4:28 in.^ *
21:57 in.^
29:50 in.^
35:42 in.^
43:10 in.^
2:36 in: tracked from a prior episode. Heard in the train bomber episode, but may not have originated in said episode.
7:18 in: tracked. Most of this is heard in the train bomber episode, but that episode had tracked music, too.
9:29 in: tracked from a prior episode.
10:36 in: tracked from a prior episode.
21:26 in: tracked from a prior episode.
24:27 in: tracked from a prior episode.
37:15 in: tracked from the train bomber episode.
* = Gotta laugh at that jazz musician. Doesn't try to save anybody's life, cuts in front of women to get out, and carries his double bass with him. No shits given. Fuck everyone else.
"The Defector (Part 2)"
By: Bronislau Kaper
https://www.dailymotion.com/video/x8d9onl
Highlights:
0:57 in.^
5:39 in.^
6:27 in.^
13:14 in.^
15:20 in.^
19:25 in.^
24:08 in.^
29:42 in.^
35:18 in.^
39:07 in. Dramatic scoring for a car speeding away from a helicopter, lead by brass, snare drums and hurried strings.^
43:50 in.^
I'm not sure how much original scoring is in this episode. I cant' say with 100% certainty, but I think many of the cues above are tracked.
37:40 in: tracked from the train bomber episode.
"The Tormentors" (28)
By: Bronislau Kaper
https://www.dailymotion.com/video/x8d9ono
Highlights:
1:06 in.^
8:17 in.^
9:36 in.^
14:12 in.^
21:00 in.^
22:50 in.^
24:27 in. This might be tracked from "The Divided Man".^
25:38 in. The source music.^
27:45 in.^
35:05 in.^
38:28 in.^
5:26 in: tracked from a prior episode. Part of it used in the train bomber episode, too.
19:16 in: tracked from a prior episode. Part of it used in the train bomber episode, too.
36:25 in: tracked from a prior episode. Part of it used in the train bomber episode, too. Same cue was used earlier in the episode.
43:37 in: most of the closing cue from the train bomber episode.
(NtM: 30:42)
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Finishing SEASON 1:
"The Animal"
By: Bronislau Kaper
https://www.dailymotion.com/video/x8darh9
Alternative link #1: https://ok.ru/video/4096334236236 (warped sound; not suitable for suite use)
Alternative link #2: https://ok.ru/video/4023280732813
Highlights:
3:46 in.^
5:59 in.^
14:19 in.^
16:36 in.^
19:21 in.^
42:45 in.
10:16 in: tracked from a prior episode.
(NtM: 18:01, 43:53)
"The Plunderers" (30)
By: Bronislau Kaper
https://www.dailymotion.com/video/x8darhl
Highlights:
8:55 in. I think they may be tracked from a prior episode.^
11:21 in.^
14:52 in. No, it's not your computer or headphones -- the sounds shifts to the right channel for a period.^
20:02 in.^
25:35 in.^
26:58 in.^
31:25 in.^
35:28 in. A few minutes of mostly tense and dramatic material, which stops for tracked score, then picks back up and closes out the episode. I suspect though, that it might all be an edited track job.^ *
23:25 in: tracked.
39:15 in: tracked. Some of this also heard in the train bomber episode.
* = CinemaSins voice: "And of course he's eating an apple, because he's an asshole."
"The Bomb That Walked Like a Man"
By: Bronislau Kaper
https://ok.ru/video/3991695723149 (link used) (LO: 8:50
Alternative link #1: https://www.dailymotion.com/video/x8darif
Highlights:
8:59 in.
11:37 in.^
14:21 in.^
15:55 in.^
16:59 in.^
20:49 in.^
23:00 in.^
29:22 in.^
34:08 in.^
39:41 in. Might be a tracked Markowitz cue. Barely any FX.^
42:25 in.
44:36 in.^
48:05 in.^
0:22 in: tracked from a prior episode. Part of this was used in the train bomber episode.
3:20 in: tracked.
(NtM: 3:57, 10:40, 18:20)
NO LOAD FOUND.
"The Hiding Place" (32)
By: Bronislau Kaper
This is the final effort by Kaper for the series.
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SEASON 2:
"The Price of Death"
"MUSIC COMPOSED BY": Richard Markowitz
https://ok.ru/video/2830352911095
Highlights:
1:20 in.^
3:36 in.^
6:12 in.^
8:42 in.^
12:36 in.^
14:50 in.^
21:20 in.^
22:53 in. And the cue after the commercial break.^(second)
26:22 in.^
29:07 in.^
30:40 in.^
35:07 in. Short outtro and the cue after the commercial break.^
38:39 in.^
41:36 in.^
42:25 in.^
44:28 in. And the cue after the commercial break.^
(NtM: 4:37)
Markowtiz provides a good score for a good episode. Both lead baddies were perfectly cast.
