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Also interesting.
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Dammit, I only just tracked down a reasonably priced copy of BLOODMOON less than a year ago.
ROAD GAMES, however, has proven very elusive, so I'm very happy about this and looking forward to future releases.
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Track 4 sample does not work.
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Track 4 sample does not work.
That is now fixed.
Ford A. Thaxton
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And the samples sound awesome. Time to double dip.
One of the BloodMoon cues has a very definite Donnagio-esque quality about it.
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The samples for the first score are what caught my ear, but without hearing the entire thing, I might have to preface that the liking may simply be to the obviously rip of Mars, Bringer of War.
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The samples for the first score are what caught my ear, but without hearing the entire thing, I might have to preface that the liking may simply be to the obviously rip of Mars, Bringer of War.
No surprise. The score is basically an awesome Ravel and Holst mishmash filtered through the Outback.
May actually makes you sit on the edge of your seat, knuckles white as snow, during one of the slowest chases ever committed to film. Awe inspiring stuff.
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The samples for the first score are what caught my ear, but without hearing the entire thing, I might have to preface that the liking may simply be to the obviously rip of Mars, Bringer of War.
Also every composer I can think of being "Influenced" by Holst and I countless film and TV scores.
If you are going be "Influenced", be influenced by the best.
Ford A. Thaxton
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And the samples sound awesome. Time to double dip.
One of the BloodMoon cues has a very definite Donnagio-esque quality about it.
I will mention that James Nelson's remastering job really brought out some wonder details in both scores.
I think you'll be quite happy whey ou get it.
Ford A. Thaxton
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