Film Score Monthly
FSM HOME MESSAGE BOARD FSM CDs FSM ONLINE RESOURCES FUN STUFF ABOUT US  SEARCH FSM   
Search Terms: 
Search Within:   search tips 
You must log in or register to post.
  Go to page:    
 Posted:   Nov 30, 2006 - 9:29 PM   
 By:   PhiladelphiaSon   (Member)

There's a very good reason why every film version of Rodgers & Hammerstein's shows (except Flower Drum Song) was made at Fox.

Actually, that's because Fox had the right of first refusal, on every R&H musical. A deal established, prior to Newman doing any scoring; but, I agree about his work. To say his orchestrations are superb would be minimizing them. I also really appreciate what Irwin Kostel did with Rodgers' music in THE SOUND OF MUSIC.

 
 Posted:   Nov 30, 2006 - 9:44 PM   
 By:   Ron Pulliam   (Member)



Do you also hear voices whilst listening to Newman's "Song of Bernadette" Ron ????
big grin big grin big grin big grin


Not voices, no....but the wind kicks up, bits of dust are stirred up and magazine pages rustle noisily...

 
 Posted:   Dec 1, 2006 - 12:07 AM   
 By:   CH-CD   (Member)



Not voices, no....but the wind kicks up, bits of dust are stirred up and magazine pages rustle noisily...


Uh-Oh!......better watch out for a pool of water forming in the middle of your lounge!!

big grin big grin big grin



 
 Posted:   Dec 1, 2006 - 12:09 AM   
 By:   CH-CD   (Member)

.....Do you also hear voices whilst listening to Newman's "Song of Bernadette" Ron ????.....


I believe I keep hearing voices whenever I watch THE SNAKE PIT with Olivia de Havilland.

And they guide me in my posts here....."What?"

There was one right now. Did you hear it?

It sounded like someone familiar.

NEXT!



"Is someone there ?"

big grin

 
 Posted:   Dec 1, 2006 - 2:31 PM   
 By:   Ron Pulliam   (Member)




"Is someone there ?"

big grin



That's what he keeps asking....!

 
 
 Posted:   Dec 1, 2006 - 3:17 PM   
 By:   The_Mark_of_Score-O   (Member)

Actually, that's because Fox had the right of first refusal, on every R&H musical. A deal established, prior to Newman doing any scoring; but, I agree about his work. To say his orchestrations are superb would be minimizing them. I also really appreciate what Irwin Kostel did with Rodgers' music in THE SOUND OF MUSIC.

Maybe so, but R&H would never have signed such a contract in the first place, had it not been for Newman's presence and ability to do the adaptations.

 
 
 Posted:   Dec 1, 2006 - 9:07 PM   
 By:   John B. Archibald   (Member)

Did K&I originally have an intermission?

It would have come right after the sequence where they're all praying in the temple, as it does in the stage version.

 
 
 Posted:   Dec 1, 2006 - 9:25 PM   
 By:   manderley   (Member)

.....Maybe so, but R&H would never have signed such a contract in the first place, had it not been for Newman's presence and ability to do the adaptations.....


It should be pointed out that other than OKLAHOMA (produced at MGM and released by Magna), and FLOWER DRUM SONG (produced by UI), and SOUTH PACIFIC (produced at Fox by R&H)----the remaining five R&H/Fox musicals, STATE FAIR (1945), CAROUSEL (1956), THE KING AND I (1956), STATE FAIR (1962), and THE SOUND OF MUSIC (1965) are all based on properties originally owned and/or controlled/released in dramatic form by Twentieth Century-Fox. It's pretty logical that it's a two-way-street, with R&H owing to Fox for the original material, and Fox dealing with R&H for the musical adaptations.

 
 
 Posted:   Dec 1, 2006 - 11:06 PM   
 By:   joec   (Member)

Did K&I originally have an intermission?

It would have come right after the sequence where they're all praying in the temple, as it does in the stage version.


According to the 40th anniversary laser SP some early 1956 enagements did have an intrsission, but it was not required. Apparently it was up to the exhibitor. There was no overture, intermission or exit muisc prepared for the 1956 release. The Overture contained in the soundtrack album was prepared especially by Alfred Newman for the LP.

A 1961 70mm roadshow re-release did come with intermission. The overture, intermission and exit music were created by linking selections from Newman's underscore. The LP Overture still went unused for theatrical presentation. The 1961 roadshow presentation was utilized for the initial Fox DVD. However the latest 50th anniversary dvd goes back to the 1956 presentation with no overture, intermission or exit music.

Incidently none of the last minute cuts ordered by DF Zanuck made following the previews, but before the 1956 public premieres were ever restored to the film (1961 re-release or otherwise). The footage remains lost.

 
 Posted:   Apr 13, 2019 - 6:46 PM   
 By:   Sir David of Garland   (Member)

Does the expanded cd release of this have a lot of the underscore?

 
 
 Posted:   Apr 13, 2019 - 7:21 PM   
 By:   TacktheCobbler   (Member)

Does the expanded cd release of this have a lot of the underscore?

As far as I can tell, compared to the Gold CD from the laserdisc, the expanded Angel CD from 2001 (I could be wrong on this date) only contains a few select tracks of underscore, but adds the Prayer to Buddha and Small House of Uncle Thomas ballet (both taken directly off the film) that were absent from the laserdisc CD.

 
 
 Posted:   Apr 13, 2019 - 8:21 PM   
 By:   joec   (Member)

Does the expanded cd release of this have a lot of the underscore?

The gold laser disc CD is the way to go if you can find one.

 
 Posted:   May 7, 2019 - 8:28 PM   
 By:   Sir David of Garland   (Member)

Thanks, guys.

Does the laser disc CD look appreciably different from the regular release?

 
 
 Posted:   May 8, 2019 - 12:21 AM   
 By:   Bob DiMucci   (Member)

Thanks, guys.

Does the laser disc CD look appreciably different from the regular release?









 
You must log in or register to post.
  Go to page:    
© 2024 Film Score Monthly. All Rights Reserved.
Website maintained and powered by Veraprise and Matrimont.