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Posted: |
Aug 29, 2023 - 1:45 PM
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By: |
GoblinScore
(Member)
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I hope so! Certainly sees weekly love in my airspace. Program looks, from what I could decipher, the usual. Lawrence. Witness. Zhivago. Bah... Play some Prancer, Almost An Angel, Shadow of the Wolf, The Extraordinary Seaman, Shout at the Devil, El.Condor! Not just title-dropping, honestly wish I had the bread to mount a concert of obscurity for an audience of 10! Regardless, this thread warmed my heart, keeping the Maestro in view, standard warhorses or not! Pace -Sean
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Posted: |
Aug 29, 2023 - 4:31 PM
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By: |
podres185
(Member)
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I hope so! Certainly sees weekly love in my airspace. Program looks, from what I could decipher, the usual. Lawrence. Witness. Zhivago. Bah... Play some Prancer, Almost An Angel, Shadow of the Wolf, The Extraordinary Seaman, Shout at the Devil, El.Condor! Not just title-dropping, honestly wish I had the bread to mount a concert of obscurity for an audience of 10! Regardless, this thread warmed my heart, keeping the Maestro in view, standard warhorses or not! Pace -Sean I'd happily be among that audience of 10. Jarre's scores for major epics have received deserved fame and praise, but his creativity and genius are equally at work on so many, many lesser (in fact, barely even heard of!) films.
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The Collector is a vastly underrated score. I would love to see a release--or just re-issue-- of Night of the Generals. I hope the labels do their thing next year regarding Jarre.
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I've missed out on a few, but now I'm ready.
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Posted: |
Aug 31, 2023 - 11:55 AM
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By: |
GoblinScore
(Member)
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If the Labels could redo NIGHT OF THE GENERALS, a fully expanded THE BRIDE and perhaps unearth hidden gems like THE MAGICIAN OF LUBLIN. Good shout on the Bride. I recall James has the original master, not sure whether Varese has the title rights. Either way a possibility for its release, would also love the ones mentioned. Please don't quote me (and with the sad dissolution of Mr. Fitzpatrick's Tadlow outfit, the point is moot), but THE BRIDE was discussed awhile back and either Varese still had the rights, Fitzpatrick HAD rescued the tapes, yet there wasnt much not included on the Varese release, and he considered at least a digital release. All or none of the above! I wish that one stayed in print forever. Gorgeous music, beautiful performance by the RPO, spot on recording by Dick Lewzey. Perfect album. Despite director Franc Roddam hating the score...noted in his commentary on the film I will never hear, because...who wants to hear poison dished onto a favorite composer?!? LUBLIN (LSO performance) is likely in limbo "thanks" to Kate Bush. Too bad the recent renaissance of her music (Running Up That Hill) didn't open the gates for this obscurity to be released. -Sean
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Mr. Jarre wrote some of the highest of high-impact cues in all of movie history, and some television ones too. I'll bet Quartet has a least a couple of Jarre scores in the pipeline.
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The Notre Dame ballet is exceptionally strong and tends to not get its due in these threads because it's not a film score. But it is Jarre through and through.
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