RECKLESS Thomas Newman AT CLOSE RANGE Patrick Leonard WHO'S THAT GIRL? Stephen Bray AFTER DARK MY SWEET Maurice Jarre GLENGARRY GLEN ROSS James Newton Howard TWO BITS Carter Burwell FEAR Carter Burwell THE CHAMBER Carter Burwell THE CORRUPTOR Carter Burwell CONFIDENCE Christophe Beck PERFECT STRANGER Antonio Pinto RED ZONE Fil Eisler FIFTY SHADES DARKER Danny Elfman FIFTY SHADES FREED Danny Elfman
The Chamber (one of Burwell's more underrated scores) closely followed by Fear. A shame Foley and Burwell stopped working together after The Corrupter.
I do also really like Patrick Leonard's score for At Close Range.
Foley did have a very interesting career. His early films were really great, with Glengarry Glenn Ross being the highpoint. Fear was fun in pulpy B-movie kinda way. Not sure what happened after that.
