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INTRADA ANNOUNCES UPCOMING PREMIERE RELEASE OF DAVID SHIRE'S THE CONVERSATIONIntrada is proud to announce the second volume in its Special Collection, the premiere release of the much sought-after David Shire score to THE CONVERSATION. Written and directed by Francis Ford Coppola, Leonard Maltin (among most critics) considers THE CONVERSATION one of the best films of the 70s. One viewing and it's immediately apparent why: this sophisticated story -- part murder mystery, part character study -- features a tight script, moody cinematography, and a brilliant actor (Gene Hackman) for whom this part could have been specially written. Hackman plays Harry Caul, a surveillance expert who ironically obsesses about keeping his existence anonymous to the world, while recording other people and invading their privacy. The film opens with Caul and team recording what seems to be an innocuous conversation in San Francisco's Union Square. As the film progresses, Caul becomes more obsessed with the conversation he taped and becomes entangled in the case, sacrificing his much cherished privacy. An element that leads to the success of THE CONVERSATION is David Shire's moody score. It gets inside Harry Caul and is perhaps one of the most important examples of music and character being wedded. The score proper is composed for solo piano and the main theme musically represents the anonymity on which Caul thrives. At points in the score, Shire manipulates the music electronically, much in the same way Caul manipulates the multiple recordings he has of the conversation. The score also features jazz cues composed by Shire, some of which Caul accompanies with his own saxophone. When people saw the THE CONVERSATION in the 70s, they left the theaters with Shire's piano tune digging at their memory. But there was no way to appease that nagging, for no soundtrack had been released. In fact, over the years, David Shire's THE CONVERSATION has become one of the most requested soundtracks of all time. The theme has appeared here and there occasionally, but Intrada finally fills the absence with a full-length soundtrack. In addition to what is heard in the film, the master tapes also included an ensemble version of the main theme that wasn't used in the film, heard here for the first time. The Intrada Special Collection is a series of recordings focusing on film music from across the decades. This series is targeted to the discriminating soundtrack collector of film music and is available exclusively through Intrada and a select handful of soundtrack specialty shops. THE CONVERSATION The Intrada Special Collection Volume 2 Available: June Also Coming Soon from Intrada in its regular series of releases: Love and Treason (Basil Poledouris)
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YES!!
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I bought the DVD the Tuesday it came out. I had not seen the film for some years (but always recommended it). A great package, that DVD. The sound was remastered by the great Walter Murch himself for its 5.1 mix, and there is commentary from both Murch and Francis Ford Coppola. The film looked great and sounded amazing......and David Shire's score once again hit me like a ton of bricks. I love loading up the DVD just so I can hear the main theme played under the menu screen. I missed hearing quite a few of the cues heard in the film, most notably the slow, jazzy version played as Harry Caul shares an intimate moment with a woman at a party. I, for one, am ecstatic at finally having this masterful work on CD. It's coming at just the right time.
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Had it. Never played it. Sold it.
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Had it. Never played it. Sold it. THE MARSHALL DISMISSAL Playing it now ... not to everyone's tastes but for me, a Shire masterwork.
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Yeah, it's not all fun to listen to, but if you take away the Murch tracks and the jazz combo stuff, the score itself is simple and brilliant. I listen to it all the time!
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Yeah, it's not all fun to listen to, but if you take away the Murch tracks and the jazz combo stuff, the score itself is simple and brilliant. I listen to it all the time! The jazz combo stuff was the only good part. But not really.' Score' material.
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Had it. Never played it. Sold it. Ah yes, this is just the sort of introspective film music conversation I come here for. The joie de vivre, the unabashed enthusiasm, the precise (yet never cold) appreciation of a score's technical merits...it's all there, and in a mere 7 words. Lol! Best...post...ever!!! The Spook Hyperbole
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