You know what, Wonder Woman 1984 really does win this contest I think. I popped on the soundtrack album and the sketchbook album yesterday and it's really such an excellent score. Probably the best the tepid genre has produced in the last decade.
Ridiculous topic. With all the musical slaves Zimmer employs, how does one know where Zimmer stops and his slaves begin or does Zimmer ever end or begin?
I make this statement as one who believes Man of Steel to be one of--if not THE-best scores of the last 12 years, so I'm not Zimmer bashing.
Uh oh, here comes the autopilot FSM responses on a thread about Hans Zimmer. So what is your contribution Phelps, that Man of Steel is his best score to the worst movie? Instead of declaring it a ridiculous topic, have something to contribute to the topic.
Uh oh, here comes the autopilot FSM responses on a thread about Hans Zimmer. So what is your contribution Phelps, that Man of Steel is his best score to the worst movie? Instead of declaring it a ridiculous topic, have something to contribute to the topic.
It's a ridiculous topic because most of you people have never cared about how bad a film is, just as long as the score was made for the film. How many scores do you people here listen to despite having never watched the film?
