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 Posted:   Apr 21, 2024 - 5:16 PM   
 By:   jb1234   (Member)

I'll admit I'm only really interested in the concert works. I know they'll be thorny 70s academic works but curious to see how much of Horner's voice survives in them (kinda like Goldsmiths' Music for Orchestra). But I do hope everything comes to fruition at some point.

 
 Posted:   Apr 23, 2024 - 3:27 PM   
 By:   Lokutus   (Member)

So what's exactly the deal with that rumored LP release of THE HAND? Is it happening or is it some rumor only created by who knows who? If the score is getting released, what's the point of re-recording it? HELL if the score survives what's the point of re-recording it at all?

It was never explained why The Hand (and The Dresser) in particular was selected to be recorded if it is that difficult/expensive and ESPECIALLY when original recording is NOT LOST? Sure The Dresser is being mentioned all the time as Horner's family's favorite but still not a single word why it has to be re-recorded and what is that state of the original tapes.

The concert works are whole other thing and only part of this that really makes sense to go through with this.

Yet I still did pledge as soon as the campaign started.


***************

And if the whole project's costs are being covered by this campaign is the finished album only going to be available only to those who financed it?

 
 
 Posted:   Apr 23, 2024 - 7:26 PM   
 By:   GoblinScore   (Member)

So what's exactly the deal with that rumored LP release of THE HAND? Is it happening or is it some rumor only created by who knows who?

Checking the Shout!/Scream Factory site shows both Battle Beyond the Stars & Humanoids coming to vinyl, separately, 1000 copies each.


Only speculating, since they issued the blu ray of The Hand....

 
 
 Posted:   Apr 23, 2024 - 8:10 PM   
 By:   TJ   (Member)

So what's exactly the deal with that rumored LP release of THE HAND? Is it happening or is it some rumor only created by who knows who? If the score is getting released, what's the point of re-recording it? HELL if the score survives what's the point of re-recording it at all?

It was never explained why The Hand (and The Dresser) in particular was selected to be recorded if it is that difficult/expensive and ESPECIALLY when original recording is NOT LOST? Sure The Dresser is being mentioned all the time as Horner's family's favorite but still not a single word why it has to be re-recorded and what is that state of the original tapes.

The concert works are whole other thing and only part of this that really makes sense to go through with this.

Yet I still did pledge as soon as the campaign started.


***************

And if the whole project's costs are being covered by this campaign is the finished album only going to be available only to those who financed it?


Of course not. Perseverence Records will keep any profits.

 
 
 Posted:   Apr 28, 2024 - 10:33 PM   
 By:   BrenKel   (Member)

One week to go. Unless there is some serious increase in backers or a surprise investment this is dead in the water. I am very sad about this and disappointed.

 
 Posted:   Apr 29, 2024 - 4:35 AM   
 By:   Erik Woods   (Member)

Yeah, it sucks, but hopefully, they can revive the Kickstarter and focus on a smaller, more attainable amount to record one of the smaller scores and see how that goes. I'll be there to support them with my pledge no matter what they do. IMO, this is important and I hope these film scores and classical works all get recorded and released as some point.

-Erik-

 
 Posted:   Apr 29, 2024 - 7:25 AM   
 By:   Erik Woods   (Member)

For those that might have missed it, here is Jason Drury's chat with "James Horner's The Hand & The Dresser Complete Re-Recordings" producers, Robin Esterhammer & Nikiforos Chrysoloras.

https://www.cinematicsound.net/talking-soundtracks-interview-with-robin-esterhammer-nikiforos-chrysoloras/

-Erik-

 
 
 Posted:   Apr 29, 2024 - 12:25 PM   
 By:   BrenKel   (Member)

Yeah, it sucks, but hopefully, they can revive the Kickstarter and focus on a smaller, more attainable amount to record one of the smaller scores and see how that goes. I'll be there to support them with my pledge no matter what they do. IMO, this is important and I hope these film scores and classical works all get recorded and released as some point.

-Erik-


Yes I will definitely pledge again, and, like you suggested, I hope there is some thought around more manageable targets that we can latch on to and hopefully see come to fruition.

 
 
 Posted:   Apr 29, 2024 - 1:43 PM   
 By:   haineshisway   (Member)

To amplify one of the Orchestrator's points, I produced a re-recording of George Martin's score for three cellos and four trumpets for Strawberry Fields Forever (which constitutes the second half of the record) for my podcast. That's a 2:46 piece of music for seven musicians, all trained, several from the local orchestra. We played along with an isolation of the Beatles' rhythm track, and to get all the nuances of the performance right took three hours, and this wasn't a particularly complicated score.

These things take a tremendous amount of time, money and effort. I salute anyone who does this kind of work full time. It's incredibly difficult.


A three-hour session for 2:46? I've been at this game for over thirty years now, having produced over 180 albums, most of those with full orchestras. We were using the low-budget AFM agreement, so our sessions were four hours. In four hours, we got two songs an hour - with an ORCHESTRA and no rehearsal. That includes running it down, making fixes, patching in however many bars to cover any problems and a couple of overdubs. That's eight songs per session and in eight hours we were DONE with with the tracks for an entire album.

