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 Posted:   May 22, 2008 - 7:16 AM   
 By:   DavidCoscina   (Member)

I was perusing the iTunes catalog and came across few Gordon scores including Moby Dick and On The Beach. From the examples, I find Gordon to be quite excellent. I own his Salem's Lot Cd and even though the movie stank, his score was superb. I think I will buy his Moby Dick score. It sounds great.

I'm very happy to hear more from this composer as well as Alexandre Desplat, both of whom have solid compositional chops and are a bright spot on the horizon of where film scoring is headed.

 
 Posted:   May 22, 2008 - 7:46 AM   
 By:   MikeJ   (Member)

Wow, if Salem's Lot was your first exposure to Gordon, you're going to freak out after you finish with Moby Dick and On The Beach. Both are excellent scores...

 
 
 Posted:   May 22, 2008 - 7:48 AM   
 By:   franz_conrad   (Member)

His DAYBREAKERS score, which should be out in October, is a breath of fresh air. An impressive orchestral work with (a lot of) choral and electronic elements.

MAO'S LAST DANCER is another project he will be providing the music for.

 
 Posted:   May 22, 2008 - 8:57 AM   
 By:   ScoreDude   (Member)

Moby Dick I can highly recommend in addition to the Sainton score of the Huston/Peck version.

 
 Posted:   May 22, 2008 - 10:39 AM   
 By:   drivingmissdaisy   (Member)

You have to get his When Good Ghouls Go Bad and On the Beach, these two scores are incredible!!!

 
 Posted:   May 22, 2008 - 11:27 AM   
 By:   nuts_score   (Member)

Yay! More converts to Franz's and my army!

Huzzah!

 
 Posted:   May 22, 2008 - 1:07 PM   
 By:   Erik Woods   (Member)

I'm a big fan of Gordon's. Some of my favorite music of his comes from the 2006 Commonwealth Games and the Rugby World Cup. Those two complete scores showcase a composer who definitely knows his stuff and has a knack for creating wonderfully vibrant, memorable and fully developed themes. And I'm also the proud owner of his delicious score to the highly entertaining Ward 13. If you can ever catch that film... I saw it on an independent movie channel here in Canada... I highly receommend you take 15 minutes out of your life to check it out. The stop motion isn't the best I've ever seen but it gave Gordon the opportunity to write some wonderful and rousing action material.

Here is a composer who needs some more high profiled projects. He's a man who truly understands the importance of the pure orchestral score and is sadly under appreciated. I look forward to hearing more of his great work in the near future and is a composer that shouldn't be overlooked by any film music fan. On The Beach is a perfect example of one of the best scores I've heard in the past ten years that I'm sure a lot of film music fans aren't familiar with. I think Varese still has an entire warehouse full of On The Beach albums... such a shame.

-Erik-

 
 Posted:   May 22, 2008 - 1:13 PM   
 By:   DavidCoscina   (Member)

Thanks for the suggestions gents. I did end up buying his Moby Dick and it's made an indelible impression on me to say the least. I also bought Indy 4 this week and between the two, Moby Dick is getting more air time at the moment. Gordon should be composing for more films as he does know his way around the orchestra and music in general.

Gifted fellow!

 
 
 Posted:   May 22, 2008 - 4:30 PM   
 By:   antipodean   (Member)

He was largely also the uncredited conductor for the score on the "Moulin Rouge!" project. (Well, he is credited on the "Moulin Rouge! 2" album, but only if you look in the small print.)

I believe he also orchestrates his own music (unlike other composers who hand their music off to someone else to flesh out and complete.)

For someone who was self-taught, I'd say the man's abilities are pretty remarkable.

 
 Posted:   May 22, 2008 - 5:08 PM   
 By:   DavidCoscina   (Member)

He was largely also the uncredited conductor for the score on the "Moulin Rouge!" project. (Well, he is credited on the "Moulin Rouge! 2" album, but only if you look in the small print.)

I believe he also orchestrates his own music (unlike other composers who hand their music off to someone else to flesh out and complete.)

For someone who was self-taught, I'd say the man's abilities are pretty remarkable.



By self taught do you mean he did not study at a conservatory? The way he composes music, he must have at least had a look through a couple orchestration books.

 
 
 Posted:   May 22, 2008 - 5:40 PM   
 By:   antipodean   (Member)

By self taught do you mean he did not study at a conservatory? The way he composes music, he must have at least had a look through a couple orchestration books.

Trying to recall some conversations I've had with him, I'm pretty sure he did not attend conservatory (or otherwise he was, in his soft-spoken manner, being coy about it.)

But he does have (as I suspect many (film) composers also do) entire shelves of classical music scores, and books on composition and orchestration technique, etc in his home studio, and we've had some interesting conversations about the film compositional techniques of Mr Williams, Mr Shore, etc. (For the curious, I first met Chris at a music festival where he was arranging some music for orchestra, and occasionally we run into each other at local concerts.)