Robert Blake once again guest stars in the series, playing a different bad guy.
"The Escape"
By: Sidney Cutner
https://ok.ru/video/2830352976631
Highlights:
10:00 in.^
12:16 in.^
18:13 in.^
25:30 in.
26:52 in.^
29:31 in.^
30:22 in.^
31:40 in.^
32:57 in.^
37:11 in.^
39:21 in.^
40:21 in.^
43:05 in. Including dramatic music lead by brass. Over three minutes long.^
49:23 in.^(close)
4:01 in: tracked from the pilot.
(NtM: composer credit -- 50:37 in [use this one for Cutner suites] ~ 14:08, 36:00)
"The Assassin"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830354156279
(Score: 0:13, 1:33, 2:51, 4:15, 8:23, 11:23, 14:03 [score also heard in the train bomber episode; I forget which one it originated in], 19:45, 20:50 [from the season two opener], 23:43, 25:39, 28:50, 30:33, 31:50, 33:46, 38:17, 41:51, 43:42, 44:18, and 48:42.)
"The Cave-In"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830352845559
(Score: 0:15, 2:55, 5:01, 9:56, 14:37, 16:29, 18:29, 20:12, 21:16, 23:35, 27:11, 29:32, 31:25, 33:31, 37:21, 39:25, 42:41, 44:19, and 49:07.)
Out-of-context quote.
Guy: "Here, have a pull."
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Continuing SEASON 2:
"The Scourge"
By: Sidney Cutner
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830353238775
Highlights:
3:14 in.^
6:07 in.^
6:39 in.^
9:32 in.^
13:00 in.^
15:13 in.^
19:46 in.^
21:27 in.^
23:00 in.^(connect to 18:52)
25:17 in.^
32:39 in.^
34:08 in.^
35:49 in.^
43:30 in.^
44:43 in. Including action music lead by brass and snare drum.^
49:35 in.^(close)
18:52/28:06 in: tracked from season one. Yes, used twice.
(NtM: 18:32)
"Most people in business only have overhead and taxes to keep them broke. Me? I gotta have a brother, too!"
"The Plague Merchant"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830352517879
(Score: 0:15, 1:30, 3:25, 7:15 [from the season two opener], 10:39, 19:06, 22:18 [identify], 25:32, 27:05, 27:54 [identify: action music], 30:29, 32:00, 34:29, 36:15, 38:59 [identify: cue after commercial break], 40:29, 41:36, 43:38, 48:12 [identify: cue after commercial break], and 49:13)
"Ordeal"
By: Richard Markowitz
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830352255735
Highlights:
0:13 in.^
9:00 in.^
12:53 in.^
17:09 in.^
19:26 in.^
25:40 in. Joining a cue already in progress. And the cue after the commercial break.^
27:44/29:24/31:39 in. And the cue after the commercial break of the third cue, which sounds like a natural continuation, so I would crossfade them together on a set of season two scoring.^ *
36:26 in.^
41:10 in.^
43:45 in.^
47:19 in. The cue after the commercial break is tracked from a prior episode.^
49:34 in.^
(NtM: 7:37 ~ use this credit for Markowtiz suites)
* = Wasn't there a similar rig for explosives in an episode of "CHiPs"? I'm sure I've seen that before.
"Collision Course"
By: Richard Markowitz
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830352648951
Highlights:
2:27 in.^
4:35 in.^
8:46 in.^
12:16 in.
15:33 in.^
20:59 in.^
24:18 in.^
26:07 in.^
27:01 in. And the cue after the commercial break.^(second)
28:44 in.^
32:42 in.
34:13 in.^
36:37 in.^
38:55 in.^
44:49 in.^
47:49 in.^
49:27 in.^
Jack Lord guest stars as the bad guy.
About twelve years later Markowitz would go on to score one episode of "Hawaii Five-O", once again combining him and Lord.
Erskine: "Let's go bother some criminals."
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Continuing SEASON 2:
"Vendetta"
By: Sidney Cutner
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830352321271
Highlights:
1:45 in.^
3:59 in.^
8:35 in.^
17:49 in.^
21:09 in.^
26:46 in. Dramatic intro cue.^
28:06 in.^
31:33 in. Sad strings-lead music.