For the big Broadway cast albums it was usually three three-hour sessions and we got it done, just like every cast album up until a few years ago, when the producers began paying for them and doing them over a couple of days, which never happened before then, as you had to record on the cast's day off. That's how much time we had and we never went over it. To have seven musicians take three hours to record under three minutes of music for a podcast? I don't get it, I'm afraid smile Do you think Bill Stromberg comes out of a three-hour session with under three minutes of music?

 
 
 Posted:   Apr 29, 2024 - 1:57 PM   
 By:   GoblinScore   (Member)

I don't think anyone has mentioned it yet (and who knows how valid a date on the back of a cd is), but I have several of the Varese re recordings done in the late 90's recorded in one day. And an interview with Townson somewhere in which he states he rang Goldsmith to pop over to Scotland for the weekend and get Viva Zapata (or another title) in the can quickly.

Understood the scores may have been in hand already for Varese (and who knows the cost of those, but the controversial series was apparently popular), and The Hand/Classical Works are more elaborate in instrumentation than some of those Varese albums.

Sad this looks unlikely, sad that the price tag is so high, sad given Perseverance's track record trust is low.
Off to watch The Hand blu and just be sad....

 
 Posted:   Apr 29, 2024 - 2:08 PM   
 By:   Advise & Consent   (Member)

Understood the scores may have been in hand already for Varese (and who knows the cost of those, but the controversial series was apparently popular)....

Was the series controversial due to performance or recording technique issues. Im no expert, but I love the Herrmann recordings even if I would have preferred closer miking. That issue was somewhat mitigated on their North by Northwest recording, but I love them all, particularly Marnie.

 
 
 Posted:   Apr 29, 2024 - 2:43 PM   
 By:   GoblinScore   (Member)

Understood the scores may have been in hand already for Varese (and who knows the cost of those, but the controversial series was apparently popular)....

Was the series controversial due to performance or recording technique issues. Im no expert, but I love the Herrmann recordings even if I would have preferred closer miking. That issue was somewhat mitigated on their North by Northwest recording, but I love them all, particularly Marnie.





I love all of them too, and I said controversial for a number of complaints voiced here, including sound quality on Torn Curtain (recorded at Watsford Town Hall allegedly done the day after a beerfest (?!) which compromised the room), missing bars or instrumentation (Marnie), etc. There are countless threads and much higher pay grades that can address here I'm sure!


A number of issues, likely due to a single day of recording, folks here have which I don't. I'm a sucker for series....

My point is, yes one day recording will brew errors. As close to excellent as those Varese albums turned out, another day or even a pickup session or two just might have perfected things.

I realize it's somewhat apples & oranges in the end, but hopefully everyone sees what I'm getting at. Bruce made much more eloquent points above!

 
 Posted:   Apr 29, 2024 - 2:59 PM   
 By:   SchiffyM   (Member)

Those Varese recordings are a mixed bag. To me, some really suffer from the limited time to perform them. Off the top of my head, Anthony Adverse and The Agony and the Ecstasy are two that are very frustrating because of performance issues.

(I do feel that others are excellent.)

 
 
 Posted:   May 3, 2024 - 10:37 PM   
 By:   BrenKel   (Member)

Well this looks like it is dead in the water unless there is a serious investor just about to jump on board. Truly gutted.

I hope Sara Horner and her family don’t think the failure to raise the funds is down to a lack of interest in James Horner’s music. It is not. We want it!

It seems to me the whole thing has been mishandled from the start with the initial lack of information, excessive target and not limiting it to smaller projects.

Please understand, I totally applaud the efforts but it doesn’t seem to have worked - and a lot of people had reservations right from the get-go.

If this project gets revised I will still 100% support it.

And if this current project gets over the line in the next 60 hours I will take it all back!!

Keeping my fingers crossed for whatever happens next!

 
 
 Posted:   May 3, 2024 - 11:48 PM   
 By:   Paul Wendkos   (Member)

James Horner Robin Esterhammer Kickstarter is a FLOP! Is a F L O P!!

 
 Posted:   May 4, 2024 - 12:07 AM   
 By:   johnbijl   (Member)

No need to be a jerk about it

 
 
 Posted:   May 4, 2024 - 12:24 AM   
 By:   BrenKel   (Member)

No need to be a jerk about it

Totally agree. I hope my post was a little more balanced.

 
 
 Posted:   May 4, 2024 - 12:41 AM   
 By:   MThiermann670   (Member)

James Horner Robin Esterhammer Kickstarter is a FLOP! Is a F L O P!!



And why are you so disturbingly gleeful about it?

 
 
 Posted:   May 4, 2024 - 1:04 AM   
 By:   Thor   (Member)

Per what's been said earlier, I'm fairly confident that the team is already planning a new attempt, in a different format.

 
 Posted:   May 4, 2024 - 3:19 AM   
 By:   Nicolai P. Zwar   (Member)

I support this project and I put in my pledge, but it's probably not going to happen. Hey, it was a big project for a first time Kickstarter campaign. Perseverance aimed high, and if you aim that high, it can happen that you don't reach the goal. Nothing wrong with that. It shows how difficult it is these days though to finance orchestral recordings that are not otherwise sponsored.

 
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