More importantly, I think Chris Gordon has a keen ear for musical texture, an innate sense of musicality and the ability to write a good tune given half the chance - all of which, as it were, cannot be "taught".

 
 Posted:   May 22, 2008 - 5:40 PM   
 By:   David Sones (Allardyce)   (Member)

Whoah. I had no idea that one of my favorite films (On the Beach) was remade! I'll check out the music, but from what I just researched about the remade film itself...I'll pass. smile

 
 Posted:   May 22, 2008 - 5:50 PM   
 By:   Olivier   (Member)

I was perusing the iTunes catalog and came across few Gordon scores including Moby Dick and On The Beach. From the examples, I find Gordon to be quite excellent. I own his Salem's Lot Cd and even though the movie stank, his score was superb. I think I will buy his Moby Dick score. It sounds great.


These are the only two scores of his I have, but I intend to get Master and commander: The Far Side of the World now I have seen the movie and heard the score, and Salem's Lot (of which I have heard samples I believe).

Moby-Dick is splendid-- I like the movie a lot, too.
On The Beach is a great score, too.
Truly excellent, both of them.

 
 
 Posted:   May 23, 2008 - 6:09 AM   
 By:   franz_conrad   (Member)



Trying to recall some conversations I've had with him, I'm pretty sure he did not attend conservatory (or otherwise he was, in his soft-spoken manner, being coy about it.)

But he does have (as I suspect many (film) composers also do) entire shelves of classical music scores, and books on composition and orchestration technique, etc in his home studio, and we've had some interesting conversations about the film compositional techniques of Mr Williams, Mr Shore, etc. (For the curious, I first met Chris at a music festival where he was arranging some music for orchestra, and occasionally we run into each other at local concerts.)

More importantly, I think Chris Gordon has a keen ear for musical texture, an innate sense of musicality and the ability to write a good tune given half the chance - all of which, as it were, cannot be "taught".


You're right, he did not go to the Conservatorium. His background in music was as a chorist as a younger man, I believe. (Which goes some way to explain why he writes so well for voice.)

He did a short suite earlier this year for a Museum setpiece that is the best piece of 'scoring' I've heard this year. It's a shame the piece will probably not be heard more widely.

We keep crossing paths, Antipodean! JB-Hifi, and now Christopher Gordon's house! Will we ever occupy the same real estate simultaneously?

 
 Posted:   May 23, 2008 - 6:41 AM   
 By:   mastadge   (Member)

No. You are in fact each other's alter ego.

 
 
 Posted:   May 23, 2008 - 8:09 AM   
 By:   antipodean   (Member)

We keep crossing paths, Antipodean! JB-Hifi, and now Christopher Gordon's house! Will we ever occupy the same real estate simultaneously?

Well - I've run into Chris at City Recital Hall Angel Place several times now, and I tend to loiter a lot in the bargain bin section of Fish Records...

 
 Posted:   May 23, 2008 - 8:32 AM   
 By:   DavidCoscina   (Member)

I have had the chance to listen to Moby Dick all the way through and it's really quite spectacular. I haven't been blown away by a score in ages. This is the first since......um.......hmmm.......Signs?


 
 
 Posted:   May 23, 2008 - 4:06 PM   
 By:   franz_conrad   (Member)

I hope Gordon gets a chance to record concert suites of MOBY DICK, as I'd like to hear the best parts of it grouped into a 25 minute presentation (like what he did with ON THE BEACH at Soncinemad).

 
 Posted:   May 23, 2008 - 4:56 PM   
 By:   Gunnar   (Member)

Olivier,

just in case you don't know already - on the "Master and Commander" CD, only about half of the tracks are by Christopher Gordon (and always co-composed with Iva Davies and Richard Tognetti). The other half are classical and folk pieces. Still, I think the album is a great listening experience and I can really recommend it.

Franz,

I second that a 25-minute suite from "Moby Dick" would be great. Although, if I have not enough time for the whole album, I also find "part one" and "part two" to be two nice stand-alone listening experiences. Altogether, "Moby Dick" is really a fantastic score - very different from Philip Sainton's. And finding your own voice in such a case seems to me already to be an achievement in itself, with such a great predecessor. I recommend both "Moby Dicks" to everyone looking for great symphonic film music (and who may have a soft spot for sea-faring music).

 
 Posted:   May 23, 2008 - 5:51 PM   
 By:   Olivier   (Member)

Thanks for the caveat, Gunnar; I remember the Captain and the doctor like to play classical music, indeed.

I particularly love the very dramatic piece at the end of Moby Dick's Part 1-- a most ominous motif.

 
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