33:55 in.^
37:10 in.^
41:34 in.^
"Anatomy of a Prison Break"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830353500919
(Score: 0:15, 2:29, 3:41 [should be from "Vendetta" score], 5:59, 8:13, 9:50, 15:09 [identify: cue after commercial break; "Vendetta" maybe], 19:27 [identify; "Vendetta" maybe], 20:28, 22:30 [identify; "Vendetta" maybe], 24:01, 25:01 [identify: cue after commercial break; first might be season two opener], 26:22, 27:29, 30:39, 32:12, 35:41 [identify: cue after commercial break; "Vendetta" maybe], 39:09, 44:52 [identify], and 49:46.)
"The Contaminator"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830353435383
(Score: 0:20, 5:19 [identify; possibly one of the first two season two scores], 8:01 [identify; "Vendetta" maybe], 12:06, 17:05 [identify: cue after commercial break], 20:07, 23:15, 27:05, 30:33, 33:59, 38:40, 41:12, 42:00 [identify; probably Markowitz], 47:52, and 48:55.)
"The Camel's Nose"
By: Richard Markowitz
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830352583415
Highlights:
1:32 in.^
3:11 in.
4:35 in.^
13:25 in.
15:59 in.^
17:39 in.^
25:05 in.^
27:28 in. And the cue after the commercial break.^
38:50 in.^
40:59 in.^
43:11 in.^
44:46/48:00 in.^
(NtM: 0:12, 31:20)
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Continuing SEASON 2:
All track-job episodes today.
"List for a Firing Squad"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830352386807
(Score: 0:12, 3:07 [identify], 5:01, 9:17, 12:10, 13:43, 20:02, 31:47, 23:25, 27:28, 29:42, 33:07 [identify: source cue after score cue -- might be one of the source cues from a prior episode], 36:44, 45:15 [identify], 48:16, and 49:43.)
"The Death Wind"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830354025207
7:05 in: helicopter porn.
(Score: 1:06, 3:01, 9:52, 13:02, 15:18 [identify: underwater music], 18:25, 22:52, 29:56, 31:41, 34:25, 38:33 [identify: cue after commercial break], 41:52, 43:21, 46:18 [identify], 48:58, and 49:41.)
"The Raid"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830353107703
(Score: 0:14 [identify], 5:03 [identify], 9:17, 10:48, 11:26, 13:37, 16:06, 17:08 [identify], 21:59 [identify: cue after the commercial break], 26:31, 27:35 [identify], 28:47, 30:59, 32:19 [identify; probably Markowitz], 34:41, 40:19, 45:06 [identify; quick staccato trumpet], and 46:30 [identify: first].)
"Passage Into Fear"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830352714487
A good portion of the episode takes place on a train and they decided to let there be quiet and train sound effects, so there's not as much tracked score in this episode as normal.
(Score: 0:12, 5:06, 6:43 [identify], 7:57 [identify], 20:05, 22:57, 25:28, 28:39, 30:15, 33:15, 40:46, 42:24, 44:25, and 48:52.)
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Continuing SEASON 2:
All track-job episodes today.
"The Courier"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830353959671
(Score: 0:12 [identify], 2:50, 4:54, 6:01, 7:56, 9:53, 11:41, 12:59, 13:50, 17:43, 20:44, 24:12, 26:00 [identify: cue after commercial break], 28:46, 31:53, 35:44 [identify: cue after commercial break], 39:00, 41:15, 45:16, and 46:19 [identify: both].)
"A Question of Guilt"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830353304311
(Score: 3:45, 5:05 [identify], 7:05 [identify; "The Red-Hand Gang" sounding bit], 9:02, 15:01 [identify: both], 18:42, 22:59, 25:20 [identify], 30:32, 33:26, 35:58 [identify: both], 42:38, 43:55, 45:57, 47:18 [identify], and 49:19.)
"The Gray Passenger"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830353828599
(Score: 2:01, 7:35, 11:24 [identify], 16:35, 18:52, 20:17, 22:23, 25:05, 30:12 [identify], 31:17, 34:23, 38:42, 40:32, 43:20, 44:39, and 48:42.)
"The Conspirators" (20)
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830353894135
(Score: 0:12, 3:56, 6:56 [identify], 9:34, 10:46, 15:25, 18:58, 19:43, 20:26, 23:53 [identify], 25:22 [theme then piano bits], 26:48 [identify: both], 28:13, 31:50, 32:45, 33:33, 35:41 [identify: swirling strings and staccato brass over], 38:56, 39:46 [identify], 42:41, 44:23, and 49:46.)
"Rope of Gold"
TRACK JOB
"Music Conducted by...
DOMINIC FRONTIERE"
https://ok.ru/video/2830354090743
(Score: 0:44, 4:10, 7:49, 11:32, 12:41, 18:14, 18:55, 24:30, 25:45, 27:18, 29:13, 34:27, 36:18, 42:48 [identify], and 49:21.)
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